{"title":"Blackmagic Design","description":"\u003cp\u003eProfessional broadcast solutions from \u003cstrong\u003eBlackmagic Design\u003c\/strong\u003e. Cameras, converters, switchers, and workflow tools engineered for reliable live production in studio and field environments.\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan lang=\"EN-CA\" style=\"mso-ansi-language: EN-CA;\"\u003eNeed help designing a reliable broadcast workflow?\u003c\/span\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cb\u003e\u003cspan lang=\"EN-CA\" style=\"mso-ansi-language: EN-CA;\"\u003eAt Broadcast Shop\u003c\/span\u003e\u003c\/b\u003e\u003cspan lang=\"EN-CA\" style=\"mso-ansi-language: EN-CA;\"\u003e, our consulting and engineering services help you build production systems that perform when it matters most.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"blackmagic-design-ursa-broadcast-camera-g2","title":"Blackmagic Design URSA Broadcast Camera G2","description":"\u003cp\u003e\u003cstrong\u003eBlackmagic URSA Broadcast G2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe world’s most flexible broadcast camera!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new Blackmagic URSA Broadcast G2 is an incredibly powerful camera designed for both traditional and online broadcasters. The 3 cameras in 1 design allows it to work as a 4K production camera, a 4K studio camera or a 6K digital film camera! It's a perfect solution for broadcasters because it uses the lenses and batteries you already own! You can record to common SD cards, UHS-II cards, CFast 2.0 cards or external USB disks, using common file formats such as H.265, ProRes and Blackmagic RAW. This means it's compatible with all video software and broadcast media management systems. You can even change the lens mount! No other broadcast camera is so flexible!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBroadcast Production Camera\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera so you can locate them by feel. It also features a low light sensor so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLive Studio Camera\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eURSA Broadcast includes an advanced YRGB color corrector built in and full remote camera control. You can use B4 ENG lenses, large studio box lenses, or even change the lens mount and use any lens! Plus the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDigital Cinema Camera\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eURSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount! Use a PL mount for digital film lenses or EF for photo lenses. Plus the high dynamic range, great low light performance and Blackmagic RAW means you get a true \"Hollywood\" quality digital film camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Digital Film Quality for Broadcast\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe large 6K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcast! The 6K sensor features a resolution of 6144 x 3456 so it's flexible enough for broadcast and digital film work. When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use. Then if you change to a PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film! With 13 stops of dynamic range, you get darker blacks and brighter whites, so it's perfect for color correction. Using digital film in broadcast is a revolution in image quality!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExceptional Low Light Performance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new URSA Broadcast features incredible low light performance so you can shoot using ambient light or even under moonlight! In advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set via a camera switch, the LCD menu or remotely using the SDI remote camera control protocol.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatible with B4 Broadcast Lenses (Standard)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera’s sensor. The B4 lens mount lets you use modern Ultra HD lenses or lower cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at low cost! B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don't need to constantly chase focus as you shoot. That lets you work much faster! You also get full electronic lens control to adjust focus, iris and zoom using the camera’s controls, or remotely! Plus if you want to use alternative lenses, you can change the mount to PL, EF and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt In Optical ND Filters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eURSA Broadcast G2 features high quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The ¼, 1\/16th and 1\/64th stop filters have been specifically designed to match the image sensor and color science of URSA Broadcast G2, providing you with additional latitude and better colorimetry. This lets you use different combinations of aperture and shutter angle, in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus the filter status on the LCD can be displayed as a fraction, number, or stop reduction!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse Common Media and File Formats!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eURSA Broadcast is designed to work with standard file formats that are used by all broadcast systems and editing software. You can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus you can record to Blackmagic RAW files, a revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of workflows.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Media Slots for Non‑Stop Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith dual CFast 2.0 recorders and dual SD\/UHS-II card recorders, you can choose the media that's best for you! Both types of media are standard, inexpensive and readily available at computer and camera stores. Plus with dual media slots, URSA Broadcast gives you non stop recording! When a card is full, recording automatically continues onto the next card so you can swap a full card while recording continues. You get enough speed to record high quality ProRes and H.265 video file formats, even when working in Ultra HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. You can even record 12-bit Blackmagic RAW cinema files!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB-C for Recording Direct to External Media Disks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic URSA Broadcast G2 features a high speed USB-C expansion port on the rear of the camera that allows you to record to external disks or connect to a wide range of accessories. If you plug in a large and low cost external USB flash disk, you can record ProRes, H.265 or even high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. Plus the USB port will power the disk that’s plugged in! You can even plug in optional focus and zoom demands to allow full lens control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProgram Video Monitoring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're doing live production, sometimes you need to monitor program video back from the switcher. Simply press the camera’s PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A built in speaker also lets you monitor the switcher audio as well. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what is happening and remain alert.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStandard Television Industry Connections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic URSA Broadcast G2 features the latest technology and connections such as 12G-SDI. This includes 12G-SDI connections for both video output and return program feed input. The 12G-SDI connections are multi rate and switch between all HD and Ultra HD formats up to 2160p60. Other connections include a headphone connection, USB-C, balanced XLR audio with phantom power, and timecode\/reference input. There's also a front mounted 12 pin Hirose connector for broadcast lens control which can also power the lens. Plus for connecting a viewfinder or on set monitor there's even an HD-SDI monitoring output and a broadcast style 4 pin XLR 12V DC power output!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Audio Connections and Built In Microphones\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eURSA Broadcast G2 has a high quality microphone and professional audio recorder built in so you don’t have to carry any extra sound equipment! That means you can use the built in stereo microphone or you can connect external microphones. The XLR connections have 48V phantom power so you can plug in everything from shotgun to wireless clip on mics. You can also select to link audio inputs on the camera so you can plug in lapel microphones that often only have a single mono connection, if you want to record the mic onto both channels of the recorded file. URSA Broadcast G2 also features knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder mounted.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Studio Camera Control via SDI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the URSA Broadcast G2's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher’s SDI program output to the camera via the SDI program input. The switcher can perform color correction, tally and lens control and these are sent to all cameras. All you need to do is select the correct camera number and it all works. This means someone can manage the image color and gain so the camera operator is not distracted trying to adjust their camera, and they are then free to focus on framing the shots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChange to PL, EF and F Lens Mounts (optional)!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eURSA Broadcast G2 features an interchangeable lens mount so you can easily swap the included B4 lens mount for an EF, PL or even F mount. URSA Broadcast G2 comes with a B4 mount already installed, plus a spare EF mount is included. That means if you’re starting out you can change the mount and use low cost photographic lenses. Photographic lenses are incredible quality because they're designed for high resolution photography. You can also purchase optional PL and F mounts separately. If you're shooting for digital film, the PL mount is best as it's the most common lens mount for cinema lenses. With URSA Broadcast G2, you get a single camera that works with virtually all modern lenses!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in Timecode Generator\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll models of Blackmagic URSA Broadcast G2 have a built in time of day timecode generator, so you can sync all the cameras and then do multi-cam editing later because all the recordings will have the same timecode. Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and the shots from all cameras will have matched timecode. Imagine shooting a music festival with multiple cameras! Then the DaVinci Resolve sync bin can be used to automatically sync the recordings and display them in a multiview for easy editing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFocus and Zoom Demands (Optional)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe optional zoom and focus demands allow you to use photography lenses for live production! The focus and zoom demands have USB-C connections so they control the lens via the camera’s electronic lens control. Each zoom and focus demand has 2 USB-C ports, so you can daisy chain them then connect to the camera with a single USB connection. The design has an incredibly precise feel so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The buttons can be customized so you can assign different camera functions to them! Plus, hardware is included for mounting the focus and zoom demands onto tripod handles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdd Viewfinders, SMPTE Fiber and Lens Mounts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere's a wide range of accessories that are specifically designed to work perfectly with URSA Broadcast G2. However, a shoulder mount kit, V-Lock battery plate and top handle are included so you don't need to purchase anything extra! Plus you get a spare EF lens mount if you don't own a B4 lens and would like to start out using a photography lens. You can add the optional Blackmagic URSA Viewfinder, or for live production you can add a Blackmagic URSA Studio Viewfinder! There's also an optional fiber converter that can power the camera from 2 km away via the single SMPTE fiber! For long duration recording, URSA Mini Recorder gives you the option to record to external SSDs!\u003c\/p\u003e\n\u003cp\u003eOptional Accessories:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic URSA Viewfinde\u003cbr\u003eHigh resolution viewfinder for URSA range of cameras includes full HD OLED display and true glass optics for perfect focus.\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Mini Mic Mount\u003cbr\u003eAdd a shock and vibration isolated professional microphone mount to your URSA Broadcast G2 camera!\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA V-Lock Battery Plate\u003cbr\u003eAlthough a V-Lock compatible battery plate is included, you can also buy other types of battery plates.\u003c\/li\u003e\n\u003cli\u003eBlackmagic Camera Fiber Converter\u003cbr\u003eConnect cameras to live switchers up to 2 km away with video, talkback, control and power, all over a single cable!\u003c\/li\u003e\n\u003cli\u003eBlackmagic Studio Fiber Converter\u003cbr\u003eConnect to remote cameras up to 2 km away with multiple channels of video, talkback, control and power all over a single cable!\u003c\/li\u003e\n\u003cli\u003eBlackmagic URSA Studio Viewfinder\u003cbr\u003eTurn URSA Broadcast G2 into the ultimate live camera with a professional 7 inch studio viewfinder!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRecord to SSDs and U.2 Media\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe optional Blackmagic URSA Mini Recorder lets you record files onto large 2.5 inch SSDs, as well as the latest U.2 NVMe Enterprise SSDs! SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB\/s! This blazing fast performance allows you longer recording times for full resolution 4K and 6K 12-bit Blackmagic RAW files in the highest quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Broadcast G2 between the camera and the battery. It’s controlled via the USB-C so you don’t have to worry about manually starting or stopping the SSD recorder.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatible with Industry Standard Batteries\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll URSA cameras support a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer and more. A V-Lock battery plate is installed on the camera, or you can change to an optional Blackmagic URSA Gold Battery Plate. All Blackmagic battery plates are designed to mount directly onto the camera. URSA Broadcast G2 includes a 4-pin XLR power connector that supports 12V to 18V for connecting external power supplies and battery packs. The standard power connector also means you can use the camera with your existing power supplies and batteries. For live production, the optional fiber converter can power the camera from up to 2 km away via a single SMPTE fiber cable!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eGet Professional Editing, Color Correction, Audio Post and VFX!\u003c\/p\u003e\n\u003cp\u003eWhats included\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic URSA Broadcast G2\u003c\/li\u003e\n\u003cli\u003e4K B4 lens mount installed\u003c\/li\u003e\n\u003cli\u003eB4 turret dust cap\u003c\/li\u003e\n\u003cli\u003eEF Mount with dust cap\u003c\/li\u003e\n\u003cli\u003eVLock Battery Plate installed\u003c\/li\u003e\n\u003cli\u003eURSA 12V 100W power supply\u003c\/li\u003e\n\u003cli\u003eURSA Mini Shoulder Pad\u003c\/li\u003e\n\u003cli\u003eURSA Mini top handle \u0026amp; rubber stopper\u003c\/li\u003e\n\u003cli\u003eViewfinder mounting plate\u003c\/li\u003e\n\u003cli\u003e2 x 1\/4 inch baseplate screws\u003c\/li\u003e\n\u003cli\u003e2 x long 1\/4 inch top handle screws\u003c\/li\u003e\n\u003cli\u003e2 x short 1\/4 inch top handle screws\u003c\/li\u003e\n\u003cli\u003e8 x EF Mount screws\u003c\/li\u003e\n\u003cli\u003e4 x VLock plate spare screws\u003c\/li\u003e\n\u003cli\u003eWelcome wallet with QR code for camera software download\u003c\/li\u003e\n\u003cli\u003eDaVinci Resolve Studio wallet\u003c\/li\u003e\n\u003cli\u003eDaVinci Resolve Studio activation key\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50083458220265,"sku":null,"price":6255.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/Blackmagic_Ursa_G2-4_eb145311-59a4-451e-8264-20d38135c807.jpg?v=1770502733"},{"product_id":"blackmagic-design-atem-2-m-e-constellation-hd-3g-sdi-switcher","title":"Blackmagic Design ATEM 2 M\/E Constellation HD 3G SDI Switcher","description":"\u003cp\u003e\u003cstrong\u003eATEM 2 M\/E Constellation HD\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a high definition live production switcher packed with advanced features! The 2 M\/E design includes 20 standards converted 3G‑SDI inputs and 12 independent 3G‑SDI aux outputs! It also includes a USB webcam output, SuperSource processor, DVEs, chroma keyers, media players, multiviews and more! You even get built in talkback and a professional built in Fairlight audio mixer with EQ and dynamics!\u003c\/p\u003e\n\u003cp\u003eIntroducing ATEM Constellation HD, the world's most powerful HD live production switchers! These incredibly powerful HD switchers are available in 3 great models, including a 1 M\/E model with 10 inputs, a 2 M\/E model with 20 inputs and a massive 4 M\/E model with 40 inputs! Plus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M\/E, 2 M\/E or 4 M\/E ATEM Advanced Panel!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeriously Advanced Broadcast Power\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including connections for 3G-SDI or 12G-SDI inputs, aux outputs, balanced audio and Ethernet for control. The top 4 M\/E models even include RS-422 for serial control and MADI digital audio connections. 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Even live sports benefit from the huge number of inputs and DVEs let you build multi-layer compositions to cover the action. The fastest way to produce programming is live! With powerful internal graphics and lots of ATEM advanced chroma keyers, you get everything you need for complex program production. ATEM Constellation is also perfect for house of worship programming as it’s big enough to allow professional results, but it’s very simple to learn so it’s easy to train a volunteer crew!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrue Broadcast Style Mix Effects Switching\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation uses a professional \"program\/preview\" style operation, which is the exact same way large broadcasters use live production switchers. This means you are using the same type of switcher used by the television industry. Both the free ATEM Software Control and the optional hardware ATEM Advanced Panels will allow program\/preview style switching. This means you can select a source on the preview bus to ensure it’s correct before pushing the CUT or AUTO button to switch it on air. This 2 step program\/preview process means far fewer mistakes! Program\/preview operation means ATEM Constellation is the best solution for training students for a career in broadcast television!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull Front Panel Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a control panel built into the front panel, you can simply walk up and operate the ATEM Constellation at any time. ATEM Constellation has similar features to ATEM Mini, so it’s a fantastic upgrade when you need a bigger switcher! Plus the front panel control buttons are the same premium type used on full sized panels so they are extremely reliable. You can even control keyers, media and fade to black from the front panel! There is an industry standard 5 pin talkback headset connector on the front panel, with controls for talkback control. Plus the front panel LCD and menu buttons also allow almost every single operational feature of the switcher to be accessed!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUp to 40 Standards Converted SDI Inputs!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Constellation family features HD models that have up to 40 independent 3G-SDI inputs as well as 4K models with 12G-SDI inputs, with each input featuring its own dedicated up and cross converter. That means it’s possible to convert any 1080p input source to the video standard of the switcher! That means you could have each switcher SDI input running a different television standard and all the inputs will just work! On the ATEM 4 M\/E Constellation models, you can even loop out audio channels 1, 2, 3 and 4 from SDI inputs 1 to 30 to the two MADI digital audio outputs, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUp to 24 Customizable SDI Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Constellation family has a massive number of fully independent outputs. Even the small 1 M\/E models have 6 outputs! The 2 M\/E models have 12 outputs and the 4 M\/E models have a massive 24 outputs. These SDI outputs are very powerful because you can independently route any SDI input or any internal source to each SDI output. That’s perfect for running independent feeds to stage screens, master recorders and streaming processors. Or use the SDI outputs for ISO recorders, where each deck will get a resynchronized switcher input with matching timecode. All SDI outputs contain program audio, RP-188 timecode, SDI camera control, tally and talkback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor live streaming, the USB-C connection on ATEM Constellation operates as a webcam source. That means you can plug into a computer and get working with any video software! The software is tricked into thinking the ATEM Constellation is a common webcam, but it's really a live production switcher! That guarantees full compatibility with any video software in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style! The ATEM Constellation webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoose from Hardware or Software Control Panels\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll ATEM switchers feature a wide range of hardware and software control options, plus it’s possible to share control panels between all ATEM models for different events. Included with ATEM Constellation is a free software based control panel for Mac and Windows. The software connects to the switcher via Ethernet or USB and you can control the switcher, upload media, mix audio and control cameras. Then, when you need more power, you can add an ATEM Advanced Panel for professional switching or an ATEM Camera Control Panel for controlling cameras. There's even an ATEM developer SDK so you can build your own custom automation control solution!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Multiview with Labels, Tally and Meters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe built in multiview lets you monitor multiple sources on a single monitor. The 1 M\/E models include 1 multiview, the 2 M\/E models have 2 independent multiviews and the 4 M\/E models have 4 independent multiviews! All external SDI inputs, plus all internal video sources can be routed to any view. All multiviews are fully customizable and can be independently set to 4, 7, 10, 13 or 16 simultaneous views. That’s up to 32 views in total on the 2 M\/E models and a massive 64 views across 4 monitors with the 4 M\/E models! You can add the tally border plus source label and VU meters as an overlay on each view. Plus a red and green border will show tally on each view, so you know what sources are on air.\u003c\/p\u003e\n\u003cp\u003eATEM 4 M\/E Constellation HD features 4 HD multiview outputs so you can see up to 64 different views from cameras, program and preview outputs, and more spread across 4 screens!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBroadcast Transitions,DVE, Stingers and More!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation includes a wide range of broadcast quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction and a lot more! The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture off screen revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation features a preview transition feature so you can setup your transitions before you switch it on air!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in DVE for Video Effects\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation features up to 4 independent DVEs, depending on the model, that let you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions! Then the 2 and 4 M\/E models include SuperSource processors for even more DVEs!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Broadcast Talkback\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built in talkback. Talkback supports a 5 pin XLR headset connector, plus a rear mounted RJ12 connector for interfacing with industry standard talkback systems such as ClearCom or RTS. You get full talkback control including program and engineering loops, sidetone control for hearing the headset mic into the headphones and program mix. ATEM Constellation also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It’s even possible to mix the talkback mic into the program audio for voiceovers!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Media for Stills and Motion Graphics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the 2 or 4 media players. Media players simply appear as additional input sources on the ATEM Constellation, so you don’t have to use extra SDI inputs for graphics. The built in media pool holds graphics for use with the media players and the 1 M\/E models can hold 20 stills and 200 frame animations, the 2 M\/E models can hold 40 stills and 400 frame animations and the 4 M\/E models can hold 60 stills and up to 400 frame animations. You can easily manage all of your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes NewATEM Advanced Chroma Key!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor news or virtual set work, ATEM Constellation is perfect as it features lots of ATEM advanced keyers for high quality chroma or luminance keying! The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the \"look\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying! You get 4 ATEM Advanced Keyers on the 1 M\/E models, 8 ATEM Advanced Keyers on the 2 M\/E models and 16 ATEM Advanced Keyers on the 4 M\/E models.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCreate Amazing Virtual Sets\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith 4 upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets! With so many ATEM advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. Even the 1 M\/E models have enough keyers to generate a 4 camera virtual set! You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players! With so much flexibility, you can experiment to try out different studio setups!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowerful SuperSource Processing!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn addition to the DVEs in the M\/E rows, the 2 M\/E and 4 M\/E models include powerful SuperSource multi layer processors with 4 extra DVE layers plus a background layer, that all appear to ATEM Constellation as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is just like having an extra multi-layer VFX switcher built in! SuperSource is perfect for doing picture in picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks. The ATEM 4 M\/E Constellation models even have 2 completely independent SuperSource processors!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMulti Rate SDI for HD and Ultra HD Video Standards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith up to 40 multi rate SDI input connections, depending on the model, the ATEM Constellation is compatible with all types of video sources. You can connect equipment in HD or Ultra HD television standards including 720p, 1080i,1080p and 2160p formats. Only multi rate SDI allows switching between formats so you can instantly adapt to the needs of the job you are doing anywhere in the world! The SDI inputs will also handle embedded audio and mix audio from all video inputs. The program outputs include talkback, tally and camera control information. So you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe First Switcher with Truly Professional Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation is the world’s first live production switcher that fully embraces live professional audio production! All SDI inputs are connected to a built in Fairlight audio mixer that features 6 band parametric EQ, compressor, limiter, noise gate and expander on each input. On the ATEM 4 M\/E Constellation models there are 2 MADI outputs for breaking out channels 1, 2, 3 and 4 of the first 30 SDI inputs out to an external audio engineer, plus a MADI input for allowing an extra 32 external audio channels in to the audio mixer. The Fairlight audio mixer even has additional inputs for mixing audio from analog inputs, talkback microphones for voice over and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Fairlight Audio Mixer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a built in Fairlight audio mixer, the ATEM Constellation makes it possible to do extremely complex live sound mixing. The internal mixer has up to 156 input channels, for the biggest audio mixer in a live production switcher! Audio is de-embedded from all the SDI video inputs and passed to the audio mixer. Then the 4 M\/E models have extra audio mixer input channels for the MADI audio inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. All this audio power can be controlled via the ATEM Software Control or a Mackie compatible panel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Free Software Control Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time! The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. Plus you can run the software on Mac or Windows!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdd the Speed and Power of an ATEM Hardware Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOnly ATEM Constellation has such a wide range of control panel options with 7 models of ATEM Advanced Panels available. ATEM Advanced Panels feature an industry standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high quality buttons with customizable illumination color, a DVE joystick plus T-bar fader. You can even setup and trigger Macros! All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E panels feature a single M\/E row while the 2 M\/E panels have 2 rows. Both 1 M\/E and 2 M\/E Advanced Panels are available in either 10, 20 or 30 input button models. The massive 4 M\/E model features 4 M\/E rows with 40 input buttons per row.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlternative Portable Panel!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Micro Panel is a low cost solution for adding panel control to ATEM Software control. Featuring the same high end buttons as ATEM Advanced Panels you get a true broadcast quality feel. It also has a familiar layout with buttons for program and preview. You can use the shift buttons to access up to 20 sources. There are 4 upstream and 2 downstream key buttons, plus a macro button. It even has 4 M\/E buttons so you can control a massive 4 M\/E switcher! There’s a fader for smooth manual transition control, which also means it’s low profile and very portable. With connection via USB-C or Bluetooth and a large internal battery, ATEM Micro Panel is perfect when you need a portable panel!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Industry Standard Professional Camera Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new ATEM Camera Control Panel provides 4 industry standard camera controllers for the same workflow as camera chains costing hundreds of thousands of dollars! Designed to be portable, ATEM Camera Control Panel can be placed on a desktop or on a slide out rack shelf. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera color, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced or new operators!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatible with Blackmagic Cameras,Panels, Decks and More!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM switchers are powerful because they can grow and expand with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and color balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally, talkback and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter! Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic URSA Broadcast G2 - \u003c\/strong\u003eDesigned for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Viewfinder G2 - \u003c\/strong\u003eTurn URSA Broadcast into a professional studio camera with large and bright 7 inch screen, removable sunshade, adjustable mount and knobs for control of brightness, contrast and focus peaking.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Camera Fiber Converter - \u003c\/strong\u003eConnect URSA Broadcast cameras to live production switchers using SMPTE fiber with all video, control connections and camera power on a single SMPTE fiber cable up to 2 km away!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Fiber Converter - \u003c\/strong\u003eConvert SMPTE fiber to 12G-SDI broadcast equipment while powering remote cameras up to 2 km away. Supports converting SMPTE fiber to 12G-SDI, multiple channels of return video, control and power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Camera 4K Pro G2 - \u003c\/strong\u003eDesigned for professional SDI switchers, you get the features of the Studio Camera Plus, as well as 12G‑SDI, XLR audio, bright HDR LCD, 5-pin XLR talkback, 10G Ethernet IP link and HD live streaming.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Mini - \u003c\/strong\u003eMiniaturized deck records H.264, ProRes or DNxHD files onto SD\/UHS-II cards or external USB disks in SD\/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in\/out and HDMI out.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Pro - \u003c\/strong\u003eIncludes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM Camera Control Panel - \u003c\/strong\u003eControl up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAll Features Included.No Hidden Costs!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUnlike other switchers, all features are included in the purchase price. That means you get all features fully enabled and always ready for use! There are no license fees to allow you to use features and no ongoing monthly costs. This means you'll never experience a license expiring 5 minutes before your program starts! Advanced features such as multiview, SuperSource, DVEs or the ATEM Advanced Keyers are always enabled and always ready to use! Plus, you can use the free ATEM Software Control on an unlimited number of computers. That’s important when you divide up the workload with separate people for audio mix, graphics prep, camera control and switcher operation!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eTotal Video Inputs: 20\u003c\/li\u003e\n\u003cli\u003eTotal Video Outputs: 12\u003c\/li\u003e\n\u003cli\u003eSDI Rates: 1.5G, 3G\u003c\/li\u003e\n\u003cli\u003eTotal Audio Inputs: 2 x balanced 1\/4 inch Jack, 1 x 5 pin XLR Talkback.\u003c\/li\u003e\n\u003cli\u003eTotal Audio Outputs: 1 x 5 pin XLR Talkback.\u003c\/li\u003e\n\u003cli\u003eSDI Audio Inputs: 2 Ch embedded audio on all SDI inputs.\u003c\/li\u003e\n\u003cli\u003eSDI Audio Outputs: 2 Ch embedded audio on all SDI outputs.\u003c\/li\u003e\n\u003cli\u003eTimecode Connections: None\u003c\/li\u003e\n\u003cli\u003eReference Input: Tri-Sync or Black Burst.\u003c\/li\u003e\n\u003cli\u003eVideo Input Re-Sync: On all 20 inputs.\u003c\/li\u003e\n\u003cli\u003eFrame Rate and Format Converters: On all 20 inputs.\u003c\/li\u003e\n\u003cli\u003eSDI Aux Outputs: Any of the 12 SDI outputs.\u003c\/li\u003e\n\u003cli\u003eSDI Preview Outputs: Any of the 12 SDI outputs.\u003c\/li\u003e\n\u003cli\u003eSDI Program Outputs: Any of the 12 SDI outputs.\u003c\/li\u003e\n\u003cli\u003eDown Converted SDI Program Output: None\u003c\/li\u003e\n\u003cli\u003eWebcam Output: 1 x USB-C supporting 720p or 1080p at PGM frame rate.\u003c\/li\u003e\n\u003cli\u003eTotal Multi Views: 2 x 3G-SDI\u003c\/li\u003e\n\u003cli\u003eControl Panel Connection: Ethernet. Direct connection between panel and chassis, or via network.\u003c\/li\u003e\n\u003cli\u003eInternal Timecode Generator: Yes\u003c\/li\u003e\n\u003cli\u003eTalkback: RJ45 for 3rd party talkback systems.\u003c\/li\u003e\n\u003cli\u003eTally Output: Added via ethernet connection to Blackmagic Design GPI and Tally Interface product. (Not included).\u003c\/li\u003e\n\u003cli\u003eEthernet: Supports 10\/100\/1000 BASE-T.\u003c\/li\u003e\n\u003cli\u003eComputer Interface: 1 x USB-C supports USB 3.1 Gen 1 (5Gb\/s)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSD Video Standards: None\u003c\/li\u003e\n\u003cli\u003eHD Video Standards\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Compliance: SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M level A and B.\u003c\/li\u003e\n\u003cli\u003eVideo Sampling: 4:2:2\u003c\/li\u003e\n\u003cli\u003eColor Precision: 10-bit.\u003c\/li\u003e\n\u003cli\u003eColor Space: REC 709\u003c\/li\u003e\n\u003cli\u003eSDI Auto Switching: Automatically detects between 1.5G-SDI and level A or level B 3G-SDI.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduct Specifics\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eUpstream Keyers: 8\u003c\/li\u003e\n\u003cli\u003eDownstream Keyers: 2\u003c\/li\u003e\n\u003cli\u003eAdvanced Chroma Keyers: 8\u003c\/li\u003e\n\u003cli\u003eSuperSource: 1\u003c\/li\u003e\n\u003cli\u003eTalkback Support: Yes\u003c\/li\u003e\n\u003cli\u003eMix Minus Support: Yes\u003c\/li\u003e\n\u003cli\u003eLinear\/Luma Keyers: 11\u003c\/li\u003e\n\u003cli\u003eTransition Keyer (Stinger\/DVE): 2 Stinger, 2 DVE.\u003c\/li\u003e\n\u003cli\u003eTotal Number of Layers: 15\u003c\/li\u003e\n\u003cli\u003ePattern Generators: 11\u003c\/li\u003e\n\u003cli\u003eColor Generators: 2\u003c\/li\u003e\n\u003cli\u003eControl Panel: Front fascia emergency switching, software or optional hardware panel.\u003c\/li\u003e\n\u003cli\u003eRoutable Windows: 32\u003c\/li\u003e\n\u003cli\u003eTally: Red for program and green for preview indication.\u003c\/li\u003e\n\u003cli\u003eWindows Source Labels: Yes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMulti View Monitoring\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMulti View Monitoring: 2 x multi view configurable to 16, 13, 10, 7 or 4 up view. Includes monitoring of Program, Preview, Inputs, Media Players, DSK, Clean Feed with optional labels and audio meters.\u003c\/li\u003e\n\u003cli\u003eMulti View Video Standard: HD\u003c\/li\u003e\n\u003cli\u003eDisplay Minimum Resolution: 1366 x 768\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Player\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMedia Players: 2\u003c\/li\u003e\n\u003cli\u003eChannels: Fill and key for each media player.\u003c\/li\u003e\n\u003cli\u003eMedia Pool Still Image Capacity: 60\u003c\/li\u003e\n\u003cli\u003eMedia Pool Clip Capacity: 2 x up to 1080p60.\u003c\/li\u003e\n\u003cli\u003eMedia Player Clip Length in 720 HD: 800 frames.\u003c\/li\u003e\n\u003cli\u003eMedia Player Clip Length in 1080 HD: 400 frames.\u003c\/li\u003e\n\u003cli\u003eMedia Pool Still Image Format: PNG, TGA, BMP, GIF, JPEG and TIFF.\u003c\/li\u003e\n\u003cli\u003eMedia Pool Video File Format: TGA Sequence.\u003c\/li\u003e\n\u003cli\u003eMedia Pool Audio File Format: WAV, MP3 and AIFF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt in 2.2 inch LCD monitor for video, 22 LED buttons for setup and emergency switching, 8 source buttons, 6 talkback selection and mix buttons, menu control knob and set button, front panel lock button.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProcessing\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eProcessing Delay: \u0026lt; 10 lines.\u003c\/li\u003e\n\u003cli\u003eAudio Mixer\n\u003cul\u003e\n\u003cli\u003e48 Channel mixer\u003c\/li\u003e\n\u003cli\u003eSelectable On\/Off\/Audio-Follow-Video.\u003c\/li\u003e\n\u003cli\u003eLevel and Peak metering.\u003c\/li\u003e\n\u003cli\u003eMaster gain control.\u003c\/li\u003e\n\u003cli\u003e6 band parametric EQ, Dynamics including Expander, Gate, Compressor and Limiter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDown Conversion: None\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eControl Panel Included: ATEM Software Control Panel included free for Mac 11.11 Big Sur, Mac 12 Monterey or later and Windows 10 or 11.\u003c\/li\u003e\n\u003cli\u003eSoftware Updates: Using USB or Ethernet connection directly connected to Mac OS or Windows computers. Includes ATEM Setup Utility.\u003c\/li\u003e\n\u003cli\u003eConfiguration: Set via ATEM Software Control Panel, excluding ATEM chassis IP address which is set via the ATEM Setup Utility connected via USB to chassis.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50083700015337,"sku":null,"price":2529.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/ATEM-2ME-Constellation-HD_switcher2.jpg?v=1769904659"},{"product_id":"blackmagic-design-smartview-4k-g3-uhd-monitor","title":"Blackmagic Design SmartView 4K G3 UHD Monitor","description":"\u003cp\u003e\u003cstrong\u003eSmartView 4K G3\u003c\/strong\u003e features built in optical and copper SMPTE‑2110 IP video connections so you can connect directly to IP based broadcast systems. You also get two 12G-SDI inputs for connecting to a wide range of professional video equipment. Plus both the 12G-SDI and 2110 video inputs can output to a 12G-SDI loop output connection. The design still features a lightweight machined aluminum chassis and a full resolution Ultra HD LCD. The on screen overlays include focus peaking, framing guides, safe area and more. You also get built in 3D LUTs for adding creative looks, converting log film gamma or handling custom HDR profiles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Perfect Video Monitoring Solution!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBroadcast - \u003c\/strong\u003eSmartView 4K is ideal for broadcast as it supports both 12G-SDI and 2110 IP up to 2160p60. Switch between SDI and IP at the push of a button! SmartView 4K follows the video input so will switch between all SD, HD or Ultra HD standards automatically!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLive Production -\u003c\/strong\u003e For live production, it's vital to get a solution with features to accurately monitor cameras. Powerful camera features include focus peaking, zoom, aspect ratio markers and tally. Plus the 4K display lets you see incredibly fine camera image detail.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFly Away Kits - \u003c\/strong\u003eFly away kits need to be portable and tough! SmartView 4K is lightweight aluminum so it's light, plus it's only a few inches deep, so allows great rack ventilation via natural convection. Plus it has lots of camera and technical monitoring features!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAnodized Machined Metal Design in Deep Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSmartView 4K features an incredibly strong machined aluminum metal design with crisp clean lines. The design is anodized in deep black, so it looks fantastic mounted in equipment racks with other Blackmagic Design equipment! Plus SmartView 4K is only a few inches deep. Because monitors are often installed at the top of equipment racks, this thin design allows a large area behind the monitor to better ventilate the whole rack and keep all the equipment cool. Along the bottom of the SmartView 4K is a range of button controls that are tilted slightly so they're easier to press. On the rear of the monitor are all the video connections, plus there's even a VESA mounting point!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBright High Resolution Display\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe LCD used on SmartView 4K features an extremely high resolution so it will display every pixel in an Ultra HD image. That means you get an incredibly clean image with deep color fidelity. To avoid messy fingerprints on the LCD screen, SmartView 4K has a row of buttons along the bottom of the screen so you can adjust all the monitor controls without touching the screen. SmartView 4K is designed for broadcast so it will instantly lock to a new video source, which is very common when the monitor is connected to a router and the input can change constantly to different timed sources. Unlike TVs, the video is not over scanned so you get all image pixels right to the edge of the LCD.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFront Panel Buttons for Monitor Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe SmartView 4K front panel includes a wide range of monitoring controls! The input button selects between the two 12G-SDI video inputs and the 2110 IP video input. The display button allows you to adjust display brightness. The H\/V display is a traditional broadcast monitor function that lets you look into the image blanking. Blue only is great for checking hue from SD archive content. The zoom button lets you zoom the image in for adjusting camera focus. Peaking highlights sharp image detail and is also perfect for adjusting camera focus. The 3D LUT buttons let you enable and switch between 3D LUTs. The H and V marker buttons let you display and adjust up to 4 on screen markers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Frame Guides and Focus Peaking!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen you're working with cameras, SmartView 4K has everything you need to assist in framing and focus with its on screen graphic overlays. Overlays include safe area and safe title markers. Plus there are 4 separate frame guides, 2 vertical and 2 horizontal, which can be displayed simultaneously and are perfect for social media and feature film framing. The markers are all individually adjustable so you can create any aspect ratio you like! You also get on screen focus peaking, which can be turned on and off with a dedicated front panel button. Focus peaking is perfect when using SmartView 4K for remote camera monitoring, as you can ensure your remote camera has perfect focus at all times!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Color Accurate Monitoring with 3D LUTs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBroadcasters and feature film productions often work with SDI sources that are encoded with log film gamma or an HDR profile. This means the images can look washed out or have incorrect colors. SmartView 4K solves this problem because it includes support for 3D LUTs! This means you can use a 3D LUT to re-map the SDI or 2110 input colorspace to the SmartView 4K screen. Plus you could also use 3D LUTs for exciting creative looks! 3D LUTs are easy to use and are uploaded using the SmartView utility. You can also export DaVinci Resolve color grades as custom 3D LUTs. Because DaVinci Resolve can be downloaded free, it costs absolutely nothing to start creating a library of exciting 3D LUTs!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupports SD, HD and 2K DCI Film\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe high performance 12G-SDI and 10G Ethernet based 2110 IP inputs are multi rate so they support lower resolution SD for archive, plus HD for broadcast and 2K for feature film use. These include 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080i50, 1080i59.94, 1080i60, 2Kp23.98  DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI and 2Kp60 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI and 2KPsF30 DCI. When connected to 3G-SDI sources, both level A and B video standards are supported.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupports Ultra HD and 4K DCI Film\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSmartView 4K also supports Ultra HD video standards on both its 12G-SDI and the 10G Ethernet based 2110 IP video inputs. Ultra HD video standards include 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94 and 2160p60. Supported 4K film standards include 4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI and 4Kp60 DCI, 4KPsF25 DCI, 4KPsF29.97 DCI and 4KPsF30 DCI. This means SmartView 4K is the ideal monitor because it allows you to migrate to Ultra HD and 4K work now! Plus SmartView 4K can be software updated, so new television standards can be added when they are invented.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnect Directly to SMPTE 2110 IP Networks!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNow you can build modern IP video systems because SmartView 4K fully conforms to the SMPTE‑2110 standard for IP video with both optical fiber and copper 10G Ethernet connections. SMPTE‑2110 specifies the transport, synchronization and description of video, audio and ancillary data over IP networks for broadcast. This includes support for SMPTE‑2110-20 uncompressed video, the Blackmagic IP codec for high frame rate Ultra HD as well as SMPTE‑2110-21 traffic shaping\/timing, SMPTE‑2110-30 audio and SMPTE‑2110-40 support for ancillary data. Plus the selected video input can be sent out via the 10G Ethernet SMPTE‑2110 IP connection with full support for multicast out to multiple destinations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes NMOS Protocol for Virtual Routing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSmartView 4K supports the NMOS interface specifications so all your 2110 IP video devices can operate together as a large virtual router. Plus Videohub Smart Control can route sources to destinations on 2110 IP networks because it can act as an NMOS controller. The NMOS interface specification describes how SMPTE 2110 devices are discovered and controlled on IP networks. SmartView 4K supports IS-04 for discovery and registration of IP video devices and IS-05 for connection management between IP video devices. This means you can make connections between sources and destinations just like a traditional SDI router!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-in Tally Border for On Air Status\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen you’re working with live production, SmartView 4K supports the Blackmagic SDI Tally Protocol and illuminates a colored border around the image, in red for on air or green for preview. This SDI tally standard is used on all ATEM live production switchers so you can simply connect the monitor to the switcher SDI outputs to get the image and the tally with a single BNC cable. This means that a director can cut between cameras and the tally information will be sent back to the SmartView 4K via the SDI video feed. This totally eliminates complex cabling and the Blackmagic SDI Tally Protocol helps you set up for jobs much faster.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote Control Software for Mac and Windows\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen you need to change settings or update the software on your SmartView 4K, then you can simply download and run the SmartView Utility software which is available free of charge on the Blackmagic Design support site. This software is available for both Mac and Windows computers and it connects via the USB connection or Ethernet when you have the SmartView 4K Ethernet connected. You can use the utility to change the monitor custom name for identifying monitors in larger systems. You can also select between 3G-SDI level A and level B formatting. To protect against unauthorized network access, Ethernet is disabled by default, but can be enabled when connecting via USB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDevelop Custom Remote Control Solutions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVideohub includes a powerful remote control protocol so you can create custom remote control solutions for integrating SmartView 4K into your broadcast systems. It's extremely easy to learn because it's a simple text based protocol you can even play with using a Telnet client. This means you can create custom control solutions on all computer platforms and from embedded hardware such as Raspberry Pi and Arduino. You get full control of LCD brightness, contrast, saturation, tally, input selection and you can even activate a 3D LUT. The best way to learn the protocol is to log in using a simple Telnet app and then use the documentation in the SmartView 4K manual to try out each command.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible and Redundant Power\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe all in one design of SmartView 4K includes a built in power supply so you don’t have to carry around an external power brick! Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, for safety, SmartView 4K includes both AC and 12V DC power connections. The mini converter style 12V DC power connection is perfect for backup power or for running on batteries. Running on batteries means you can use it in extremely remote locations! 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You get the flexibility of 4 separate capture or playback cards in one! Plus, it’s completely customizable so it’s perfect for media play-out systems, multi screen digital signage servers, real time multi channel capture systems and more!\u003c\/p\u003e\n\u003cp\u003eThis new model of DeckLink Duo 2 features 4 independent 3G-SDI connections so it can now work in high HD frame rates and it supports SDI formats in SD and HD up to 1080p60. Each SDI connection is completely independent, meaning that each of the 4 connections can input or output entirely different video standards and content streams, all at the same time. DeckLink Duo 2 can also capture and playback at the same time, and also includes a reference connection for black burst\/tri-sync. Developers can use the SDK to configure the four SDI connections to be any combination of inputs and outputs.\u003c\/p\u003e\n\u003cp\u003eFeaturing high performance 4 lane Generation 2 PCI Express, DeckLink Duo 2 takes up only one single PCI slot in the computer, which makes it the perfect solution for system integrators and developers that need completely customizable, flexible I\/O configurations on a single card. DeckLink Duo 2 appears as 4 independent SDI cards to the host computer, even though it only uses a single PCI Express slot and is ideal for use in servers that need to handle multiple video streams for both simultaneous capture and playback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSDI Video Inputs: 4 x bidirectional 12-bit SD\/HD independently configurable as either Input or Output.\u003c\/li\u003e\n\u003cli\u003eSDI Video Outputs: 4 x bidirectional 12-bit SD\/HD independently configurable as either Input or Output.\u003c\/li\u003e\n\u003cli\u003eSDI Audio Inputs: 16 channels embedded in SD and HD.\u003c\/li\u003e\n\u003cli\u003eSDI Audio Outputs: 16 channels embedded in SD and HD.\u003c\/li\u003e\n\u003cli\u003eSync Input: Tri-Sync or Black Burst.\u003c\/li\u003e\n\u003cli\u003eComputer Interface: PCI Express 4 lane generation 2, compatible with 4, 8 and 16 lane PCI Express slots.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Standards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSD Video Standards\n\u003cul\u003e\n\u003cli\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eHD Video Standards\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003cli\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Compliance\n\u003cul\u003e\n\u003cli\u003eSMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 425M, ITU-R BT.656 and ITU-R BT.601.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Metadata Support\n\u003cul\u003e\n\u003cli\u003eRP 188\/SMPTE 12M-2 and closed captioning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Sampling\n\u003cul\u003e\n\u003cli\u003eTelevision standard sample rate of 48 kHz and 24 bit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Color Precision\n\u003cul\u003e\n\u003cli\u003e8, 10, 12-bit RGB 4:4:4 in all modes up to 1080p30 and 8, 10-bit YUV 4:2:2 in all modes. 12-bit RGB 4:4:4 only supported in playback.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Video Sampling\n\u003cul\u003e\n\u003cli\u003e8, 10, 12-bit RGB 4:4:4 in all modes up to 1080p30 and 8, 10-bit YUV 4:2:2 in all modes. 12-bit RGB 4:4:4 only supported in playback.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor Space\n\u003cul\u003e\n\u003cli\u003eREC 601, REC 709\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50089092743401,"sku":null,"price":739.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/DeckLink_Duo2.jpg?v=1770044328"},{"product_id":"blackmagic-design-videohub-40x40-12g-sdi-router","title":"Blackmagic Design Videohub 40x40 12G SDI Router","description":"\u003cp\u003e\u003cstrong\u003eBlackmagic Videohub 40x40 12G\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis an advanced zero latency video router that supports any combination of SD, HD and Ultra HD on the router at the same time. It has 40 12G-SDI inputs and 40 12G-SDI outputs, redundant power and reference connections in two rack units size. The large full HD LCD lets you see video before routing and clearly displays routing labels and video standards. Routing can be performed by direct button selection and using the large spin knob control that has an electronic clutch. It also features SDI re-clocking, external Ethernet control and supports all SDI video standards up to 2160p60.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic Videohub 12G\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new Blackmagic Videohub 12G-SDI video routers let you connect all your equipment without creating a complex cable mess! Blackmagic Videohub routers support 12G-SDI so they allow you to connect and route any combination of SD, HD and Ultra HD on the same router at the same time. Plus they have zero latency so are perfect for live production and broadcast! The design features an elegant front panel with LCD for labels and even live video, shortcut buttons and a machined metal spin knob with soft rubber coating that lets you browse video sources. Ethernet is also included so you can remotely control the router using a range of external hardware or software control panels.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEliminates Complex Cable Mess\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Videohub 12G eliminates cable mess because you can plug all your SDI equipment into the router, then do connections electronically! You don't need complex system diagrams for your studio because you can connect any video input to any video output, or even a single video input to multiple video outputs. This means monitors can view any source in the studio! You get total flexibility to handle constant change or even emergencies. It lets you use multiple HyperDeck recorders for redundant mastering. Or you can route video to multiple streaming processors for all broadcast platforms. Blackmagic Videohub 12G is also great for adding extra inputs to an ATEM switcher!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFive Great Models\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Videohub 10x10 12G -\u003c\/strong\u003e Advanced 12G-SDI 10x10 zero latency video router supports any combination of SD, HD and Ultra HD on the router at the same time. Features control panel, SDI re-clocking and external Ethernet control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Videohub 20x20 12G -\u003c\/strong\u003e Medium 20x20 model zero latency 12G-SDI video router supports any combination of SD, HD and Ultra HD on the router at the same time. Features control panel, re-clocking and external Ethernet control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Videohub 40x40 12G - \u003c\/strong\u003eLarge 40x40 model zero latency 12G-SDI video router supports any combination of SD, HD and Ultra HD on the router at the same time. Features control panel, re-clocking and external Ethernet control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Videohub 80x80 12G - \u003c\/strong\u003eMassive 80x80 model zero latency 12G-SDI video router supports any combination of SD, HD and Ultra HD on the router at the same time. Features control panel, re-clocking and external Ethernet control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Videohub 120x120 12G -\u003c\/strong\u003e The largest 120x120 model features zero latency, 12G-SDI, full SDI re-clocking, plus any combination of SD, HD and Ultra HD. You also get a built in control panel and external control via Ethernet.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eElegantly Designed Front Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe built in front control panel lets you route video, so you get the perfect solution for live production racks that don't have the space for extra hardware panels. The front panel is similar to a Videohub Master Control Pro and it features a spin knob for browsing, direct entry buttons for speed and an LCD for displaying labels. However because the panel is built into the router, you can also see live video on the LCD! The LCD also has menus so it lets you change router settings.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eShortcut Buttons - \u003c\/strong\u003eThe shortcut buttons allow direct entry of sources and destinations. They can also be used with the numeric keys. Plus if a button uses a dedicated input label, then they will act like a cut bus!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIn Button - \u003c\/strong\u003eThe in button switches the panel over so the spin knob and shortcut buttons will be selecting from the list of input video sources. By rolling the spin knob, you can see all your inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClear Button -\u003c\/strong\u003e The clear button is similar to undo and it lets you clear a new routing selection. It's the alternative to the take button, and it will clear the route to retain the current routing without change.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLCD for Labels and Video -\u003c\/strong\u003e The LCD has large and easy to read labels that show the connection between inputs and outputs. Plus the LCD features live video so you can scroll sources based on viewing the content of the input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumeric Keypad - \u003c\/strong\u003eThe numerical keypad has a range of numbers marked 0 through to 9. It allows multiple labels, such as Mon 1, Mon 2, Mon 3 etc. You would select one of the shortcut buttons first and then the number.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOut Button - \u003c\/strong\u003eThe out button switches the panel to selecting the output. Normally you do this first, so you know what output you are going to change. You will then see the current input, before changing it.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTake Button -\u003c\/strong\u003e The take button is the final confirmation that you want to accept the new input selection. This eliminates mistakes! You can also disable the take function for specific outputs for live routing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpin Knob - \u003c\/strong\u003eThe spin knob has a machined metal design, soft rubber coating and an electronic clutch. You can scroll labels in alphabetical order and then the clutch will stop the knob at the end of the list.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eChange Router Crosspoints Visually!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a built in LCD, Blackmagic Videohub 12G can show you live video of all your router inputs! This means you can see all router inputs as live video before you change a route. There are also labels displayed below the live video to make it easy to identify the input you are viewing. What this means is you can scroll up and down the router sources in alphabetical order and see each input as live video, even if the inputs are different video standards. Imagine scrolling through your connections while viewing them as live video on the LCD! Plus in portable equipment racks where space is limited, the visual routing means you can see video inputs without adding an external SDI monitor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvanced 12G-SDI for SD, HD and Ultra HD Routing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll models of Blackmagic Videohub 12G feature advanced 12G-SDI connections which are multi rate so they support any SD, HD and Ultra HD video format up to 2160p60 and will connect to any SD, HD-SDI, 3G-SDI, 6G-SDI and 12G-SDI equipment. Plus Blackmagic Videohub 12G also supports routing any video standard on the same router at the same time. That means on the 120x120 model you could route up to 120 different video signals to 120 outputs at the same time! 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment! With 12G-SDI you get a future proof technology that connects to the equipment you have now and in the future!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures Full SDI Re‑Clocking\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVideohub includes built in SDI re-clocking on every 12G-SDI input. SDI re-clocking regenerates the video signal for maximum video quality. This is extremely important because longer video cables degrade the signal. Expensive premium \"digital\" cables can help a little, but still cannot eliminate signal integrity loss due to cable lengths getting longer. With SDI re-clocking all of the SDI devices in your studio receive a regenerated signal with improved jitter performance. That means longer cable lengths, and no drop outs in your video.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdd External Hardware Control Panels\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll Blackmagic Videohub routers can be remotely controlled, which is vital in large broadcast studios where the equipment connected to the router is located in different areas of the building. There are 2 different types of hardware panel available. The Videohub Master Control Pro is similar to the front panel and has a spin knob, LCD and shortcut buttons. While the Videohub Smart Control Pro model features all buttons and is generally programmed so the panel controls a single router output with each button programmed to a router input. Then you can just cut along the panel buttons to change the router output instantly. It works best when you install a smart panel below each video monitor!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Router Control on Mac, Windows and iPad\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you need external router control that's affordable, then Videohub Software Control is perfect because it can be downloaded free! Videohub Software Control is available for both Mac and Windows, so you can run it on the computers you're already using for creative work. The software features large buttons that are easy to press. Each button can be customized to a router input, a router output, and has an icon assigned to help you identify it visually. The big buttons are great for use on a touchscreen PC, where the software becomes a large screen XY control panel! You can even download a version of the software for the Apple iPad!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Videohub Setup Utility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen you first purchase Blackmagic Videohub 12G, all the video inputs and outputs will have simple default labels, however you can customize them to match the equipment you have connected! That’s why the Blackmagic Videohub 12G installer includes Videohub Setup software, which lets you customize the router input and output labels. You can even enable the take button to be used when changing sources, plus the take button can be enabled for each specific video output. The Videohub Setup also lets you program the buttons on the front panel, update the router software, or configure external hardware panels. The software supports Mac and Windows and can be connected via Ethernet or USB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustomize Router Control with the Developer SDK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVideohub includes a free software development kit so developers and system integrators can easily add protocol support for integration into broadcast automation systems. Plus all Videohub routers use a simple text based protocol that's easy to learn. This makes it very simple to create custom control solutions from all computer platforms and even embedded hardware such as Raspberry Pi and Arduino. The protocol can even be used with a Telnet app so you can experiment with controlling the router before you start coding! Plus the protocol is the same one used for the Videohub Software Control so it's well tested and includes all the features needed for complex control apps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Videohub 12G supports multiple languages so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian. Simply go into the setup menu to set the language, or you can change at any time in the future. Once a language is selected, the menus and the display on the LCD will change to the selected language. However, independent of the language you set, the input and output labels are always unicode so you can customize the labels to a mix of multiple languages! Multiple languages means you can work anywhere in the world and with any local crew!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVideohub Features Better Image Quality\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupports Multiple Formats -\u003c\/strong\u003e When you need to work on global events then you need to stay updated with the latest technology and television standards. Videohub gives you support for all 525SD and 625SD, 720HD and 1080HD, and the Ultra HD video standards. Plus you can connect multiple video standards simultaneously!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEmbedded Audio for Audio and Video -\u003c\/strong\u003e The SDI standard includes up to 32 channels of embedded audio included with the SDI video signal. The advantage to embedded audio is that it all connects with a single BNC cable and all audio remains perfectly synchronized to the video. Plus all modern SDI equipment supports embedded SDI audio!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDeeper Bit Depth and Color Precision - \u003c\/strong\u003eVideohub is designed to support the highest quality video. 10-bit is the most commonly used standard as colors can be represented more accurately than 8-bit video. You can route 4:2:2 8-bit or 10-bit video in any standard, and it even works with 4:4:4 12-bit SDI up to 2160p30 for feature film!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSDI Video Inputs: 40\u003c\/li\u003e\n\u003cli\u003eSDI Video Outputs: 40\u003c\/li\u003e\n\u003cli\u003eSDI Rates: DVB-ASI, 270Mb, 1.5G, 3G, 6G, 12G.\u003c\/li\u003e\n\u003cli\u003eVideo Input Re-Sync: None\u003c\/li\u003e\n\u003cli\u003eSDI Reclocking: On all SDI outputs.\u003c\/li\u003e\n\u003cli\u003eReference Inputs: Tri-Sync or Black Burst.\u003c\/li\u003e\n\u003cli\u003eReference Outputs: Reference terminating loop output.\u003c\/li\u003e\n\u003cli\u003eEthernet: Supports 10\/100\/1000 BASE‑T.\u003c\/li\u003e\n\u003cli\u003eComputer Interface: USB‑C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSD Video Standards: 525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\n\u003cli\u003eHD Video Standards\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003cli\u003e1080PsF23,98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K Video Standards\n\u003cul\u003e\n\u003cli\u003e2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI, 2Kp60 DCI\u003c\/li\u003e\n\u003cli\u003e2KPsF23.98 DCI, 2KPsF24 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI, 2KPsF30 DCI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUltra HD Video Standards\n\u003cul\u003e\n\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e4K Video Standards\n\u003cul\u003e\n\u003cli\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Compliance\n\u003cul\u003e\n\u003cli\u003eSMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 424M, SMPTE 425M level A and B\u003c\/li\u003e\n\u003cli\u003eSMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-10, ITU‑R BT.656 and ITU‑R BT.601\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Audio Sampling: Television standard sample rate of 48kHz and 24-bit.\u003c\/li\u003e\n\u003cli\u003eSDI Video Sampling: YUV 4:2:2 and RGB 4:4:4\u003c\/li\u003e\n\u003cli\u003eSDI Color Precision: 10, 12‑bit RGB 4:4:4 in all HD and 2K modes, Ultra HD modes up to 2160p30 and 4K modes up to 4Kp30 DCI. 10-bit YUV 4:2:2 in all modes.\u003c\/li\u003e\n\u003cli\u003eSDI Color Space: REC 601, REC 709, REC 2020\u003c\/li\u003e\n\u003cli\u003eSDI Auto Switching: Automatically selects between 270Mb SD‑SDI, 1.5G HD‑SDI, 3G level A and level B HD-SDI, 6G HD‑SDI, 12G‑SDI and DVB‑ASI on each input so that each input can be running a different television standard.\u003c\/li\u003e\n\u003cli\u003eSDI Metadata Support: Video payload identification ancillary data as per SMPTE 352M.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControl\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt in Control Panel: 24 buttons for local control of Videohub with 3 buttons and search dial for menu control. 2.2 inch color display.\u003c\/li\u003e\n\u003cli\u003eExternal Control Panel: Includes Blackmagic Videohub software control panel for Mac and Windows. Supports Videohub Smart Control Pro and Videohub Master Control Pro hardware panels. Includes Blackmagic Videohub SDK and Ethernet Videohub Control Protocol.\u003c\/li\u003e\n\u003cli\u003eControl Panel Connection: Ethernet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50089157951721,"sku":null,"price":5955.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/VHUBSMAS12G4040_1_278911cd-f322-40a4-8a58-82a934aa3eea.jpg?v=1770047155"},{"product_id":"blackmagic-design-atem-2-m-e-constellation-4k","title":"Blackmagic Design ATEM 2 M\/E Constellation 4K","description":"\u003cp\u003eIntroducing \u003cstrong\u003eATEM Constellation\u003c\/strong\u003e, the world’s most powerful HD and 4K live production switchers! These incredibly powerful switchers are available in 1 M\/E models with 10 inputs,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e2 M\/E models with 20 inputs\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eand massive 4 M\/E models with 40 inputs! Plus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M\/E, 2 M\/E or 4 M\/E ATEM Advanced Panel!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeriously Advanced Broadcast Power\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including connections for 3G-SDI or 12G-SDI inputs, aux outputs, balanced audio and Ethernet for control. The top 4 M\/E models even include RS-422 for serial control and MADI digital audio connections. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6 Powerful Models\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Constellation HD - \u003c\/strong\u003ePowerful 1 M\/E live production switcher includes 10 standards converted 3G-SDI inputs, 6 x 3G-SDI outputs, DVE, 4 chroma keyers, a 16 way multiview, media players, talkback and USB webcam output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Constellation 4K - \u003c\/strong\u003ePowerful 1 M\/E live production switcher includes 10 standards converted 12G-SDI inputs, 6 x 12G-SDI outputs, DVE, 4 chroma keyers, a 16 way multiview, media players, talkback and USB webcam output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Constellation HD - \u003c\/strong\u003eThe 2 M\/E model doubles the features of the 1 M\/E model with 20 x 3G‑SDI inputs, 12 x 3G-SDI outputs, 2 DVEs, 8 ATEM Advanced Keyers, 2 multiviews and a SuperSource for a total of 6 DVEs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Constellation 4K - \u003c\/strong\u003eAdvanced 2 M\/E live production switcher includes 20 standards converted 12G-SDI inputs, 12 x 12G-SDI aux outputs, 2 DVEs, 8 ATEM Advanced Keyers, 2 multiviews and a SuperSource for a total of 6 DVEs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 4 M\/E Constellation HD - \u003c\/strong\u003eThe massive 4 M\/E model doubles the features of the 2 M\/E model with 40 x 3G-SDI inputs, 24 x 3G-SDI outputs, 4 DVEs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for 12 x DVEs in total.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 4 M\/E Constellation 4K - \u003c\/strong\u003eMassive 4 M\/E Ultra HD live production switcher with 40 standards converted 12G‑SDI inputs, 24 12G-SDI aux outputs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for a total of 12 DVEs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for Massive Live Events!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation switchers are ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage! Even live sports benefit from the huge number of inputs and DVEs let you build multi-layer compositions to cover the action. The fastest way to produce programming is live! With powerful internal graphics and lots of ATEM advanced chroma keyers, you get everything you need for complex program production. ATEM Constellation is also perfect for house of worship programming as it’s big enough to allow professional results, but it’s very simple to learn so it’s easy to train a volunteer crew!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrue Broadcast Style Mix Effects Switching\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation uses a professional \"program\/preview\" style operation, which is the exact same way large broadcasters use live production switchers. This means you are using the same type of switcher used by the television industry. Both the free ATEM Software Control and the optional hardware ATEM Advanced Panels will allow program\/preview style switching. This means you can select a source on the preview bus to ensure it’s correct before pushing the CUT or AUTO button to switch it on air. This 2 step program\/preview process means far fewer mistakes! Program\/preview operation means ATEM Constellation is the best solution for training students for a career in broadcast television!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull Front Panel Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a control panel built into the front panel, you can simply walk up and operate the ATEM Constellation at any time. ATEM Constellation has similar features to ATEM Mini, so it’s a fantastic upgrade when you need a bigger switcher! Plus the front panel control buttons are the same premium type used on full sized panels so they are extremely reliable. You can even control keyers, media and fade to black from the front panel! There is an industry standard 5 pin talkback headset connector on the front panel, with controls for talkback control. Plus the front panel LCD and menu buttons also allow almost every single operational feature of the switcher to be accessed!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUp to 40 Standards Converted SDI Inputs!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Constellation family features HD models that have up to 40 independent 3G-SDI inputs as well as 4K models with 12G-SDI inputs, with each input featuring its own dedicated up and cross converter. That means it’s possible to convert any 1080p input source to the video standard of the switcher! That means you could have each switcher SDI input running a different television standard and all the inputs will just work! On the ATEM 4 M\/E Constellation models, you can even loop out audio channels 1, 2, 3 and 4 from SDI inputs 1 to 30 to the two MADI digital audio outputs, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUp to 24 Customizable SDI Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Constellation family has a massive number of fully independent outputs. Even the small 1 M\/E models have 6 outputs! The 2 M\/E models have 12 outputs and the 4 M\/E models have a massive 24 outputs. These SDI outputs are very powerful because you can independently route any SDI input or any internal source to each SDI output. That’s perfect for running independent feeds to stage screens, master recorders and streaming processors. Or use the SDI outputs for ISO recorders, where each deck will get a resynchronized switcher input with matching timecode. All SDI outputs contain program audio, RP-188 timecode, SDI camera control, tally and talkback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor live streaming, the USB-C connection on ATEM Constellation operates as a webcam source. That means you can plug into a computer and get working with any video software! The software is tricked into thinking the ATEM Constellation is a common webcam, but it's really a live production switcher! That guarantees full compatibility with any video software in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style! The ATEM Constellation webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoose from Hardware or Software Control Panels\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll ATEM switchers feature a wide range of hardware and software control options, plus it’s possible to share control panels between all ATEM models for different events. Included with ATEM Constellation is a free software based control panel for Mac and Windows. The software connects to the switcher via Ethernet or USB and you can control the switcher, upload media, mix audio and control cameras. Then, when you need more power, you can add an ATEM Advanced Panel for professional switching or an ATEM Camera Control Panel for controlling cameras. There's even an ATEM developer SDK so you can build your own custom automation control solution!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Multiview with Labels, Tally and Meters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe built in multiview lets you monitor multiple sources on a single monitor. The 1 M\/E models include 1 multiview, the 2 M\/E models have 2 independent multiviews and the 4 M\/E models have 4 independent multiviews! All external SDI inputs, plus all internal video sources can be routed to any view. All multiviews are fully customizable and can be independently set to 4, 7, 10, 13 or 16 simultaneous views. That’s up to 32 views in total on the 2 M\/E models and a massive 64 views across 4 monitors with the 4 M\/E models! You can add the tally border plus source label and VU meters as an overlay on each view. Plus a red and green border will show tally on each view, so you know what sources are on air.\u003c\/p\u003e\n\u003cp\u003eATEM 4 M\/E Constellation HD features 4 HD multiview outputs so you can see up to 64 different views from cameras, program and preview outputs, and more spread across 4 screens!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBroadcast Transitions,DVE, Stingers and More!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation includes a wide range of broadcast quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction and a lot more! The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture off screen revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation features a preview transition feature so you can setup your transitions before you switch it on air!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in DVE for Video Effects\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation features up to 4 independent DVEs, depending on the model, that let you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions! Then the 2 and 4 M\/E models include SuperSource processors for even more DVEs!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Broadcast Talkback\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built in talkback. Talkback supports a 5 pin XLR headset connector, plus a rear mounted RJ12 connector for interfacing with industry standard talkback systems such as ClearCom or RTS. You get full talkback control including program and engineering loops, sidetone control for hearing the headset mic into the headphones and program mix. ATEM Constellation also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It’s even possible to mix the talkback mic into the program audio for voiceovers!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Media for Stills and Motion Graphics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the 2 or 4 media players. Media players simply appear as additional input sources on the ATEM Constellation, so you don’t have to use extra SDI inputs for graphics. The built in media pool holds graphics for use with the media players and the 1 M\/E models can hold 20 stills and 200 frame animations, the 2 M\/E models can hold 40 stills and 400 frame animations and the 4 M\/E models can hold 60 stills and up to 400 frame animations. You can easily manage all of your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes NewATEM Advanced Chroma Key!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor news or virtual set work, ATEM Constellation is perfect as it features lots of ATEM advanced keyers for high quality chroma or luminance keying! The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the \"look\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying! You get 4 ATEM Advanced Keyers on the 1 M\/E models, 8 ATEM Advanced Keyers on the 2 M\/E models and 16 ATEM Advanced Keyers on the 4 M\/E models.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCreate Amazing Virtual Sets\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith 4 upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets! With so many ATEM advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. Even the 1 M\/E models have enough keyers to generate a 4 camera virtual set! You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players! With so much flexibility, you can experiment to try out different studio setups!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowerful SuperSource Processing!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn addition to the DVEs in the M\/E rows, the 2 M\/E and 4 M\/E models include powerful SuperSource multi layer processors with 4 extra DVE layers plus a background layer, that all appear to ATEM Constellation as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is just like having an extra multi-layer VFX switcher built in! SuperSource is perfect for doing picture in picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks. The ATEM 4 M\/E Constellation models even have 2 completely independent SuperSource processors!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMulti Rate SDI for HD and Ultra HD Video Standards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith up to 40 multi rate SDI input connections, depending on the model, the ATEM Constellation is compatible with all types of video sources. You can connect equipment in HD or Ultra HD television standards including 720p, 1080i,1080p and 2160p formats. Only multi rate SDI allows switching between formats so you can instantly adapt to the needs of the job you are doing anywhere in the world! The SDI inputs will also handle embedded audio and mix audio from all video inputs. The program outputs include talkback, tally and camera control information. So you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe First Switcher with Truly Professional Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation is the world’s first live production switcher that fully embraces live professional audio production! All SDI inputs are connected to a built in Fairlight audio mixer that features 6 band parametric EQ, compressor, limiter, noise gate and expander on each input. On the ATEM 4 M\/E Constellation models there are 2 MADI outputs for breaking out channels 1, 2, 3 and 4 of the first 30 SDI inputs out to an external audio engineer, plus a MADI input for allowing an extra 32 external audio channels in to the audio mixer. The Fairlight audio mixer even has additional inputs for mixing audio from analog inputs, talkback microphones for voice over and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Fairlight Audio Mixer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a built in Fairlight audio mixer, the ATEM Constellation makes it possible to do extremely complex live sound mixing. The internal mixer has up to 156 input channels, for the biggest audio mixer in a live production switcher! Audio is de-embedded from all the SDI video inputs and passed to the audio mixer. Then the 4 M\/E models have extra audio mixer input channels for the MADI audio inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. All this audio power can be controlled via the ATEM Software Control or a Mackie compatible panel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Free Software Control Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time! The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. Plus you can run the software on Mac or Windows!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdd the Speed and Power of an ATEM Hardware Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOnly ATEM Constellation has such a wide range of control panel options with 7 models of ATEM Advanced Panels available. ATEM Advanced Panels feature an industry standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high quality buttons with customizable illumination color, a DVE joystick plus T-bar fader. You can even setup and trigger Macros! All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E panels feature a single M\/E row while the 2 M\/E panels have 2 rows. Both 1 M\/E and 2 M\/E Advanced Panels are available in either 10, 20 or 30 input button models. The massive 4 M\/E model features 4 M\/E rows with 40 input buttons per row.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlternative Portable Panel!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Micro Panel is a low cost solution for adding panel control to ATEM Software control. Featuring the same high end buttons as ATEM Advanced Panels you get a true broadcast quality feel. It also has a familiar layout with buttons for program and preview. You can use the shift buttons to access up to 20 sources. There are 4 upstream and 2 downstream key buttons, plus a macro button. It even has 4 M\/E buttons so you can control a massive 4 M\/E switcher! There’s a fader for smooth manual transition control, which also means it’s low profile and very portable. With connection via USB-C or Bluetooth and a large internal battery, ATEM Micro Panel is perfect when you need a portable panel!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Industry Standard Professional Camera Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new ATEM Camera Control Panel provides 4 industry standard camera controllers for the same workflow as camera chains costing hundreds of thousands of dollars! Designed to be portable, ATEM Camera Control Panel can be placed on a desktop or on a slide out rack shelf. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera color, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced or new operators!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatible with Blackmagic Cameras,Panels, Decks and More!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM switchers are powerful because they can grow and expand with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and color balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally, talkback and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter! Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic URSA Broadcast G2 - \u003c\/strong\u003eDesigned for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Viewfinder G2 - \u003c\/strong\u003eTurn URSA Broadcast into a professional studio camera with large and bright 7 inch screen, removable sunshade, adjustable mount and knobs for control of brightness, contrast and focus peaking.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Camera Fiber Converter - \u003c\/strong\u003eConnect URSA Broadcast cameras to live production switchers using SMPTE fiber with all video, control connections and camera power on a single SMPTE fiber cable up to 2 km away!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Fiber Converter - \u003c\/strong\u003eConvert SMPTE fiber to 12G-SDI broadcast equipment while powering remote cameras up to 2 km away. Supports converting SMPTE fiber to 12G-SDI, multiple channels of return video, control and power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Camera 4K Pro G2 - \u003c\/strong\u003eDesigned for professional SDI switchers, you get the features of the Studio Camera Plus, as well as 12G‑SDI, XLR audio, bright HDR LCD, 5-pin XLR talkback, 10G Ethernet IP link and HD live streaming.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Mini - \u003c\/strong\u003eMiniaturized deck records H.264, ProRes or DNxHD files onto SD\/UHS-II cards or external USB disks in SD\/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in\/out and HDMI out.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Pro - \u003c\/strong\u003eIncludes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM Camera Control Panel - \u003c\/strong\u003eControl up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAll Features Included.No Hidden Costs!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUnlike other switchers, all features are included in the purchase price. That means you get all features fully enabled and always ready for use! There are no license fees to allow you to use features and no ongoing monthly costs. This means you'll never experience a license expiring 5 minutes before your program starts! Advanced features such as multiview, SuperSource, DVEs or the ATEM Advanced Keyers are always enabled and always ready to use! Plus, you can use the free ATEM Software Control on an unlimited number of computers. That’s important when you divide up the workload with separate people for audio mix, graphics prep, camera control and switcher operation!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Video Inputs - \u003c\/strong\u003e20\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Video Outputs - \u003c\/strong\u003e12\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Rates - \u003c\/strong\u003e1.5G, 3G, 6G, 12G\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Audio Inputs\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e2 x balanced 1\/4 inch Jack,\u003c\/li\u003e\n\u003cli\u003e1 x 5 pin XLR Talkback.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Audio Outputs - \u003c\/strong\u003e1 x 5 pin XLR Talkback.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Audio Inputs - \u003c\/strong\u003e16 Ch embedded audio on all SDI inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Audio Outputs - \u003c\/strong\u003e16 Ch embedded audio on all SDI outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTimecode Connections - \u003c\/strong\u003eNone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReference Input - \u003c\/strong\u003eTri-Sync or Black Burst.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVideo Input Re-Sync - \u003c\/strong\u003eOn all 20 inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrame Rate and Format Converters - \u003c\/strong\u003eOn all 20 inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Aux Outputs - \u003c\/strong\u003eAny of the 12 SDI outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Preview Outputs - \u003c\/strong\u003eAny of the 12 SDI outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Program Outputs - \u003c\/strong\u003eAny of the 12 SDI outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDown Converted SDI Program Output - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWebcam Output - \u003c\/strong\u003e1 x USB-C supporting 720p or 1080p at PGM frame rate.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Multi Views - \u003c\/strong\u003e2 x 12G-SDI\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControl Panel Connection - \u003c\/strong\u003eEthernet. Direct connection between panel and chassis, or via network.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal Timecode Generator - \u003c\/strong\u003eYes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTalkback - \u003c\/strong\u003eRJ45 for 3rd party talkback systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTally Output - \u003c\/strong\u003eAdded via ethernet connection to Blackmagic Design GPI and Tally Interface product. (Not included).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEthernet - \u003c\/strong\u003eSupports 10\/100\/1000 BASE-T.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComputer Interface - \u003c\/strong\u003e1 x USB-C supports USB 2.0\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSD Video Standards - \u003c\/strong\u003eNone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHD Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30,\u003c\/li\u003e\n\u003cli\u003e1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUltra HD Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97\u003c\/li\u003e\n\u003cli\u003e2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Compliance\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSMPTE 292M, SMPTE 296M, SMPTE 424M\u003c\/li\u003e\n\u003cli\u003eSMPTE 425M level A and B. SMPTE 2081-1\u003c\/li\u003e\n\u003cli\u003eSMPTE 2081-10, SMPTE 2082-1 and SMPTE 2082-10.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVideo Sampling - \u003c\/strong\u003e4:2:2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColor Precision - \u003c\/strong\u003e10-bit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColor Space - \u003c\/strong\u003eREC 709, REC 2020\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Auto Switching - \u003c\/strong\u003eAutomatically detects between 1.5G‑SDI, level A or level B 3G‑SDI, 6G‑SDI and 12G‑SDI.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduct Specifics\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eUpstream Keyers - \u003c\/strong\u003e8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDownstream Keyers - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAdvanced Chroma Keyers - \u003c\/strong\u003e8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSuperSource - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDVEs - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLinear\/Luma Keyers - \u003c\/strong\u003e11\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Keyer (Stinger\/DVE) - \u003c\/strong\u003e2 Stinger, 2 DVE.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Number of Layers - \u003c\/strong\u003e15\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePattern Generators - \u003c\/strong\u003e11\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColor Generators - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControl Panel - \u003c\/strong\u003eFront fascia emergency switching, software or optional hardware panel.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRoutable Windows - \u003c\/strong\u003e32\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWindows Source Labels - \u003c\/strong\u003eYes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTally - \u003c\/strong\u003eRed for program and green for preview indication.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTalkback Support - \u003c\/strong\u003eYes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMix Minus Support - \u003c\/strong\u003eYes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMulti View Monitoring\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMulti View Monitoring - \u003c\/strong\u003e1 x multi view configurable to 16, 13, 10, 7 or 4 up views. Includes monitoring of Program, Preview, Inputs, Media Players, Key Masks, Clean Feed with optional labels and audio meters.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMulti View Video Standard - \u003c\/strong\u003eHD or Ultra HD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Player\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Players - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannels - \u003c\/strong\u003eFill and key for each media player.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Pool Still Image Capacity - \u003c\/strong\u003e40\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Pool Clip Capacity - \u003c\/strong\u003e2 x up to 2160p60.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Player Clip Length in 720 HD - \u003c\/strong\u003e3200 frames.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Player Clip Length in 1080 HD - \u003c\/strong\u003e1600 frames.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Player Clip Length in 2160 UHD - \u003c\/strong\u003e400 frames.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Pool Still Image Format - \u003c\/strong\u003ePNG, TGA, BMP, GIF, JPEG and TIFF.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Pool Video File Format - \u003c\/strong\u003eTGA Sequence.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Pool Audio File Format - \u003c\/strong\u003eWAV, MP3 and AIFF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront panel - \u003c\/strong\u003eBuilt in 2.2 inch LCD monitor for video, 10 LED buttons for setup and emergency switching, 4 source buttons, 6 talkback selection and mix buttons, menu control knob and set button, front panel lock button.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProcessing\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eProcessing Delay - \u003c\/strong\u003e\u0026lt; 10 lines.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Mixer\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e48 Channel mixer\u003c\/li\u003e\n\u003cli\u003eSelectable On\/Off\/Audio-Follow-Video.\u003c\/li\u003e\n\u003cli\u003eLevel and Peak metering.\u003c\/li\u003e\n\u003cli\u003eMaster gain control.\u003c\/li\u003e\n\u003cli\u003e6 band parametric EQ, Dynamics including Expander, Gate, Compressor and Limiter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDown Conversion - \u003c\/strong\u003e1 x selectable HD down converted output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eControl Panel Included - \u003c\/strong\u003eATEM Software Control included free for Mac 13.0 Ventura, Mac 14.0 Sonoma or later and Windows 10 or 11.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware Updates - \u003c\/strong\u003eUsing USB or Ethernet connection directly connected to Mac OS or Windows computers. 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These incredibly powerful HD switchers are available in 3 great models, including a 1 M\/E model with 10 inputs, a 2 M\/E model with 20 inputs and a massive 4 M\/E model with 40 inputs! Plus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M\/E, 2 M\/E or 4 M\/E ATEM Advanced Panel!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeriously Advanced Broadcast Power\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including connections for 3G-SDI or 12G-SDI inputs, aux outputs, balanced audio and Ethernet for control. The top 4 M\/E models even include RS-422 for serial control and MADI digital audio connections. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6 Powerful Models\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Constellation HD - \u003c\/strong\u003ePowerful 1 M\/E live production switcher includes 10 standards converted 3G-SDI inputs, 6 x 3G-SDI outputs, DVE, 4 chroma keyers, a 16 way multiview, media players, talkback and USB webcam output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Constellation 4K - \u003c\/strong\u003ePowerful 1 M\/E live production switcher includes 10 standards converted 12G-SDI inputs, 6 x 12G-SDI outputs, DVE, 4 chroma keyers, a 16 way multiview, media players, talkback and USB webcam output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Constellation HD - \u003c\/strong\u003eThe 2 M\/E model doubles the features of the 1 M\/E model with 20 x 3G‑SDI inputs, 12 x 3G-SDI outputs, 2 DVEs, 8 ATEM Advanced Keyers, 2 multiviews and a SuperSource for a total of 6 DVEs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Constellation 4K - \u003c\/strong\u003eAdvanced 2 M\/E live production switcher includes 20 standards converted 12G-SDI inputs, 12 x 12G-SDI aux outputs, 2 DVEs, 8 ATEM Advanced Keyers, 2 multiviews and a SuperSource for a total of 6 DVEs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 4 M\/E Constellation HD - \u003c\/strong\u003eThe massive 4 M\/E model doubles the features of the 2 M\/E model with 40 x 3G-SDI inputs, 24 x 3G-SDI outputs, 4 DVEs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for 12 x DVEs in total.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 4 M\/E Constellation 4K - \u003c\/strong\u003eMassive 4 M\/E Ultra HD live production switcher with 40 standards converted 12G‑SDI inputs, 24 12G-SDI aux outputs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for a total of 12 DVEs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for Massive Live Events!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation switchers are ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage! Even live sports benefit from the huge number of inputs and DVEs let you build multi-layer compositions to cover the action. The fastest way to produce programming is live! With powerful internal graphics and lots of ATEM advanced chroma keyers, you get everything you need for complex program production. ATEM Constellation is also perfect for house of worship programming as it’s big enough to allow professional results, but it’s very simple to learn so it’s easy to train a volunteer crew!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrue Broadcast Style Mix Effects Switching\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation uses a professional \"program\/preview\" style operation, which is the exact same way large broadcasters use live production switchers. This means you are using the same type of switcher used by the television industry. Both the free ATEM Software Control and the optional hardware ATEM Advanced Panels will allow program\/preview style switching. This means you can select a source on the preview bus to ensure it’s correct before pushing the CUT or AUTO button to switch it on air. This 2 step program\/preview process means far fewer mistakes! Program\/preview operation means ATEM Constellation is the best solution for training students for a career in broadcast television!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull Front Panel Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a control panel built into the front panel, you can simply walk up and operate the ATEM Constellation at any time. ATEM Constellation has similar features to ATEM Mini, so it’s a fantastic upgrade when you need a bigger switcher! Plus the front panel control buttons are the same premium type used on full sized panels so they are extremely reliable. You can even control keyers, media and fade to black from the front panel! There is an industry standard 5 pin talkback headset connector on the front panel, with controls for talkback control. Plus the front panel LCD and menu buttons also allow almost every single operational feature of the switcher to be accessed!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUp to 40 Standards Converted SDI Inputs!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Constellation family features HD models that have up to 40 independent 3G-SDI inputs as well as 4K models with 12G-SDI inputs, with each input featuring its own dedicated up and cross converter. That means it’s possible to convert any 1080p input source to the video standard of the switcher! That means you could have each switcher SDI input running a different television standard and all the inputs will just work! On the ATEM 4 M\/E Constellation models, you can even loop out audio channels 1, 2, 3 and 4 from SDI inputs 1 to 30 to the two MADI digital audio outputs, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUp to 24 Customizable SDI Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Constellation family has a massive number of fully independent outputs. Even the small 1 M\/E models have 6 outputs! The 2 M\/E models have 12 outputs and the 4 M\/E models have a massive 24 outputs. These SDI outputs are very powerful because you can independently route any SDI input or any internal source to each SDI output. That’s perfect for running independent feeds to stage screens, master recorders and streaming processors. Or use the SDI outputs for ISO recorders, where each deck will get a resynchronized switcher input with matching timecode. All SDI outputs contain program audio, RP-188 timecode, SDI camera control, tally and talkback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor live streaming, the USB-C connection on ATEM Constellation operates as a webcam source. That means you can plug into a computer and get working with any video software! The software is tricked into thinking the ATEM Constellation is a common webcam, but it's really a live production switcher! That guarantees full compatibility with any video software in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style! The ATEM Constellation webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoose from Hardware or Software Control Panels\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll ATEM switchers feature a wide range of hardware and software control options, plus it’s possible to share control panels between all ATEM models for different events. Included with ATEM Constellation is a free software based control panel for Mac and Windows. The software connects to the switcher via Ethernet or USB and you can control the switcher, upload media, mix audio and control cameras. Then, when you need more power, you can add an ATEM Advanced Panel for professional switching or an ATEM Camera Control Panel for controlling cameras. There's even an ATEM developer SDK so you can build your own custom automation control solution!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Multiview with Labels, Tally and Meters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe built in multiview lets you monitor multiple sources on a single monitor. The 1 M\/E models include 1 multiview, the 2 M\/E models have 2 independent multiviews and the 4 M\/E models have 4 independent multiviews! All external SDI inputs, plus all internal video sources can be routed to any view. All multiviews are fully customizable and can be independently set to 4, 7, 10, 13 or 16 simultaneous views. That’s up to 32 views in total on the 2 M\/E models and a massive 64 views across 4 monitors with the 4 M\/E models! You can add the tally border plus source label and VU meters as an overlay on each view. Plus a red and green border will show tally on each view, so you know what sources are on air.\u003c\/p\u003e\n\u003cp\u003eATEM 4 M\/E Constellation HD features 4 HD multiview outputs so you can see up to 64 different views from cameras, program and preview outputs, and more spread across 4 screens!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBroadcast Transitions,DVE, Stingers and More!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation includes a wide range of broadcast quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction and a lot more! The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture off screen revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation features a preview transition feature so you can setup your transitions before you switch it on air!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in DVE for Video Effects\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation features up to 4 independent DVEs, depending on the model, that let you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions! Then the 2 and 4 M\/E models include SuperSource processors for even more DVEs!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Broadcast Talkback\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built in talkback. Talkback supports a 5 pin XLR headset connector, plus a rear mounted RJ12 connector for interfacing with industry standard talkback systems such as ClearCom or RTS. You get full talkback control including program and engineering loops, sidetone control for hearing the headset mic into the headphones and program mix. ATEM Constellation also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It’s even possible to mix the talkback mic into the program audio for voiceovers!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Media for Stills and Motion Graphics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the 2 or 4 media players. Media players simply appear as additional input sources on the ATEM Constellation, so you don’t have to use extra SDI inputs for graphics. The built in media pool holds graphics for use with the media players and the 1 M\/E models can hold 20 stills and 200 frame animations, the 2 M\/E models can hold 40 stills and 400 frame animations and the 4 M\/E models can hold 60 stills and up to 400 frame animations. You can easily manage all of your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes NewATEM Advanced Chroma Key!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor news or virtual set work, ATEM Constellation is perfect as it features lots of ATEM advanced keyers for high quality chroma or luminance keying! The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the \"look\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying! You get 4 ATEM Advanced Keyers on the 1 M\/E models, 8 ATEM Advanced Keyers on the 2 M\/E models and 16 ATEM Advanced Keyers on the 4 M\/E models.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCreate Amazing Virtual Sets\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith 4 upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets! With so many ATEM advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. Even the 1 M\/E models have enough keyers to generate a 4 camera virtual set! You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players! With so much flexibility, you can experiment to try out different studio setups!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowerful SuperSource Processing!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn addition to the DVEs in the M\/E rows, the 2 M\/E and 4 M\/E models include powerful SuperSource multi layer processors with 4 extra DVE layers plus a background layer, that all appear to ATEM Constellation as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is just like having an extra multi-layer VFX switcher built in! SuperSource is perfect for doing picture in picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks. The ATEM 4 M\/E Constellation models even have 2 completely independent SuperSource processors!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMulti Rate SDI for HD and Ultra HD Video Standards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith up to 40 multi rate SDI input connections, depending on the model, the ATEM Constellation is compatible with all types of video sources. You can connect equipment in HD or Ultra HD television standards including 720p, 1080i,1080p and 2160p formats. Only multi rate SDI allows switching between formats so you can instantly adapt to the needs of the job you are doing anywhere in the world! The SDI inputs will also handle embedded audio and mix audio from all video inputs. The program outputs include talkback, tally and camera control information. So you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe First Switcher with Truly Professional Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation is the world’s first live production switcher that fully embraces live professional audio production! All SDI inputs are connected to a built in Fairlight audio mixer that features 6 band parametric EQ, compressor, limiter, noise gate and expander on each input. On the ATEM 4 M\/E Constellation models there are 2 MADI outputs for breaking out channels 1, 2, 3 and 4 of the first 30 SDI inputs out to an external audio engineer, plus a MADI input for allowing an extra 32 external audio channels in to the audio mixer. The Fairlight audio mixer even has additional inputs for mixing audio from analog inputs, talkback microphones for voice over and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Fairlight Audio Mixer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a built in Fairlight audio mixer, the ATEM Constellation makes it possible to do extremely complex live sound mixing. The internal mixer has up to 156 input channels, for the biggest audio mixer in a live production switcher! Audio is de-embedded from all the SDI video inputs and passed to the audio mixer. Then the 4 M\/E models have extra audio mixer input channels for the MADI audio inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. All this audio power can be controlled via the ATEM Software Control or a Mackie compatible panel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Free Software Control Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time! The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. Plus you can run the software on Mac or Windows!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdd the Speed and Power of an ATEM Hardware Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOnly ATEM Constellation has such a wide range of control panel options with 7 models of ATEM Advanced Panels available. ATEM Advanced Panels feature an industry standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high quality buttons with customizable illumination color, a DVE joystick plus T-bar fader. You can even setup and trigger Macros! All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E panels feature a single M\/E row while the 2 M\/E panels have 2 rows. Both 1 M\/E and 2 M\/E Advanced Panels are available in either 10, 20 or 30 input button models. The massive 4 M\/E model features 4 M\/E rows with 40 input buttons per row.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlternative Portable Panel!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Micro Panel is a low cost solution for adding panel control to ATEM Software control. Featuring the same high end buttons as ATEM Advanced Panels you get a true broadcast quality feel. It also has a familiar layout with buttons for program and preview. You can use the shift buttons to access up to 20 sources. There are 4 upstream and 2 downstream key buttons, plus a macro button. It even has 4 M\/E buttons so you can control a massive 4 M\/E switcher! There’s a fader for smooth manual transition control, which also means it’s low profile and very portable. With connection via USB-C or Bluetooth and a large internal battery, ATEM Micro Panel is perfect when you need a portable panel!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Industry Standard Professional Camera Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new ATEM Camera Control Panel provides 4 industry standard camera controllers for the same workflow as camera chains costing hundreds of thousands of dollars! Designed to be portable, ATEM Camera Control Panel can be placed on a desktop or on a slide out rack shelf. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera color, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced or new operators!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatible with Blackmagic Cameras,Panels, Decks and More!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM switchers are powerful because they can grow and expand with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and color balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally, talkback and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter! Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic URSA Broadcast G2 - \u003c\/strong\u003eDesigned for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Viewfinder G2 - \u003c\/strong\u003eTurn URSA Broadcast into a professional studio camera with large and bright 7 inch screen, removable sunshade, adjustable mount and knobs for control of brightness, contrast and focus peaking.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Camera Fiber Converter - \u003c\/strong\u003eConnect URSA Broadcast cameras to live production switchers using SMPTE fiber with all video, control connections and camera power on a single SMPTE fiber cable up to 2 km away!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Fiber Converter - \u003c\/strong\u003eConvert SMPTE fiber to 12G-SDI broadcast equipment while powering remote cameras up to 2 km away. Supports converting SMPTE fiber to 12G-SDI, multiple channels of return video, control and power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Camera 4K Pro G2 - \u003c\/strong\u003eDesigned for professional SDI switchers, you get the features of the Studio Camera Plus, as well as 12G‑SDI, XLR audio, bright HDR LCD, 5-pin XLR talkback, 10G Ethernet IP link and HD live streaming.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Mini - \u003c\/strong\u003eMiniaturized deck records H.264, ProRes or DNxHD files onto SD\/UHS-II cards or external USB disks in SD\/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in\/out and HDMI out.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Pro - \u003c\/strong\u003eIncludes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM Camera Control Panel - \u003c\/strong\u003eControl up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAll Features Included.No Hidden Costs!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUnlike other switchers, all features are included in the purchase price. That means you get all features fully enabled and always ready for use! There are no license fees to allow you to use features and no ongoing monthly costs. This means you'll never experience a license expiring 5 minutes before your program starts! Advanced features such as multiview, SuperSource, DVEs or the ATEM Advanced Keyers are always enabled and always ready to use! Plus, you can use the free ATEM Software Control on an unlimited number of computers. That’s important when you divide up the workload with separate people for audio mix, graphics prep, camera control and switcher operation!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eTotal Video Inputs: 40\u003c\/li\u003e\n\u003cli\u003eTotal Video Outputs: 24\u003c\/li\u003e\n\u003cli\u003eSDI Rates: 1.5G, 3G\u003c\/li\u003e\n\u003cli\u003eTotal Audio Inputs: 2 x balanced 1\/4 inch Jack, 1 x 32 stereo channel BNC MADI in, 1 x 5 pin XLR Talkback.\u003c\/li\u003e\n\u003cli\u003eTotal Audio Outputs: 2 x balanced 1\/4 inch Jack, 2 x 32 stereo channel BNC MADI out., 1 x 5 pin XLR Talkback\u003c\/li\u003e\n\u003cli\u003eSDI Audio Inputs: 2 Ch embedded audio on all SDI inputs.\u003c\/li\u003e\n\u003cli\u003eSDI Audio Outputs: 2 Ch embedded audio on all SDI outputs.\u003c\/li\u003e\n\u003cli\u003eTimecode Connections: None\u003c\/li\u003e\n\u003cli\u003eReference Input: Tri-Sync or Black Burst.\u003c\/li\u003e\n\u003cli\u003eVideo Input Re-Sync: On all 40 inputs.\u003c\/li\u003e\n\u003cli\u003eFrame Rate and Format Converters: On all 40 inputs.\u003c\/li\u003e\n\u003cli\u003eSDI Aux Outputs: Any of the 24 SDI outputs.\u003c\/li\u003e\n\u003cli\u003eSDI Preview Outputs: Any of the 24 SDI outputs.\u003c\/li\u003e\n\u003cli\u003eSDI Program Outputs: Any of the 24 SDI outputs.\u003c\/li\u003e\n\u003cli\u003eDown Converted SDI Program Output: None\u003c\/li\u003e\n\u003cli\u003eWebcam Output: 1 x USB-C supporting 720p or 1080p at PGM frame rate.\u003c\/li\u003e\n\u003cli\u003eTotal Multi Views: 4 x 3G-SDI\u003c\/li\u003e\n\u003cli\u003eRemote: RJ12 supports RS-422\u003c\/li\u003e\n\u003cli\u003eControl Panel Connection: Ethernet. Direct connection between panel and chassis, or via network.\u003c\/li\u003e\n\u003cli\u003eInternal Timecode Generator: Yes\u003c\/li\u003e\n\u003cli\u003eTalkback: RJ45 for 3rd party talkback systems.\u003c\/li\u003e\n\u003cli\u003eTally Output: Added via ethernet connection to Blackmagic Design GPI and Tally Interface product. (Not included).\u003c\/li\u003e\n\u003cli\u003eEthernet: Supports 10\/100\/1000 BASE-T.\u003c\/li\u003e\n\u003cli\u003eComputer Interface: 1 x USB-C supports USB 3.1 Gen 1 (5Gb\/s)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSD Video Standards: None\u003c\/li\u003e\n\u003cli\u003eHD Video Standards\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Compliance: SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M level A and B.\u003c\/li\u003e\n\u003cli\u003eVideo Sampling: 4:2:2\u003c\/li\u003e\n\u003cli\u003eColor Precision: 10-bit.\u003c\/li\u003e\n\u003cli\u003eColor Space: REC 709\u003c\/li\u003e\n\u003cli\u003eSDI Auto Switching: Automatically detects between 1.5G-SDI and level A or level B 3G-SDI.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduct Specifics\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eUpstream Keyers: 16\u003c\/li\u003e\n\u003cli\u003eDownstream Keyers: 4\u003c\/li\u003e\n\u003cli\u003eAdvanced Chroma Keyers: 16\u003c\/li\u003e\n\u003cli\u003eSuperSource: 2\u003c\/li\u003e\n\u003cli\u003eTalkback Support: Yes\u003c\/li\u003e\n\u003cli\u003eMix Minus Support: Yes\u003c\/li\u003e\n\u003cli\u003eLinear\/Luma Keyers: 21\u003c\/li\u003e\n\u003cli\u003eTransition Keyer (Stinger\/DVE): 4 Stinger, 4 DVE.\u003c\/li\u003e\n\u003cli\u003eTotal Number of Layers: 28\u003c\/li\u003e\n\u003cli\u003ePattern Generators: 21\u003c\/li\u003e\n\u003cli\u003eColor Generators: 2\u003c\/li\u003e\n\u003cli\u003eControl Panel: Front fascia emergency switching, software or optional hardware panel.\u003c\/li\u003e\n\u003cli\u003eRoutable Windows: 64\u003c\/li\u003e\n\u003cli\u003eTally: Red for program and green for preview indication.\u003c\/li\u003e\n\u003cli\u003eWindows Source Labels: Yes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMulti View Monitoring\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMulti View Monitoring: 4 x multi view configurable to 16, 13, 10, 7 or 4 up view. Includes monitoring of Program, Preview, Inputs, Media Players, DSK, Clean Feed with optional labels and audio meters.\u003c\/li\u003e\n\u003cli\u003eMulti View Video Standard: HD\u003c\/li\u003e\n\u003cli\u003eDisplay Minimum Resolution: 1366 x 768\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Player\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMedia Players: 4\u003c\/li\u003e\n\u003cli\u003eChannels: Fill and key for each media player.\u003c\/li\u003e\n\u003cli\u003eMedia Pool Still Image Capacity: 60\u003c\/li\u003e\n\u003cli\u003eMedia Pool Clip Capacity: 4 x up to 1080p60.\u003c\/li\u003e\n\u003cli\u003eMedia Player Clip Length in 720 HD: 1200 frames.\u003c\/li\u003e\n\u003cli\u003eMedia Player Clip Length in 1080 HD: 600 frames.\u003c\/li\u003e\n\u003cli\u003eMedia Pool Still Image Format: PNG, TGA, BMP, GIF, JPEG and TIFF.\u003c\/li\u003e\n\u003cli\u003eMedia Pool Video File Format: TGA Sequence.\u003c\/li\u003e\n\u003cli\u003eMedia Pool Audio File Format: WAV, MP3 and AIFF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt in 5 inch HD LCD monitor for video, 42 LED buttons for setup and emergency switching, 8 source buttons, 4 transition buttons, 6 talkback selection and mix buttons, menu control knob and set button, front panel lock button.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProcessing\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eProcessing Delay: \u0026lt; 10 lines.\u003c\/li\u003e\n\u003cli\u003eAudio Mixer\n\u003cul\u003e\n\u003cli\u003e156 Channel mixer\u003c\/li\u003e\n\u003cli\u003eSelectable On\/Off\/Audio-Follow-Video.\u003c\/li\u003e\n\u003cli\u003eLevel and Peak metering.\u003c\/li\u003e\n\u003cli\u003eMaster gain control.\u003c\/li\u003e\n\u003cli\u003e6 band parametric EQ, Dynamics including Expander, Gate, Compressor and Limiter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eDown Conversion: None\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eControl Panel Included: ATEM Software Control Panel included free for Mac 11.11 Big Sur, Mac 12 Monterey or later and Windows 10 or 11.\u003c\/li\u003e\n\u003cli\u003eSoftware Updates: Using USB or Ethernet connection directly connected to Mac OS or Windows computers. Includes ATEM Setup Utility.\u003c\/li\u003e\n\u003cli\u003eConfiguration: Set via ATEM Software Control Panel, excluding ATEM chassis IP address which is set via the ATEM Setup Utility connected via USB to chassis.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50090190799081,"sku":null,"price":5509.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/ATEM-4ME-Constellation-HD.jpg?v=1770074409"},{"product_id":"blackmagic-design-atem-4-m-e-constellation-4k","title":"Blackmagic Design ATEM 4 M\/E Constellation 4K","description":"\u003cp\u003eIntroducing \u003cstrong\u003eATEM Constellation\u003c\/strong\u003e, the world’s most powerful HD and 4K live production switchers! These incredibly powerful switchers are available in 1 M\/E models with 10 inputs, 2 M\/E models with 20 inputs and massive 4\u003cstrong\u003e M\/E models with 40 inputs!\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ePlus each SDI input features a full standards converter! ATEM Constellation includes advanced features such as DVEs, ATEM advanced chroma keyers, media players, multiviews, and SuperSource processors! Plus the built in Fairlight audio mixer includes a compressor, limiter, 6 band parametric EQ and expander on each input. The free ATEM Software Control is included, or you can add a 1 M\/E, 2 M\/E or 4 M\/E ATEM Advanced Panel!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeriously Advanced Broadcast Power\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation switchers feature a compact rack mount design with a built in control panel. This allows operation of the switcher, critical during setup or for emergency use. Also included is a large LCD so you can see program output and change switcher settings via on screen menus. The compact design is perfect for portable live production, with the rear of the switcher including connections for 3G-SDI or 12G-SDI inputs, aux outputs, balanced audio and Ethernet for control. The top 4 M\/E models even include RS-422 for serial control and MADI digital audio connections. Even with all this power, ATEM Constellation is extremely quiet with its innovative high efficiency thermal system.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6 Powerful Models\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Constellation HD - \u003c\/strong\u003ePowerful 1 M\/E live production switcher includes 10 standards converted 3G-SDI inputs, 6 x 3G-SDI outputs, DVE, 4 chroma keyers, a 16 way multiview, media players, talkback and USB webcam output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Constellation 4K - \u003c\/strong\u003ePowerful 1 M\/E live production switcher includes 10 standards converted 12G-SDI inputs, 6 x 12G-SDI outputs, DVE, 4 chroma keyers, a 16 way multiview, media players, talkback and USB webcam output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Constellation HD - \u003c\/strong\u003eThe 2 M\/E model doubles the features of the 1 M\/E model with 20 x 3G‑SDI inputs, 12 x 3G-SDI outputs, 2 DVEs, 8 ATEM Advanced Keyers, 2 multiviews and a SuperSource for a total of 6 DVEs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Constellation 4K - \u003c\/strong\u003eAdvanced 2 M\/E live production switcher includes 20 standards converted 12G-SDI inputs, 12 x 12G-SDI aux outputs, 2 DVEs, 8 ATEM Advanced Keyers, 2 multiviews and a SuperSource for a total of 6 DVEs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 4 M\/E Constellation HD - \u003c\/strong\u003eThe massive 4 M\/E model doubles the features of the 2 M\/E model with 40 x 3G-SDI inputs, 24 x 3G-SDI outputs, 4 DVEs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for 12 x DVEs in total.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 4 M\/E Constellation 4K - \u003c\/strong\u003eMassive 4 M\/E Ultra HD live production switcher with 40 standards converted 12G‑SDI inputs, 24 12G-SDI aux outputs, 16 ATEM Advanced Keyers, 4 multiviews and 2 SuperSource for a total of 12 DVEs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for Massive Live Events!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation switchers are ideal for concerts and music festivals because you can place cameras on all areas of the stage for amazing coverage! Even live sports benefit from the huge number of inputs and DVEs let you build multi-layer compositions to cover the action. The fastest way to produce programming is live! With powerful internal graphics and lots of ATEM advanced chroma keyers, you get everything you need for complex program production. ATEM Constellation is also perfect for house of worship programming as it’s big enough to allow professional results, but it’s very simple to learn so it’s easy to train a volunteer crew!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrue Broadcast Style Mix Effects Switching\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation uses a professional \"program\/preview\" style operation, which is the exact same way large broadcasters use live production switchers. This means you are using the same type of switcher used by the television industry. Both the free ATEM Software Control and the optional hardware ATEM Advanced Panels will allow program\/preview style switching. This means you can select a source on the preview bus to ensure it’s correct before pushing the CUT or AUTO button to switch it on air. This 2 step program\/preview process means far fewer mistakes! Program\/preview operation means ATEM Constellation is the best solution for training students for a career in broadcast television!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFull Front Panel Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a control panel built into the front panel, you can simply walk up and operate the ATEM Constellation at any time. ATEM Constellation has similar features to ATEM Mini, so it’s a fantastic upgrade when you need a bigger switcher! Plus the front panel control buttons are the same premium type used on full sized panels so they are extremely reliable. You can even control keyers, media and fade to black from the front panel! There is an industry standard 5 pin talkback headset connector on the front panel, with controls for talkback control. Plus the front panel LCD and menu buttons also allow almost every single operational feature of the switcher to be accessed!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUp to 40 Standards Converted SDI Inputs!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Constellation family features HD models that have up to 40 independent 3G-SDI inputs as well as 4K models with 12G-SDI inputs, with each input featuring its own dedicated up and cross converter. That means it’s possible to convert any 1080p input source to the video standard of the switcher! That means you could have each switcher SDI input running a different television standard and all the inputs will just work! On the ATEM 4 M\/E Constellation models, you can even loop out audio channels 1, 2, 3 and 4 from SDI inputs 1 to 30 to the two MADI digital audio outputs, so you can hand off the switcher input audio to an external audio engineer for mixing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUp to 24 Customizable SDI Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Constellation family has a massive number of fully independent outputs. Even the small 1 M\/E models have 6 outputs! The 2 M\/E models have 12 outputs and the 4 M\/E models have a massive 24 outputs. These SDI outputs are very powerful because you can independently route any SDI input or any internal source to each SDI output. That’s perfect for running independent feeds to stage screens, master recorders and streaming processors. Or use the SDI outputs for ISO recorders, where each deck will get a resynchronized switcher input with matching timecode. All SDI outputs contain program audio, RP-188 timecode, SDI camera control, tally and talkback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor live streaming, the USB-C connection on ATEM Constellation operates as a webcam source. That means you can plug into a computer and get working with any video software! The software is tricked into thinking the ATEM Constellation is a common webcam, but it's really a live production switcher! That guarantees full compatibility with any video software in full resolution 1080HD quality. Choose any software you like, such as Zoom, Microsoft Teams or Skype for a new way to do presentations with a professional multi camera broadcast quality style! The ATEM Constellation webcam output also works with streaming software such as Open Broadcaster, XSplit Broadcaster and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eChoose from Hardware or Software Control Panels\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll ATEM switchers feature a wide range of hardware and software control options, plus it’s possible to share control panels between all ATEM models for different events. Included with ATEM Constellation is a free software based control panel for Mac and Windows. The software connects to the switcher via Ethernet or USB and you can control the switcher, upload media, mix audio and control cameras. Then, when you need more power, you can add an ATEM Advanced Panel for professional switching or an ATEM Camera Control Panel for controlling cameras. There's even an ATEM developer SDK so you can build your own custom automation control solution!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Multiview with Labels, Tally and Meters\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe built in multiview lets you monitor multiple sources on a single monitor. The 1 M\/E models include 1 multiview, the 2 M\/E models have 2 independent multiviews and the 4 M\/E models have 4 independent multiviews! All external SDI inputs, plus all internal video sources can be routed to any view. All multiviews are fully customizable and can be independently set to 4, 7, 10, 13 or 16 simultaneous views. That’s up to 32 views in total on the 2 M\/E models and a massive 64 views across 4 monitors with the 4 M\/E models! You can add the tally border plus source label and VU meters as an overlay on each view. Plus a red and green border will show tally on each view, so you know what sources are on air.\u003c\/p\u003e\n\u003cp\u003eATEM 4 M\/E Constellation HD features 4 HD multiview outputs so you can see up to 64 different views from cameras, program and preview outputs, and more spread across 4 screens!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBroadcast Transitions,DVE, Stingers and More!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation includes a wide range of broadcast quality native transitions such as mix, dip, wipe, and more. All transitions can be customized in the system control menus with adjustments for border color, border width, position, direction and a lot more! The ATEM Constellation switcher includes a powerful digital video effects processor for DVE transitions, which can be used to squeeze the current picture off screen revealing a new video under it. The DVE can even be used to create graphic wipe transitions. To eliminate errors, ATEM Constellation features a preview transition feature so you can setup your transitions before you switch it on air!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in DVE for Video Effects\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation features up to 4 independent DVEs, depending on the model, that let you reposition graphics and create picture in picture compositions. You get amazing quality and the DVE supports position, resize and scale, all in real time. The DVE lets you create professional picture in picture effects with customizable 3D borders, shadows and lighting. DVEs can also be used to create amazing DVE transitions with squeeze and swoosh effects for adding excitement to your programming. You can even combine DVE transitions with custom graphics to create your own graphic wipe transitions! Then the 2 and 4 M\/E models include SuperSource processors for even more DVEs!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Broadcast Talkback\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo keep crews working as a single creative team, ATEM Constellation features built in talkback. Talkback supports a 5 pin XLR headset connector, plus a rear mounted RJ12 connector for interfacing with industry standard talkback systems such as ClearCom or RTS. You get full talkback control including program and engineering loops, sidetone control for hearing the headset mic into the headphones and program mix. ATEM Constellation also supports SDI talkback that uses SDI channels 15 and 16 for 2-way communication with Blackmagic Design cameras. You can even use channels 13 and 14 for engineering talkback. It’s even possible to mix the talkback mic into the program audio for voiceovers!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Media for Stills and Motion Graphics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe built in media pool stores broadcast quality RGBA graphics and animations that can be played back instantly by the 2 or 4 media players. Media players simply appear as additional input sources on the ATEM Constellation, so you don’t have to use extra SDI inputs for graphics. The built in media pool holds graphics for use with the media players and the 1 M\/E models can hold 20 stills and 200 frame animations, the 2 M\/E models can hold 40 stills and 400 frame animations and the 4 M\/E models can hold 60 stills and up to 400 frame animations. You can easily manage all of your media using the included ATEM Software Control or download directly from Photoshop using the ATEM Photoshop plug-in.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes NewATEM Advanced Chroma Key!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor news or virtual set work, ATEM Constellation is perfect as it features lots of ATEM advanced keyers for high quality chroma or luminance keying! The chroma keyer is incredibly powerful and features a color picker to sample background colors for automatic generation of the key parameters. You get precise controls for edge and flare, and there is even a foreground color corrector so you can match the \"look\" of the foreground layer to the background layer making seamless compositions possible. The keyer can also be used for pattern and DVE keying! You get 4 ATEM Advanced Keyers on the 1 M\/E models, 8 ATEM Advanced Keyers on the 2 M\/E models and 16 ATEM Advanced Keyers on the 4 M\/E models.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCreate Amazing Virtual Sets\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith 4 upstream chroma keyers per M\/E row, you get the perfect solution for building virtual sets! With so many ATEM advanced chroma keyers, you can use a keyer per camera to create a seamless composition of the camera over the custom background. Even the 1 M\/E models have enough keyers to generate a 4 camera virtual set! You can use external image processors for virtual sets, or you can even build a fixed camera virtual set by loading pre rendered still image backgrounds from the media players and media pool. You can set up macros to change cameras and load the correct background into the media players! With so much flexibility, you can experiment to try out different studio setups!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowerful SuperSource Processing!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn addition to the DVEs in the M\/E rows, the 2 M\/E and 4 M\/E models include powerful SuperSource multi layer processors with 4 extra DVE layers plus a background layer, that all appear to ATEM Constellation as an additional input source. Any switcher video input can be used for each SuperSource DVE, then it’s all layered together over a media pool custom background. SuperSource is just like having an extra multi-layer VFX switcher built in! SuperSource is perfect for doing picture in picture displays for interviews because you can set up the effect while keeping the main DVEs free for other tasks. The ATEM 4 M\/E Constellation models even have 2 completely independent SuperSource processors!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMulti Rate SDI for HD and Ultra HD Video Standards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith up to 40 multi rate SDI input connections, depending on the model, the ATEM Constellation is compatible with all types of video sources. You can connect equipment in HD or Ultra HD television standards including 720p, 1080i,1080p and 2160p formats. Only multi rate SDI allows switching between formats so you can instantly adapt to the needs of the job you are doing anywhere in the world! The SDI inputs will also handle embedded audio and mix audio from all video inputs. The program outputs include talkback, tally and camera control information. So you can connect any of the switcher SDI outputs back to the camera for program return, camera control, and talkback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe First Switcher with Truly Professional Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM Constellation is the world’s first live production switcher that fully embraces live professional audio production! All SDI inputs are connected to a built in Fairlight audio mixer that features 6 band parametric EQ, compressor, limiter, noise gate and expander on each input. On the ATEM 4 M\/E Constellation models there are 2 MADI outputs for breaking out channels 1, 2, 3 and 4 of the first 30 SDI inputs out to an external audio engineer, plus a MADI input for allowing an extra 32 external audio channels in to the audio mixer. The Fairlight audio mixer even has additional inputs for mixing audio from analog inputs, talkback microphones for voice over and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Fairlight Audio Mixer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a built in Fairlight audio mixer, the ATEM Constellation makes it possible to do extremely complex live sound mixing. The internal mixer has up to 156 input channels, for the biggest audio mixer in a live production switcher! Audio is de-embedded from all the SDI video inputs and passed to the audio mixer. Then the 4 M\/E models have extra audio mixer input channels for the MADI audio inputs. Each input channel features the highest quality 6 band parametric EQ and compressor, limiter, expander and noise gate as well as full panning. All this audio power can be controlled via the ATEM Software Control or a Mackie compatible panel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Free Software Control Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Software Control Panel gives you total control over your switcher and is included free. The ATEM Software Control Panel features a beautifully designed interface with a visual switcher and parameter palettes for making quick adjustments. Multiple users can connect to the switcher via Ethernet and all work on different parts of the event at the same time! The ATEM Software Control also lets you access camera control, audio mixing, media, macro programming and even control of HyperDeck disk recorders. You can even save the full state of the switcher as XML files, plus all media is backed up from the media pool. Plus you can run the software on Mac or Windows!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdd the Speed and Power of an ATEM Hardware Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOnly ATEM Constellation has such a wide range of control panel options with 7 models of ATEM Advanced Panels available. ATEM Advanced Panels feature an industry standard, familiar M\/E style layout. Each panel has built-in LCDs for menus, high quality buttons with customizable illumination color, a DVE joystick plus T-bar fader. You can even setup and trigger Macros! All rows of M\/E buttons include integrated LCDs for dynamic input button labeling. The 1 M\/E panels feature a single M\/E row while the 2 M\/E panels have 2 rows. Both 1 M\/E and 2 M\/E Advanced Panels are available in either 10, 20 or 30 input button models. The massive 4 M\/E model features 4 M\/E rows with 40 input buttons per row.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAlternative Portable Panel!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Micro Panel is a low cost solution for adding panel control to ATEM Software control. Featuring the same high end buttons as ATEM Advanced Panels you get a true broadcast quality feel. It also has a familiar layout with buttons for program and preview. You can use the shift buttons to access up to 20 sources. There are 4 upstream and 2 downstream key buttons, plus a macro button. It even has 4 M\/E buttons so you can control a massive 4 M\/E switcher! There’s a fader for smooth manual transition control, which also means it’s low profile and very portable. With connection via USB-C or Bluetooth and a large internal battery, ATEM Micro Panel is perfect when you need a portable panel!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Industry Standard Professional Camera Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new ATEM Camera Control Panel provides 4 industry standard camera controllers for the same workflow as camera chains costing hundreds of thousands of dollars! Designed to be portable, ATEM Camera Control Panel can be placed on a desktop or on a slide out rack shelf. All control commands are sent to the cameras using the SDI camera control protocol which is supported by cameras such as Blackmagic URSA Broadcast and Blackmagic Studio Cameras. You get dedicated controls including CCU style joystick and controls for RGB camera color, master gain, black, iris and more. Plus all controls are arranged in a familiar broadcast layout perfect for both experienced or new operators!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatible with Blackmagic Cameras,Panels, Decks and More!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eATEM switchers are powerful because they can grow and expand with you. Add an ATEM Advanced Panel to get professional industry standard switcher control. Then add an ATEM Camera Control Panel for fast control and color balancing of up to four cameras. For cameras, Blackmagic Studio Cameras make great studio cameras as they have tally, talkback and control all built into the compact and very portable design. For mastering, Blackmagic HyperDeck Studio recorders are perfect because they include popular file formats such as ProRes, H.264 and DNx. You can even live stream using an UltraStudio or Blackmagic Web Presenter! Then add a Micro Converter SDI to HDMI 3G converter for HDMI monitoring!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic URSA Broadcast G2 - \u003c\/strong\u003eDesigned for broadcast and live production, you get a 6K sensor with +36dB of gain, wide dynamic range and B4 lens mount. Includes Blackmagic RAW, ProRes, H.264 and H.265 record file formats.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Viewfinder G2 - \u003c\/strong\u003eTurn URSA Broadcast into a professional studio camera with large and bright 7 inch screen, removable sunshade, adjustable mount and knobs for control of brightness, contrast and focus peaking.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Camera Fiber Converter - \u003c\/strong\u003eConnect URSA Broadcast cameras to live production switchers using SMPTE fiber with all video, control connections and camera power on a single SMPTE fiber cable up to 2 km away!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Fiber Converter - \u003c\/strong\u003eConvert SMPTE fiber to 12G-SDI broadcast equipment while powering remote cameras up to 2 km away. Supports converting SMPTE fiber to 12G-SDI, multiple channels of return video, control and power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Studio Camera 4K Pro G2 - \u003c\/strong\u003eDesigned for professional SDI switchers, you get the features of the Studio Camera Plus, as well as 12G‑SDI, XLR audio, bright HDR LCD, 5-pin XLR talkback, 10G Ethernet IP link and HD live streaming.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Mini - \u003c\/strong\u003eMiniaturized deck records H.264, ProRes or DNxHD files onto SD\/UHS-II cards or external USB disks in SD\/HD formats to 1080p60. Includes timecode and reference generators, 3G-SDI in\/out and HDMI out.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHyperDeck Studio HD Pro - \u003c\/strong\u003eIncludes all the features of the Plus model, and adds 2 SSD slots as well as the 2 SD card slots. Also includes machined metal search dial with clutch, SDI monitor out and XLR timecode connections.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM Camera Control Panel - \u003c\/strong\u003eControl up to 4 cameras at one time including iris, shutter speed, white balance, master gain, pedestal, RGB and more!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAll Features Included.No Hidden Costs!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eUnlike other switchers, all features are included in the purchase price. That means you get all features fully enabled and always ready for use! There are no license fees to allow you to use features and no ongoing monthly costs. This means you'll never experience a license expiring 5 minutes before your program starts! Advanced features such as multiview, SuperSource, DVEs or the ATEM Advanced Keyers are always enabled and always ready to use! Plus, you can use the free ATEM Software Control on an unlimited number of computers. That’s important when you divide up the workload with separate people for audio mix, graphics prep, camera control and switcher operation!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Video Inputs -  \u003c\/strong\u003e40\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Video Outputs -  \u003c\/strong\u003e28\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Aux Outputs -  \u003c\/strong\u003e24\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Rates -  \u003c\/strong\u003e1.5G, 3G, 6G, 12G.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Audio Inputs\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e2 x balanced 1\/4 inch Jack,\u003c\/li\u003e\n\u003cli\u003e1 x 32 stereo channel BNC MADI in,\u003c\/li\u003e\n\u003cli\u003e1 x 5 pin XLR Talkback.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Audio Outputs\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e2 x balanced 1\/4 inch Jack,\u003c\/li\u003e\n\u003cli\u003e2 x 32 stereo channel BNC MADI out,\u003c\/li\u003e\n\u003cli\u003e1 x 5 pin XLR Talkback.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTimecode Connections -  \u003c\/strong\u003eNone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReference Input -  \u003c\/strong\u003eTri-Sync or Black Burst.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVideo Input Re-Sync -  \u003c\/strong\u003eOn all 40 inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFrame Rate and Format Converters -  \u003c\/strong\u003eOn all 40 inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Video Inputs -  \u003c\/strong\u003e40 x 10-bit 720p, 1080i, 1080p, 2160p.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Audio Inputs -  \u003c\/strong\u003e2 Ch embedded audio on all SDI inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtra Audio Inputs -  \u003c\/strong\u003e1 x 5 pin XLR Talkback.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Video Outputs -  \u003c\/strong\u003e28 x 10-bit 720p, 1080i, 1080p, 2160p.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Audio Outputs -  \u003c\/strong\u003e2 Ch embedded into SDI output on all outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eExtra Audio Outputs -  \u003c\/strong\u003e1 x 5 pin XLR Talkback.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Program Outputs -  \u003c\/strong\u003eAny of the 24 SDI outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDown Converted SDI Program Output -  \u003c\/strong\u003eNone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Preview Outputs -  \u003c\/strong\u003eAny of the 24 SDI outputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Multi View Outputs -  \u003c\/strong\u003e4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI Multi View Outputs -  \u003c\/strong\u003eNone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWebcam Output -  \u003c\/strong\u003e1 x USB-C supporting 720p or 1080p at PGM frame rate.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote -  \u003c\/strong\u003eRJ12 supports RS-422.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControl Panel Connection -  \u003c\/strong\u003eEthernet supports 10\/100\/1000 BaseT. Allows direct connection between panel and chassis, or via network.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal Timecode Generator -  \u003c\/strong\u003eYes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTalkback -  \u003c\/strong\u003eRJ45 for 3rd party talkback systems.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTally Output -  \u003c\/strong\u003eAdded via ethernet connection to Blackmagic Design GPI and Tally Interface product. (Not included).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComputer Interface -  \u003c\/strong\u003e1 x USB-C port.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSD Video Standards -  \u003c\/strong\u003eNone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHD Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUltra HD Video Standards -  \u003c\/strong\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Compliance -  \u003c\/strong\u003eSMPTE 292M, SMPTE 296M, SMPTE 424M, 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Keyers -  \u003c\/strong\u003e16\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSuperSource -  \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTalkback Support -  \u003c\/strong\u003eYes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMix Minus Support -  \u003c\/strong\u003eYes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLinear\/Luma Keyers -  \u003c\/strong\u003e21\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Keyer (Stinger\/DVE) -  \u003c\/strong\u003e4 Stinger, 4 DVE.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTotal Number of Layers -  \u003c\/strong\u003e28\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePattern Generators -  \u003c\/strong\u003e21\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColor Generators -  \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDVEs -  \u003c\/strong\u003e4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControl Panel -  \u003c\/strong\u003eFront fascia emergency switching, software or optional hardware panel.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRoutable Windows -  \u003c\/strong\u003e64\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTally -  \u003c\/strong\u003eRed for program and green for preview indication.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWindows Source Labels -  \u003c\/strong\u003eYes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMulti View Monitoring\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMulti View Monitoring -  \u003c\/strong\u003e4 x 16 Multi View pattern options for up to 64 total views.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMulti View Video Standard -  \u003c\/strong\u003eSelect HD or Ultra HD.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Player\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Players -  \u003c\/strong\u003e4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eChannels -  \u003c\/strong\u003eFill and key for each media player.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Pool Still Image Capacity -  \u003c\/strong\u003e40\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Pool Clip Capacity -  \u003c\/strong\u003e4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Player Clip Length in 720 HD -  \u003c\/strong\u003e3200 frames.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Player Clip Length in 1080 HD -  \u003c\/strong\u003e1600 frames.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Player Clip Length in Ultra HD -  \u003c\/strong\u003e400 frames.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Pool Still Image Format -  \u003c\/strong\u003ePNG, TGA, BMP, GIF, JPEG and TIFF.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Pool Video File Format -  \u003c\/strong\u003eTGA Sequence.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Pool Audio File Format -  \u003c\/strong\u003eWAV, MP3 and AIFF.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplay\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInterface -  \u003c\/strong\u003eMinimum monitor resolution of 1366 x 768.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFront panel -  \u003c\/strong\u003eBuilt in HD LCD monitor for video, 42 LED buttons for setup and emergency switching, 8 source buttons, 4 transition buttons, 6 talkback selection and mix buttons, menu control knob and set button, front panel lock button.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProcessing\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eProcessing Delay -  \u003c\/strong\u003eTBA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Mixer\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e156 Channel mixer\u003c\/li\u003e\n\u003cli\u003eSelectable On\/Off\/Audio-Follow-Video.\u003c\/li\u003e\n\u003cli\u003eLevel and Peak metering.\u003c\/li\u003e\n\u003cli\u003eMaster gain control.\u003c\/li\u003e\n\u003cli\u003e6 band parametric EQ, Dynamics including Expander, Gate, Compressor and Limiter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDown Conversion -  \u003c\/strong\u003eTBA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eControl Panel Included -  \u003c\/strong\u003eATEM Software Control Panel included free for Mac 12.0 Monterey, Mac 13.0 Ventura or later and Windows 10 and 11.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware Updates -  \u003c\/strong\u003eUsing USB‑C connection directly connected to Mac OS or Windows computers. Includes ATEM Setup Utility.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConfiguration -  \u003c\/strong\u003eSet via ATEM Software Control Panel, excluding ATEM chassis IP address which is set via the ATEM Setup Utility connected via USB‑C to chassis.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eMac\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMac 12.0 Monterey,\u003c\/li\u003e\n\u003cli\u003eMac 13.0 Ventura or later.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWindows\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eWindows 10 and 11.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Supply -  \u003c\/strong\u003e2 x Internal 100 - 240 AC 50\/60Hz.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhysical Installation\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e2 rack units height.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Temperature -  \u003c\/strong\u003e0° to 40° C (32° to 104° F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage Temperature -  \u003c\/strong\u003e-20° to 60° C (-4° to 140° F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelative Humidity -  \u003c\/strong\u003e0% to 90% non-condensing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eATEM 4 M\/E Constellation 4K\u003c\/li\u003e\n\u003cli\u003eWelcome wallet with QR code for software download\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50090194632937,"sku":null,"price":13405.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/ATEM-4ME-Constellation-HD_43b4c0b3-4b2c-4027-8d75-e56d658a8be7.jpg?v=1770075290"},{"product_id":"blackmagic-design-atem-1-m-e-advanced-panel-20","title":"Blackmagic Design ATEM 1 M\/E Advanced Panel 20","description":"\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eATEM 1 M\/E Advanced Panel 20\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a single M\/E, 20 input button switching panel that includes the features and flexibility needed for switching big and small productions in a highly portable and compact design. It has 2 independent system control LCDs plus it can control up to 4 M\/Es in larger switchers. All input buttons include LCDs for custom labeling and there is an independent select bus. Dual power inputs provide redundancy and the built-in 4 port Ethernet switch means no additional network equipment is needed so it will fit even the most challenging live production spaces!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eATEM Advanced Panels - Get professional broadcast style workflows!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor the ultimate in professional control you can add an optional ATEM Advanced Panel! Although you can use ATEM Constellation with the software control panel, using an ATEM Advanced Panel is so much faster! Or choose the low cost, portable ATEM Micro Panel. ATEM Advanced Panels open up the power of your ATEM Constellation because they give you more control so you can setup more complex effects. It's also a nicer way to work because you have physical broadcast quality buttons, knobs and a t-bar fader so you can access all features in the switcher, all at the same time. Imagine using the 4 M\/E model to access all M\/Es simultaneously with an input button for every single SDI source!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeven Great ATEM Advanced Panel Models!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Advanced Panel 10 - \u003c\/strong\u003eThis model features a single M\/E row with 10 input buttons and 1 system control LCD screen with user customizable colors and label LCDs. There's also a joystick for the DVE and T-bar fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Advanced Panel 20 - \u003c\/strong\u003eLarger 1 M\/E hardware panel with 20 input buttons and 2 system control LCDs, plus buttons for control of 4 upstream keyers, 4 downstream keyers and 4 M\/E rows. Includes a joystick and T‑bar fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Advanced Panel 30 - \u003c\/strong\u003eVery large 1 M\/E hardware panel with 30 input buttons and 3 system control LCDs, plus buttons for control of 4 upstream keyers, 4 downstream keyers and 4 M\/E rows. Includes a joystick and T‑bar fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Advanced Panel 20 - \u003c\/strong\u003eThis larger model features 2 M\/E rows with 20 input buttons on each row and 2 independent system control LCDs, one for each row. There's 8 LCDs for custom labels and both rows include a select bus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Advanced Panel 30 - \u003c\/strong\u003eProfessional 2 M\/E hardware panel with 30 input buttons on each row and 2 independent system control LCDs, one for each row. Get 8 LCDs for custom labels and each row includes a separate select bus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Advanced Panel 40 - \u003c\/strong\u003eProfessional 2 M\/E hardware panel with 40 input buttons on each row and 2 independent system control LCDs, one for each row. Get 8 LCDs for custom labels and each row includes a separate select bus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 4 M\/E Advanced Panel 40 - \u003c\/strong\u003eThis model perfectly matches the ATEM Constellation! It features 4 M\/E rows with 40 input buttons per row and 4 system control LCDs. With 32 LCDs, you can custom label every button on every row!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAccelerate Live Production! - Production is easier and fun with an ATEM control panel!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelect Sources - Switch cameras to air instantly!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eATEM Constellation has been designed to give you the most advanced live switching workflow. Internally, ATEM Constellation has separate program and preview buses that you can use to quickly and accurately switch sources. ATEM Constellation lets you see your preview bus selection by using an aux output or on the multi view. Then all you need to do is make selections on the preview bus of the ATEM Advanced Panel, which will appear on your preview screen, allowing you to see your source before it goes on air. Then you can bring the source online by pressing cut or auto! You can also switch sources on the program bus if you need them to go live immediately!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Control - Select and customize transitions\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eGet total control over your transitions with a dedicated hardware button for each transition type! When selecting transition types, a system control LCD screen will display the options for that transition, so you can change its parameters without navigating through complex menus. It's all instantly available! That gives you multiple ways to switch. Simply select a new source on the preview bus, then press CUT for a cut transition, or AUTO to use the selected transitions such as mix, dip, wipe or DVE! You can even cut directly on the program bus. With ATEM Advanced Panels you get all the controls you need to access all transition types fast.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Styles - Mix, dip, wipe, DVE and more!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eATEM switchers give you a huge range of transition styles! Mix transition will smoothly blend between sources just like an NLE cross dissolve. Standard SMPTE wipes are included and wipes can have edge softening for smooth dreamy transitions that are more exciting than simple cross dissolves. Dip transitions create a dip to color effect, however because you can dip to any video source, you could create really innovative effects! DVE transitions use the DVE to create crazy moves where the whole foreground image moves! Plus you can combine the DVE and a still image from the media pool to create graphic wipes! The t-bar fader even lets you manually position the transition for total control! With the push of a button you can choose mix, dip or wipes and even exciting programmable DVE or animated stinger transitions!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWipe Transitions - Transform wipes into exciting effects!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003ePower up your wipe transitions by accessing parameters to transform them into exciting effects. While you can select the wipe pattern directly on the LCD, you can also add lots of customization to suit your production style. You can adjust parameters such as symmetry and softness, but there are also adjustments for colored borders with variable width and softness, as well as the position of the centre of the wipe. You can even use the dedicated joystick to set precise wipe pattern positioning! Get complete control over wipe, symmetry, softness plus adjustments for colored border control with variable width and softness.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDVE Transitions - Amazing digital video effects\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eATEM Advanced Panels are perfect for positioning the DVE for custom picture in picture effects because they include a joystick. The joystick allows the position to be set precisely and rotating the knob will change DVE size. You can also use the soft knobs and menus on the LCD to adjust the DVE position, size and other DVE features such as lighting and drop shadow effects. The DVE can be setup to fly graphics into frame or select any of the pre programmed push and squeeze transitions. The built in joystick lets you position the DVE using up and down movements or you can scale the image size by rotating the joystick!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKeyer Control - Get perfect green screen keying\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eThe system control knobs are ideal when doing chroma keying because you can finely adjust each parameter for clean key edges and seamless multi layer compositing effects. Unlike software control where you need to look at the user interface, the ATEM Advanced Panels have control knobs that you can hold while adjusting key parameters and looking at the video output live to ensure the key is seamless. Only fine adjustment of key settings live while watching the video, ensures your key is perfect. Precision control knobs can create the perfect chroma key quickly and accurately for perfect multi layer effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFader Bar - Manually blend transitions\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eAmazing live performances often require transitions that need to be controlled manually. The ergonomically designed t‑bar control lets you ride transitions perfectly as part of the live performance! Sometimes the emotion of a live event means you need to feel a transition to get it perfectly in sync with the camera operators and talent. Like a conductor, your ATEM Constellation is part of the performance and drives the mood as the production unfolds. The ergonomically designed T bar control lets you set transitions manually allowing you to match the emotions of the performance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuto Transition - Perfect and predictable transitions!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eJust below the panel fader bar is the auto transition button. Selecting auto will instantly perform the transition type you have set. This ensures you can accurately select your source and transition type before triggering the action, so you always know what is going to happen and there's much less chance of mistakes going to air. Auto transitions can be programmed for durations from 1 to 250 frames and the benefit is each transition is consistent through your program. Automatic transitions can be pre programed for any duration from 1 to 250 frames and are ideal for smooth constant mixing between cameras.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreview Transition - Simulate new effects while on air\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eUnlike the simpler front panel on ATEM Constellation, the hardware panel includes a very useful preview transition button that lets you simulate a transition or effect before you use it! The PREV TRANS button helps you avoid on air mistakes when preparing live transitions by displaying the result on your preview video output or on the multiview screen on the ATEM Constellation. Preview transition is the only way to accurately set up complicated transitions and multi layered key effects. The 1 M\/E broadcast panel features a dedicated preview transition button so you can preview the next transition before it goes to air.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFade to Black - Finish your program with style!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eThe built in fade to black button controls the entire output of the switcher! Selecting fade to black (FTB) will smoothly fade your program output to black at a preset transition rate. Because FTB is at the end of all processing, it ensures all video layers fade out together. You can even select to fade out audio when FTB is triggered. That's useful for the start and end of your production or for fading out to commercial breaks. FTB also includes button guards to stop accidental triggering!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eJoystick - Get precise DVE control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMove elements around the screen using the Joystick! With full 3 Axis control you can adjust X, Y and Z positions of wipe patterns and position the ATEM Constellation DVEs. The joystick control with the DVE is ideal to position live video over video. Scale the size, position up down or left and right for the perfect picture in picture effect. You can also use the joystick to move the DVE and enter start and end keyframe screen positions for your own customized animated DVE moves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Control - Change switcher settings from the menus!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou get full control right from the panel using the system control LCDs. Each system control LCD has a direct access keypad with a button for each function, and LCD and soft knobs and buttons. Simply push a keypad button to see the parameters displayed in the large LCD so you can use the soft buttons and knobs to change each setting. It’s incredibly easy and very fast! There are hundreds of switcher parameters available for keyers, transition selection, DVE, color generators as well as switcher video standard, multiview setup and even input button remapping! You can even save and recall 10 individual panel setups and store them in the panel! Plus the 2 M\/E model as 2 totally independent system control menus, while the 4 M\/E model has a massive 4 independent system control LCDs!\u003c\/p\u003e\n\u003cp\u003eConveniently located in the select bus, you can quickly set the auxiliary output and then live switch sources at the push of a button.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eChange video outputs with a single button press - \u003c\/strong\u003eAs well as the input buttons, each M\/E row has a dedicated \"select bus\" for routing video into processing and selecting sources to the aux outputs. With so many aux outputs, you can select any source into any output, just like an SDI router. Conveniently located above the ME row buttons, the select bus lets change sources with a single button press so it's very fast to use. There are even labels to show you what source is on each button. The select bus also lets you directly select inputs for other internal processing such as the keyers and DVE. Only the select bus lets you route signals internally and via the aux outputs instantly!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Players - Manage built in graphics and titles - \u003c\/strong\u003eYou can select stills from the media pool in the panel LCD menus and simply pressing the media button lets you access the media player and change which image in the media pool is sent to the media player as a video source. You can select any loaded still by scrolling through the list of media pool images, which are listed showing the original file name of each image. This means you can quickly change stills and titles right from the same panel you are working on, eliminating the need to change control panels just to change a title.\n\u003cul\u003e\n\u003cli\u003eSet stills from the panel, change between stills and clips plus play and loop the clips directly from your ATEM broadcast control panel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePowerful Custom Macros - Trigger macrosat the touch of a button! - \u003c\/strong\u003eAnother benefit of the ATEM Advanced Panel is the built in macros, where you can very easily record your own custom macros and trigger them to playback with the push of a button. This means that you don’t need to use a computer to work with macros because you can trigger them from the same hardware panel you are switching from. If you edit or modify a macro the change will appear on all the connected hardware or software control panels because the macros are stored inside the ATEM Constellation itself. You can set up different macros to trigger under each macro button and the thin strip LCD under the buttons will show you which button as which macro you have assigned.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCustomizable Control Options - Control your ATEM switcher from anywhere in the world!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBecause ATEM Constellation includes a standard Ethernet connection, you can use this connection to control it remotely from long distances away. The ATEM Advanced Panel, the ATEM Camera Control panel and the ATEM Software Control for Mac and Windows all use an Ethernet connection to the ATEM Constellation, so you can setup any combination of panels you need, for the freedom to decide your ideal control setup. What this means is you can have multiple control panels all working together in parallel and at the same time. Then all these panels can be located anywhere so you could control your ATEM Constellation from the other side of the world!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware - \u003c\/strong\u003eSoftware control lets you control your ATEM locally or using the internet for control from anywhere in the world!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternet - \u003c\/strong\u003eConnect any combination of hardware and software switcher control simultaneously for multi user workflow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFree SDK - \u003c\/strong\u003eCustom develop your own control solutions by using our software developer kit included free with every ATEM switcher!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eATEM Micro Panel - Alternative Portable Panel!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Micro Panel is a low cost solution for adding panel control to ATEM Software control. Featuring the same high end buttons as ATEM Advanced Panels you get a true broadcast quality feel. It also has a familiar layout with buttons for program and preview. You can use the shift buttons to access up to 20 sources. There are 4 upstream and 2 downstream key buttons, plus a macro button. It even has 4 M\/E buttons so you can control a massive 4 M\/E switcher! There’s a fader for smooth manual transition control, which also means it’s low profile and very portable. With connection via USB-C or Bluetooth and a large internal battery, ATEM Micro Panel is perfect when you need a portable panel!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEthernet - \u003c\/strong\u003e4 x 10\/100\/1000 BASE-T with loop output for additional control panels or computers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware Updates - \u003c\/strong\u003e1 x USB-C for firmware updates\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduct Specifics\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumber of Mix Effects Rows - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect Cross Points - \u003c\/strong\u003e20\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShifted Cross Points - \u003c\/strong\u003e40\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosspoint Button Type - \u003c\/strong\u003eTri-Color LED\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreview Transition - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Rate Displays - \u003c\/strong\u003eVia main menu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLCD Menu Displays - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMenu Control - \u003c\/strong\u003e2 x 20 buttons\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDedicated Macro Buttons - \u003c\/strong\u003e1 x 20\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransport Control Buttons - \u003c\/strong\u003e8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDestination Bus - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource Select Bus - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFader Bar - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3 Axis Joystick - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumeric Keypad - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware Applications - \u003c\/strong\u003eATEM Software Control Panel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMac 13.0 Ventura,\u003c\/li\u003e\n\u003cli\u003eMac 14.0 Sonoma or later.\u003c\/li\u003e\n\u003cli\u003eWindows 10 and 11.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Voltage - \u003c\/strong\u003e2 x Internal 100 - 240V AC.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRedundant Power - \u003c\/strong\u003eYes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Usage - \u003c\/strong\u003e75W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Temperature - \u003c\/strong\u003e0° to 40° C (32° to 104° F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage Temperature - \u003c\/strong\u003e-20° to 60° C (-4° to 140° F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelative Humidity - \u003c\/strong\u003eUp to 95%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eATEM 1 M\/E Advanced Panel 20\u003c\/li\u003e\n\u003cli\u003eWelcome wallet with QR code for software download\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50090197483753,"sku":null,"price":5655.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/SWPANELADV1ME20.jpg?v=1770076074"},{"product_id":"blackmagic-design-atem-1-m-e-advanced-panel-30","title":"Blackmagic Design ATEM 1 M\/E Advanced Panel 30","description":"\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eATEM 1 M\/E Advanced Panel 30\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efeatures a single M\/E row, 30 input button design that is ideal for switching big productions from desk surfaces that are not deep enough for a bigger panel. It has 3 independent system control LCDs plus it can control up to 4 M\/Es in larger switchers. All input buttons include LCDs for custom labeling and it also includes an independent select bus! Dual power inputs provide redundancy and the built-in 4 port Ethernet switch means no additional network equipment is needed so it will fit even the most challenging live production spaces!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eATEM Advanced Panels - Get professional broadcast style workflows!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor the ultimate in professional control you can add an optional ATEM Advanced Panel! Although you can use ATEM Constellation with the software control panel, using an ATEM Advanced Panel is so much faster! Or choose the low cost, portable ATEM Micro Panel. ATEM Advanced Panels open up the power of your ATEM Constellation because they give you more control so you can setup more complex effects. It's also a nicer way to work because you have physical broadcast quality buttons, knobs and a t-bar fader so you can access all features in the switcher, all at the same time. Imagine using the 4 M\/E model to access all M\/Es simultaneously with an input button for every single SDI source!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeven Great ATEM Advanced Panel Models!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Advanced Panel 10 - \u003c\/strong\u003eThis model features a single M\/E row with 10 input buttons and 1 system control LCD screen with user customizable colors and label LCDs. There's also a joystick for the DVE and T-bar fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Advanced Panel 20 - \u003c\/strong\u003eLarger 1 M\/E hardware panel with 20 input buttons and 2 system control LCDs, plus buttons for control of 4 upstream keyers, 4 downstream keyers and 4 M\/E rows. Includes a joystick and T‑bar fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Advanced Panel 30 - \u003c\/strong\u003eVery large 1 M\/E hardware panel with 30 input buttons and 3 system control LCDs, plus buttons for control of 4 upstream keyers, 4 downstream keyers and 4 M\/E rows. Includes a joystick and T‑bar fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Advanced Panel 20 - \u003c\/strong\u003eThis larger model features 2 M\/E rows with 20 input buttons on each row and 2 independent system control LCDs, one for each row. There's 8 LCDs for custom labels and both rows include a select bus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Advanced Panel 30 - \u003c\/strong\u003eProfessional 2 M\/E hardware panel with 30 input buttons on each row and 2 independent system control LCDs, one for each row. Get 8 LCDs for custom labels and each row includes a separate select bus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Advanced Panel 40 - \u003c\/strong\u003eProfessional 2 M\/E hardware panel with 40 input buttons on each row and 2 independent system control LCDs, one for each row. Get 8 LCDs for custom labels and each row includes a separate select bus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 4 M\/E Advanced Panel 40 - \u003c\/strong\u003eThis model perfectly matches the ATEM Constellation! It features 4 M\/E rows with 40 input buttons per row and 4 system control LCDs. With 32 LCDs, you can custom label every button on every row!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAccelerate Live Production! - Production is easier and fun with an ATEM control panel!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelect Sources - Switch cameras to air instantly!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eATEM Constellation has been designed to give you the most advanced live switching workflow. Internally, ATEM Constellation has separate program and preview buses that you can use to quickly and accurately switch sources. ATEM Constellation lets you see your preview bus selection by using an aux output or on the multi view. Then all you need to do is make selections on the preview bus of the ATEM Advanced Panel, which will appear on your preview screen, allowing you to see your source before it goes on air. Then you can bring the source online by pressing cut or auto! You can also switch sources on the program bus if you need them to go live immediately!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Control - Select and customize transitions\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eGet total control over your transitions with a dedicated hardware button for each transition type! When selecting transition types, a system control LCD screen will display the options for that transition, so you can change its parameters without navigating through complex menus. It's all instantly available! That gives you multiple ways to switch. Simply select a new source on the preview bus, then press CUT for a cut transition, or AUTO to use the selected transitions such as mix, dip, wipe or DVE! You can even cut directly on the program bus. With ATEM Advanced Panels you get all the controls you need to access all transition types fast.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Styles - Mix, dip, wipe, DVE and more!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eATEM switchers give you a huge range of transition styles! Mix transition will smoothly blend between sources just like an NLE cross dissolve. Standard SMPTE wipes are included and wipes can have edge softening for smooth dreamy transitions that are more exciting than simple cross dissolves. Dip transitions create a dip to color effect, however because you can dip to any video source, you could create really innovative effects! DVE transitions use the DVE to create crazy moves where the whole foreground image moves! Plus you can combine the DVE and a still image from the media pool to create graphic wipes! The t-bar fader even lets you manually position the transition for total control! With the push of a button you can choose mix, dip or wipes and even exciting programmable DVE or animated stinger transitions!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWipe Transitions - Transform wipes into exciting effects!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003ePower up your wipe transitions by accessing parameters to transform them into exciting effects. While you can select the wipe pattern directly on the LCD, you can also add lots of customization to suit your production style. You can adjust parameters such as symmetry and softness, but there are also adjustments for colored borders with variable width and softness, as well as the position of the centre of the wipe. You can even use the dedicated joystick to set precise wipe pattern positioning! Get complete control over wipe, symmetry, softness plus adjustments for colored border control with variable width and softness.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDVE Transitions - Amazing digital video effects\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eATEM Advanced Panels are perfect for positioning the DVE for custom picture in picture effects because they include a joystick. The joystick allows the position to be set precisely and rotating the knob will change DVE size. You can also use the soft knobs and menus on the LCD to adjust the DVE position, size and other DVE features such as lighting and drop shadow effects. The DVE can be setup to fly graphics into frame or select any of the pre programmed push and squeeze transitions. The built in joystick lets you position the DVE using up and down movements or you can scale the image size by rotating the joystick!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKeyer Control - Get perfect green screen keying\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eThe system control knobs are ideal when doing chroma keying because you can finely adjust each parameter for clean key edges and seamless multi layer compositing effects. Unlike software control where you need to look at the user interface, the ATEM Advanced Panels have control knobs that you can hold while adjusting key parameters and looking at the video output live to ensure the key is seamless. Only fine adjustment of key settings live while watching the video, ensures your key is perfect. Precision control knobs can create the perfect chroma key quickly and accurately for perfect multi layer effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFader Bar - Manually blend transitions\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eAmazing live performances often require transitions that need to be controlled manually. The ergonomically designed t‑bar control lets you ride transitions perfectly as part of the live performance! Sometimes the emotion of a live event means you need to feel a transition to get it perfectly in sync with the camera operators and talent. Like a conductor, your ATEM Constellation is part of the performance and drives the mood as the production unfolds. The ergonomically designed T bar control lets you set transitions manually allowing you to match the emotions of the performance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuto Transition - Perfect and predictable transitions!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eJust below the panel fader bar is the auto transition button. Selecting auto will instantly perform the transition type you have set. This ensures you can accurately select your source and transition type before triggering the action, so you always know what is going to happen and there's much less chance of mistakes going to air. Auto transitions can be programmed for durations from 1 to 250 frames and the benefit is each transition is consistent through your program. Automatic transitions can be pre programed for any duration from 1 to 250 frames and are ideal for smooth constant mixing between cameras.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreview Transition - Simulate new effects while on air\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eUnlike the simpler front panel on ATEM Constellation, the hardware panel includes a very useful preview transition button that lets you simulate a transition or effect before you use it! The PREV TRANS button helps you avoid on air mistakes when preparing live transitions by displaying the result on your preview video output or on the multiview screen on the ATEM Constellation. Preview transition is the only way to accurately set up complicated transitions and multi layered key effects. The 1 M\/E broadcast panel features a dedicated preview transition button so you can preview the next transition before it goes to air.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFade to Black - Finish your program with style!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eThe built in fade to black button controls the entire output of the switcher! Selecting fade to black (FTB) will smoothly fade your program output to black at a preset transition rate. Because FTB is at the end of all processing, it ensures all video layers fade out together. You can even select to fade out audio when FTB is triggered. That's useful for the start and end of your production or for fading out to commercial breaks. FTB also includes button guards to stop accidental triggering!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eJoystick - Get precise DVE control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMove elements around the screen using the Joystick! With full 3 Axis control you can adjust X, Y and Z positions of wipe patterns and position the ATEM Constellation DVEs. The joystick control with the DVE is ideal to position live video over video. Scale the size, position up down or left and right for the perfect picture in picture effect. You can also use the joystick to move the DVE and enter start and end keyframe screen positions for your own customized animated DVE moves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Control - Change switcher settings from the menus!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou get full control right from the panel using the system control LCDs. Each system control LCD has a direct access keypad with a button for each function, and LCD and soft knobs and buttons. Simply push a keypad button to see the parameters displayed in the large LCD so you can use the soft buttons and knobs to change each setting. It’s incredibly easy and very fast! There are hundreds of switcher parameters available for keyers, transition selection, DVE, color generators as well as switcher video standard, multiview setup and even input button remapping! You can even save and recall 10 individual panel setups and store them in the panel! Plus the 2 M\/E model as 2 totally independent system control menus, while the 4 M\/E model has a massive 4 independent system control LCDs!\u003c\/p\u003e\n\u003cp\u003eConveniently located in the select bus, you can quickly set the auxiliary output and then live switch sources at the push of a button.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eChange video outputs with a single button press - \u003c\/strong\u003eAs well as the input buttons, each M\/E row has a dedicated \"select bus\" for routing video into processing and selecting sources to the aux outputs. With so many aux outputs, you can select any source into any output, just like an SDI router. Conveniently located above the ME row buttons, the select bus lets change sources with a single button press so it's very fast to use. There are even labels to show you what source is on each button. The select bus also lets you directly select inputs for other internal processing such as the keyers and DVE. Only the select bus lets you route signals internally and via the aux outputs instantly!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Players - Manage built in graphics and titles - \u003c\/strong\u003eYou can select stills from the media pool in the panel LCD menus and simply pressing the media button lets you access the media player and change which image in the media pool is sent to the media player as a video source. You can select any loaded still by scrolling through the list of media pool images, which are listed showing the original file name of each image. This means you can quickly change stills and titles right from the same panel you are working on, eliminating the need to change control panels just to change a title.\n\u003cul\u003e\n\u003cli\u003eSet stills from the panel, change between stills and clips plus play and loop the clips directly from your ATEM broadcast control panel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePowerful Custom Macros - Trigger macrosat the touch of a button! - \u003c\/strong\u003eAnother benefit of the ATEM Advanced Panel is the built in macros, where you can very easily record your own custom macros and trigger them to playback with the push of a button. This means that you don’t need to use a computer to work with macros because you can trigger them from the same hardware panel you are switching from. If you edit or modify a macro the change will appear on all the connected hardware or software control panels because the macros are stored inside the ATEM Constellation itself. You can set up different macros to trigger under each macro button and the thin strip LCD under the buttons will show you which button as which macro you have assigned.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCustomizable Control Options - Control your ATEM switcher from anywhere in the world!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBecause ATEM Constellation includes a standard Ethernet connection, you can use this connection to control it remotely from long distances away. The ATEM Advanced Panel, the ATEM Camera Control panel and the ATEM Software Control for Mac and Windows all use an Ethernet connection to the ATEM Constellation, so you can setup any combination of panels you need, for the freedom to decide your ideal control setup. What this means is you can have multiple control panels all working together in parallel and at the same time. Then all these panels can be located anywhere so you could control your ATEM Constellation from the other side of the world!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware - \u003c\/strong\u003eSoftware control lets you control your ATEM locally or using the internet for control from anywhere in the world!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternet - \u003c\/strong\u003eConnect any combination of hardware and software switcher control simultaneously for multi user workflow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFree SDK - \u003c\/strong\u003eCustom develop your own control solutions by using our software developer kit included free with every ATEM switcher!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eATEM Micro Panel - Alternative Portable Panel!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Micro Panel is a low cost solution for adding panel control to ATEM Software control. Featuring the same high end buttons as ATEM Advanced Panels you get a true broadcast quality feel. It also has a familiar layout with buttons for program and preview. You can use the shift buttons to access up to 20 sources. There are 4 upstream and 2 downstream key buttons, plus a macro button. It even has 4 M\/E buttons so you can control a massive 4 M\/E switcher! There’s a fader for smooth manual transition control, which also means it’s low profile and very portable. With connection via USB-C or Bluetooth and a large internal battery, ATEM Micro Panel is perfect when you need a portable panel!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEthernet - \u003c\/strong\u003e4 x 10\/100\/1000 BASE-T with loop output for additional control panels or computers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware Updates - \u003c\/strong\u003e1 x USB-C for firmware updates\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduct Specifics\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumber of Mix Effects Rows - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect Cross Points - \u003c\/strong\u003e30\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShifted Cross Points - \u003c\/strong\u003e60\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosspoint Button Type - \u003c\/strong\u003eTri-Color LED\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreview Transition - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Rate Displays - \u003c\/strong\u003eVia main menu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLCD Menu Displays - \u003c\/strong\u003e3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMenu Control - \u003c\/strong\u003e3 x 20 buttons\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDedicated Macro Buttons - \u003c\/strong\u003e1 x 30\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransport Control Buttons - \u003c\/strong\u003e8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDestination Bus - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource Select Bus - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFader Bar - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3 Axis Joystick - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumeric Keypad - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware Applications - \u003c\/strong\u003eATEM Software Control Panel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMac 13.0 Ventura,\u003c\/li\u003e\n\u003cli\u003eMac 14.0 Sonoma or later.\u003c\/li\u003e\n\u003cli\u003eWindows 10 and 11.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Voltage - \u003c\/strong\u003e2 x Internal 100 - 240V AC.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRedundant Power - \u003c\/strong\u003eYes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Usage - \u003c\/strong\u003e80W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Temperature - \u003c\/strong\u003e0° to 40° C (32° to 104° F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage Temperature - \u003c\/strong\u003e-20° to 60° C (-4° to 140° F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelative Humidity - \u003c\/strong\u003eUp to 95%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eATEM 1 M\/E Advanced Panel 30\u003c\/li\u003e\n\u003cli\u003eWelcome wallet with QR code for software download\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50090211705065,"sku":null,"price":8189.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/SWPANELADV1ME30.jpg?v=1770077402"},{"product_id":"blackmagic-design-atem-2-m-e-advanced-panel-30","title":"Blackmagic Design ATEM 2 M\/E Advanced Panel 30","description":"\u003cp\u003eThe \u003cstrong\u003eATEM 2 M\/E Advanced Panel 30\u003c\/strong\u003e features 2 M\/E rows with 30 input buttons and 3 independent system control LCDs for each row. Plus each row can control up to 4 M\/Es in larger switchers. Both rows and all input buttons include LCDs for custom labeling. Each row also includes an independent select bus!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eATEM Advanced Panels - Get professional broadcast style workflows!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor the ultimate in professional control you can add an optional ATEM Advanced Panel! Although you can use ATEM Constellation with the software control panel, using an ATEM Advanced Panel is so much faster! Or choose the low cost, portable ATEM Micro Panel. ATEM Advanced Panels open up the power of your ATEM Constellation because they give you more control so you can setup more complex effects. It's also a nicer way to work because you have physical broadcast quality buttons, knobs and a t-bar fader so you can access all features in the switcher, all at the same time. Imagine using the 4 M\/E model to access all M\/Es simultaneously with an input button for every single SDI source!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeven Great ATEM Advanced Panel Models!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Advanced Panel 10 - \u003c\/strong\u003eThis model features a single M\/E row with 10 input buttons and 1 system control LCD screen with user customizable colors and label LCDs. There's also a joystick for the DVE and T-bar fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Advanced Panel 20 - \u003c\/strong\u003eLarger 1 M\/E hardware panel with 20 input buttons and 2 system control LCDs, plus buttons for control of 4 upstream keyers, 4 downstream keyers and 4 M\/E rows. Includes a joystick and T‑bar fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Advanced Panel 30 - \u003c\/strong\u003eVery large 1 M\/E hardware panel with 30 input buttons and 3 system control LCDs, plus buttons for control of 4 upstream keyers, 4 downstream keyers and 4 M\/E rows. Includes a joystick and T‑bar fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Advanced Panel 20 - \u003c\/strong\u003eThis larger model features 2 M\/E rows with 20 input buttons on each row and 2 independent system control LCDs, one for each row. There's 8 LCDs for custom labels and both rows include a select bus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Advanced Panel 30 - \u003c\/strong\u003eProfessional 2 M\/E hardware panel with 30 input buttons on each row and 2 independent system control LCDs, one for each row. Get 8 LCDs for custom labels and each row includes a separate select bus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Advanced Panel 40 - \u003c\/strong\u003eProfessional 2 M\/E hardware panel with 40 input buttons on each row and 2 independent system control LCDs, one for each row. Get 8 LCDs for custom labels and each row includes a separate select bus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 4 M\/E Advanced Panel 40 - \u003c\/strong\u003eThis model perfectly matches the ATEM Constellation! It features 4 M\/E rows with 40 input buttons per row and 4 system control LCDs. With 32 LCDs, you can custom label every button on every row!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAccelerate Live Production! - Production is easier and fun with an ATEM control panel!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelect Sources - Switch cameras to air instantly!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eATEM Constellation has been designed to give you the most advanced live switching workflow. Internally, ATEM Constellation has separate program and preview buses that you can use to quickly and accurately switch sources. ATEM Constellation lets you see your preview bus selection by using an aux output or on the multi view. Then all you need to do is make selections on the preview bus of the ATEM Advanced Panel, which will appear on your preview screen, allowing you to see your source before it goes on air. Then you can bring the source online by pressing cut or auto! You can also switch sources on the program bus if you need them to go live immediately!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Control - Select and customize transitions\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eGet total control over your transitions with a dedicated hardware button for each transition type! When selecting transition types, a system control LCD screen will display the options for that transition, so you can change its parameters without navigating through complex menus. It's all instantly available! That gives you multiple ways to switch. Simply select a new source on the preview bus, then press CUT for a cut transition, or AUTO to use the selected transitions such as mix, dip, wipe or DVE! You can even cut directly on the program bus. With ATEM Advanced Panels you get all the controls you need to access all transition types fast.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Styles - Mix, dip, wipe, DVE and more!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eATEM switchers give you a huge range of transition styles! Mix transition will smoothly blend between sources just like an NLE cross dissolve. Standard SMPTE wipes are included and wipes can have edge softening for smooth dreamy transitions that are more exciting than simple cross dissolves. Dip transitions create a dip to color effect, however because you can dip to any video source, you could create really innovative effects! DVE transitions use the DVE to create crazy moves where the whole foreground image moves! Plus you can combine the DVE and a still image from the media pool to create graphic wipes! The t-bar fader even lets you manually position the transition for total control! With the push of a button you can choose mix, dip or wipes and even exciting programmable DVE or animated stinger transitions!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWipe Transitions - Transform wipes into exciting effects!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003ePower up your wipe transitions by accessing parameters to transform them into exciting effects. While you can select the wipe pattern directly on the LCD, you can also add lots of customization to suit your production style. You can adjust parameters such as symmetry and softness, but there are also adjustments for colored borders with variable width and softness, as well as the position of the centre of the wipe. You can even use the dedicated joystick to set precise wipe pattern positioning! Get complete control over wipe, symmetry, softness plus adjustments for colored border control with variable width and softness.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDVE Transitions - Amazing digital video effects\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eATEM Advanced Panels are perfect for positioning the DVE for custom picture in picture effects because they include a joystick. The joystick allows the position to be set precisely and rotating the knob will change DVE size. You can also use the soft knobs and menus on the LCD to adjust the DVE position, size and other DVE features such as lighting and drop shadow effects. The DVE can be setup to fly graphics into frame or select any of the pre programmed push and squeeze transitions. The built in joystick lets you position the DVE using up and down movements or you can scale the image size by rotating the joystick!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKeyer Control - Get perfect green screen keying\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eThe system control knobs are ideal when doing chroma keying because you can finely adjust each parameter for clean key edges and seamless multi layer compositing effects. Unlike software control where you need to look at the user interface, the ATEM Advanced Panels have control knobs that you can hold while adjusting key parameters and looking at the video output live to ensure the key is seamless. Only fine adjustment of key settings live while watching the video, ensures your key is perfect. Precision control knobs can create the perfect chroma key quickly and accurately for perfect multi layer effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFader Bar - Manually blend transitions\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eAmazing live performances often require transitions that need to be controlled manually. The ergonomically designed t‑bar control lets you ride transitions perfectly as part of the live performance! Sometimes the emotion of a live event means you need to feel a transition to get it perfectly in sync with the camera operators and talent. Like a conductor, your ATEM Constellation is part of the performance and drives the mood as the production unfolds. The ergonomically designed T bar control lets you set transitions manually allowing you to match the emotions of the performance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuto Transition - Perfect and predictable transitions!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eJust below the panel fader bar is the auto transition button. Selecting auto will instantly perform the transition type you have set. This ensures you can accurately select your source and transition type before triggering the action, so you always know what is going to happen and there's much less chance of mistakes going to air. Auto transitions can be programmed for durations from 1 to 250 frames and the benefit is each transition is consistent through your program. Automatic transitions can be pre programed for any duration from 1 to 250 frames and are ideal for smooth constant mixing between cameras.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreview Transition - Simulate new effects while on air\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eUnlike the simpler front panel on ATEM Constellation, the hardware panel includes a very useful preview transition button that lets you simulate a transition or effect before you use it! The PREV TRANS button helps you avoid on air mistakes when preparing live transitions by displaying the result on your preview video output or on the multiview screen on the ATEM Constellation. Preview transition is the only way to accurately set up complicated transitions and multi layered key effects. The 1 M\/E broadcast panel features a dedicated preview transition button so you can preview the next transition before it goes to air.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFade to Black - Finish your program with style!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eThe built in fade to black button controls the entire output of the switcher! Selecting fade to black (FTB) will smoothly fade your program output to black at a preset transition rate. Because FTB is at the end of all processing, it ensures all video layers fade out together. You can even select to fade out audio when FTB is triggered. That's useful for the start and end of your production or for fading out to commercial breaks. FTB also includes button guards to stop accidental triggering!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eJoystick - Get precise DVE control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMove elements around the screen using the Joystick! With full 3 Axis control you can adjust X, Y and Z positions of wipe patterns and position the ATEM Constellation DVEs. The joystick control with the DVE is ideal to position live video over video. Scale the size, position up down or left and right for the perfect picture in picture effect. You can also use the joystick to move the DVE and enter start and end keyframe screen positions for your own customized animated DVE moves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Control - Change switcher settings from the menus!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou get full control right from the panel using the system control LCDs. Each system control LCD has a direct access keypad with a button for each function, and LCD and soft knobs and buttons. Simply push a keypad button to see the parameters displayed in the large LCD so you can use the soft buttons and knobs to change each setting. It’s incredibly easy and very fast! There are hundreds of switcher parameters available for keyers, transition selection, DVE, color generators as well as switcher video standard, multiview setup and even input button remapping! You can even save and recall 10 individual panel setups and store them in the panel! Plus the 2 M\/E model as 2 totally independent system control menus, while the 4 M\/E model has a massive 4 independent system control LCDs!\u003c\/p\u003e\n\u003cp\u003eConveniently located in the select bus, you can quickly set the auxiliary output and then live switch sources at the push of a button.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eChange video outputs with a single button press - \u003c\/strong\u003eAs well as the input buttons, each M\/E row has a dedicated \"select bus\" for routing video into processing and selecting sources to the aux outputs. With so many aux outputs, you can select any source into any output, just like an SDI router. Conveniently located above the ME row buttons, the select bus lets change sources with a single button press so it's very fast to use. There are even labels to show you what source is on each button. The select bus also lets you directly select inputs for other internal processing such as the keyers and DVE. Only the select bus lets you route signals internally and via the aux outputs instantly!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Players - Manage built in graphics and titles - \u003c\/strong\u003eYou can select stills from the media pool in the panel LCD menus and simply pressing the media button lets you access the media player and change which image in the media pool is sent to the media player as a video source. You can select any loaded still by scrolling through the list of media pool images, which are listed showing the original file name of each image. This means you can quickly change stills and titles right from the same panel you are working on, eliminating the need to change control panels just to change a title.\n\u003cul\u003e\n\u003cli\u003eSet stills from the panel, change between stills and clips plus play and loop the clips directly from your ATEM broadcast control panel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePowerful Custom Macros - Trigger macrosat the touch of a button! - \u003c\/strong\u003eAnother benefit of the ATEM Advanced Panel is the built in macros, where you can very easily record your own custom macros and trigger them to playback with the push of a button. This means that you don’t need to use a computer to work with macros because you can trigger them from the same hardware panel you are switching from. If you edit or modify a macro the change will appear on all the connected hardware or software control panels because the macros are stored inside the ATEM Constellation itself. You can set up different macros to trigger under each macro button and the thin strip LCD under the buttons will show you which button as which macro you have assigned.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCustomizable Control Options - Control your ATEM switcher from anywhere in the world!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBecause ATEM Constellation includes a standard Ethernet connection, you can use this connection to control it remotely from long distances away. The ATEM Advanced Panel, the ATEM Camera Control panel and the ATEM Software Control for Mac and Windows all use an Ethernet connection to the ATEM Constellation, so you can setup any combination of panels you need, for the freedom to decide your ideal control setup. What this means is you can have multiple control panels all working together in parallel and at the same time. Then all these panels can be located anywhere so you could control your ATEM Constellation from the other side of the world!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware - \u003c\/strong\u003eSoftware control lets you control your ATEM locally or using the internet for control from anywhere in the world!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternet - \u003c\/strong\u003eConnect any combination of hardware and software switcher control simultaneously for multi user workflow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFree SDK - \u003c\/strong\u003eCustom develop your own control solutions by using our software developer kit included free with every ATEM switcher!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eATEM Micro Panel - Alternative Portable Panel!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Micro Panel is a low cost solution for adding panel control to ATEM Software control. Featuring the same high end buttons as ATEM Advanced Panels you get a true broadcast quality feel. It also has a familiar layout with buttons for program and preview. You can use the shift buttons to access up to 20 sources. There are 4 upstream and 2 downstream key buttons, plus a macro button. It even has 4 M\/E buttons so you can control a massive 4 M\/E switcher! There’s a fader for smooth manual transition control, which also means it’s low profile and very portable. With connection via USB-C or Bluetooth and a large internal battery, ATEM Micro Panel is perfect when you need a portable panel!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEthernet - \u003c\/strong\u003e4 x 10\/100\/1000 BASE-T with loop output for additional control panels or computers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware Updates - \u003c\/strong\u003e1 x USB-C for firmware updates\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduct Specifics\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumber of Mix Effects Rows - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect Cross Points - \u003c\/strong\u003e30\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShifted Cross Points - \u003c\/strong\u003e60\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosspoint Button Type - \u003c\/strong\u003eTri-Color LED\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosspoint Label - \u003c\/strong\u003e6 rows 24 character LCD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOn-Air indicator - \u003c\/strong\u003e12\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Status Indicators - \u003c\/strong\u003eNone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDSK Transition Selectors - \u003c\/strong\u003e4 x Auto, Cut, Tie\/Preview\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreview Transition - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Rate Displays - \u003c\/strong\u003eVia main menu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLCD Menu Displays - \u003c\/strong\u003e3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMenu Control - \u003c\/strong\u003e3 x 20 buttons\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDedicated Macro Buttons - \u003c\/strong\u003e2 x 30\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransport Control Buttons - \u003c\/strong\u003e8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDestination Bus - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource Select Bus - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFader Bar - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3 Axis Joystick - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumeric Keypad - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware Applications - \u003c\/strong\u003eATEM Software Control Panel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMac 13.0 Ventura,\u003c\/li\u003e\n\u003cli\u003eMac 14.0 Sonoma or later.\u003c\/li\u003e\n\u003cli\u003eWindows 10 and 11.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Voltage - \u003c\/strong\u003e2 x Internal 100 - 240V AC.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRedundant Power - \u003c\/strong\u003eYes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Usage - \u003c\/strong\u003e120W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Temperature - \u003c\/strong\u003e0° to 40° C (32° to 104° F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage Temperature - \u003c\/strong\u003e-20° to 60° C (-4° to 140° F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelative Humidity - \u003c\/strong\u003eUp to 95%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eATEM 2 M\/E Advanced Panel 30\u003c\/li\u003e\n\u003cli\u003eWelcome wallet with QR code for software download\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50090234839273,"sku":null,"price":11469.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/SWPANELADV2ME30.jpg?v=1770078402"},{"product_id":"blackmagic-design-atem-2-m-e-advanced-panel-20","title":"Blackmagic Design ATEM 2 M\/E Advanced Panel 20","description":"\u003cp\u003eThe \u003cstrong\u003eATEM 2 M\/E Advanced Panel 20\u003c\/strong\u003e features 2 M\/E rows with 20 input buttons and 2 independent system control LCDs for each row. Plus each row can control up to 4 M\/Es in larger switchers. Both rows and all input buttons include LCDs for custom labeling. Each row also includes an independent select bus!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eATEM Advanced Panels - Get professional broadcast style workflows!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor the ultimate in professional control you can add an optional ATEM Advanced Panel! Although you can use ATEM Constellation with the software control panel, using an ATEM Advanced Panel is so much faster! Or choose the low cost, portable ATEM Micro Panel. ATEM Advanced Panels open up the power of your ATEM Constellation because they give you more control so you can setup more complex effects. It's also a nicer way to work because you have physical broadcast quality buttons, knobs and a t-bar fader so you can access all features in the switcher, all at the same time. Imagine using the 4 M\/E model to access all M\/Es simultaneously with an input button for every single SDI source!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeven Great ATEM Advanced Panel Models!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Advanced Panel 10 - \u003c\/strong\u003eThis model features a single M\/E row with 10 input buttons and 1 system control LCD screen with user customizable colors and label LCDs. There's also a joystick for the DVE and T-bar fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Advanced Panel 20 - \u003c\/strong\u003eLarger 1 M\/E hardware panel with 20 input buttons and 2 system control LCDs, plus buttons for control of 4 upstream keyers, 4 downstream keyers and 4 M\/E rows. Includes a joystick and T‑bar fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Advanced Panel 30 - \u003c\/strong\u003eVery large 1 M\/E hardware panel with 30 input buttons and 3 system control LCDs, plus buttons for control of 4 upstream keyers, 4 downstream keyers and 4 M\/E rows. Includes a joystick and T‑bar fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Advanced Panel 20 - \u003c\/strong\u003eThis larger model features 2 M\/E rows with 20 input buttons on each row and 2 independent system control LCDs, one for each row. There's 8 LCDs for custom labels and both rows include a select bus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Advanced Panel 30 - \u003c\/strong\u003eProfessional 2 M\/E hardware panel with 30 input buttons on each row and 2 independent system control LCDs, one for each row. Get 8 LCDs for custom labels and each row includes a separate select bus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Advanced Panel 40 - \u003c\/strong\u003eProfessional 2 M\/E hardware panel with 40 input buttons on each row and 2 independent system control LCDs, one for each row. Get 8 LCDs for custom labels and each row includes a separate select bus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 4 M\/E Advanced Panel 40 - \u003c\/strong\u003eThis model perfectly matches the ATEM Constellation! It features 4 M\/E rows with 40 input buttons per row and 4 system control LCDs. With 32 LCDs, you can custom label every button on every row!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAccelerate Live Production! - Production is easier and fun with an ATEM control panel!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelect Sources - Switch cameras to air instantly!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eATEM Constellation has been designed to give you the most advanced live switching workflow. Internally, ATEM Constellation has separate program and preview buses that you can use to quickly and accurately switch sources. ATEM Constellation lets you see your preview bus selection by using an aux output or on the multi view. Then all you need to do is make selections on the preview bus of the ATEM Advanced Panel, which will appear on your preview screen, allowing you to see your source before it goes on air. Then you can bring the source online by pressing cut or auto! You can also switch sources on the program bus if you need them to go live immediately!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Control - Select and customize transitions\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eGet total control over your transitions with a dedicated hardware button for each transition type! When selecting transition types, a system control LCD screen will display the options for that transition, so you can change its parameters without navigating through complex menus. It's all instantly available! That gives you multiple ways to switch. Simply select a new source on the preview bus, then press CUT for a cut transition, or AUTO to use the selected transitions such as mix, dip, wipe or DVE! You can even cut directly on the program bus. With ATEM Advanced Panels you get all the controls you need to access all transition types fast.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Styles - Mix, dip, wipe, DVE and more!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eATEM switchers give you a huge range of transition styles! Mix transition will smoothly blend between sources just like an NLE cross dissolve. Standard SMPTE wipes are included and wipes can have edge softening for smooth dreamy transitions that are more exciting than simple cross dissolves. Dip transitions create a dip to color effect, however because you can dip to any video source, you could create really innovative effects! DVE transitions use the DVE to create crazy moves where the whole foreground image moves! Plus you can combine the DVE and a still image from the media pool to create graphic wipes! The t-bar fader even lets you manually position the transition for total control! With the push of a button you can choose mix, dip or wipes and even exciting programmable DVE or animated stinger transitions!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWipe Transitions - Transform wipes into exciting effects!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003ePower up your wipe transitions by accessing parameters to transform them into exciting effects. While you can select the wipe pattern directly on the LCD, you can also add lots of customization to suit your production style. You can adjust parameters such as symmetry and softness, but there are also adjustments for colored borders with variable width and softness, as well as the position of the centre of the wipe. You can even use the dedicated joystick to set precise wipe pattern positioning! Get complete control over wipe, symmetry, softness plus adjustments for colored border control with variable width and softness.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDVE Transitions - Amazing digital video effects\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eATEM Advanced Panels are perfect for positioning the DVE for custom picture in picture effects because they include a joystick. The joystick allows the position to be set precisely and rotating the knob will change DVE size. You can also use the soft knobs and menus on the LCD to adjust the DVE position, size and other DVE features such as lighting and drop shadow effects. The DVE can be setup to fly graphics into frame or select any of the pre programmed push and squeeze transitions. The built in joystick lets you position the DVE using up and down movements or you can scale the image size by rotating the joystick!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKeyer Control - Get perfect green screen keying\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eThe system control knobs are ideal when doing chroma keying because you can finely adjust each parameter for clean key edges and seamless multi layer compositing effects. Unlike software control where you need to look at the user interface, the ATEM Advanced Panels have control knobs that you can hold while adjusting key parameters and looking at the video output live to ensure the key is seamless. Only fine adjustment of key settings live while watching the video, ensures your key is perfect. Precision control knobs can create the perfect chroma key quickly and accurately for perfect multi layer effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFader Bar - Manually blend transitions\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eAmazing live performances often require transitions that need to be controlled manually. The ergonomically designed t‑bar control lets you ride transitions perfectly as part of the live performance! Sometimes the emotion of a live event means you need to feel a transition to get it perfectly in sync with the camera operators and talent. Like a conductor, your ATEM Constellation is part of the performance and drives the mood as the production unfolds. The ergonomically designed T bar control lets you set transitions manually allowing you to match the emotions of the performance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuto Transition - Perfect and predictable transitions!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eJust below the panel fader bar is the auto transition button. Selecting auto will instantly perform the transition type you have set. This ensures you can accurately select your source and transition type before triggering the action, so you always know what is going to happen and there's much less chance of mistakes going to air. Auto transitions can be programmed for durations from 1 to 250 frames and the benefit is each transition is consistent through your program. Automatic transitions can be pre programed for any duration from 1 to 250 frames and are ideal for smooth constant mixing between cameras.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreview Transition - Simulate new effects while on air\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eUnlike the simpler front panel on ATEM Constellation, the hardware panel includes a very useful preview transition button that lets you simulate a transition or effect before you use it! The PREV TRANS button helps you avoid on air mistakes when preparing live transitions by displaying the result on your preview video output or on the multiview screen on the ATEM Constellation. Preview transition is the only way to accurately set up complicated transitions and multi layered key effects. The 1 M\/E broadcast panel features a dedicated preview transition button so you can preview the next transition before it goes to air.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFade to Black - Finish your program with style!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eThe built in fade to black button controls the entire output of the switcher! Selecting fade to black (FTB) will smoothly fade your program output to black at a preset transition rate. Because FTB is at the end of all processing, it ensures all video layers fade out together. You can even select to fade out audio when FTB is triggered. That's useful for the start and end of your production or for fading out to commercial breaks. FTB also includes button guards to stop accidental triggering!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eJoystick - Get precise DVE control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMove elements around the screen using the Joystick! With full 3 Axis control you can adjust X, Y and Z positions of wipe patterns and position the ATEM Constellation DVEs. The joystick control with the DVE is ideal to position live video over video. Scale the size, position up down or left and right for the perfect picture in picture effect. You can also use the joystick to move the DVE and enter start and end keyframe screen positions for your own customized animated DVE moves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Control - Change switcher settings from the menus!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou get full control right from the panel using the system control LCDs. Each system control LCD has a direct access keypad with a button for each function, and LCD and soft knobs and buttons. Simply push a keypad button to see the parameters displayed in the large LCD so you can use the soft buttons and knobs to change each setting. It’s incredibly easy and very fast! There are hundreds of switcher parameters available for keyers, transition selection, DVE, color generators as well as switcher video standard, multiview setup and even input button remapping! You can even save and recall 10 individual panel setups and store them in the panel! Plus the 2 M\/E model as 2 totally independent system control menus, while the 4 M\/E model has a massive 4 independent system control LCDs!\u003c\/p\u003e\n\u003cp\u003eConveniently located in the select bus, you can quickly set the auxiliary output and then live switch sources at the push of a button.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eChange video outputs with a single button press - \u003c\/strong\u003eAs well as the input buttons, each M\/E row has a dedicated \"select bus\" for routing video into processing and selecting sources to the aux outputs. With so many aux outputs, you can select any source into any output, just like an SDI router. Conveniently located above the ME row buttons, the select bus lets change sources with a single button press so it's very fast to use. There are even labels to show you what source is on each button. The select bus also lets you directly select inputs for other internal processing such as the keyers and DVE. Only the select bus lets you route signals internally and via the aux outputs instantly!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Players - Manage built in graphics and titles - \u003c\/strong\u003eYou can select stills from the media pool in the panel LCD menus and simply pressing the media button lets you access the media player and change which image in the media pool is sent to the media player as a video source. You can select any loaded still by scrolling through the list of media pool images, which are listed showing the original file name of each image. This means you can quickly change stills and titles right from the same panel you are working on, eliminating the need to change control panels just to change a title.\n\u003cul\u003e\n\u003cli\u003eSet stills from the panel, change between stills and clips plus play and loop the clips directly from your ATEM broadcast control panel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePowerful Custom Macros - Trigger macrosat the touch of a button! - \u003c\/strong\u003eAnother benefit of the ATEM Advanced Panel is the built in macros, where you can very easily record your own custom macros and trigger them to playback with the push of a button. This means that you don’t need to use a computer to work with macros because you can trigger them from the same hardware panel you are switching from. If you edit or modify a macro the change will appear on all the connected hardware or software control panels because the macros are stored inside the ATEM Constellation itself. You can set up different macros to trigger under each macro button and the thin strip LCD under the buttons will show you which button as which macro you have assigned.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCustomizable Control Options - Control your ATEM switcher from anywhere in the world!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBecause ATEM Constellation includes a standard Ethernet connection, you can use this connection to control it remotely from long distances away. The ATEM Advanced Panel, the ATEM Camera Control panel and the ATEM Software Control for Mac and Windows all use an Ethernet connection to the ATEM Constellation, so you can setup any combination of panels you need, for the freedom to decide your ideal control setup. What this means is you can have multiple control panels all working together in parallel and at the same time. Then all these panels can be located anywhere so you could control your ATEM Constellation from the other side of the world!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware - \u003c\/strong\u003eSoftware control lets you control your ATEM locally or using the internet for control from anywhere in the world!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternet - \u003c\/strong\u003eConnect any combination of hardware and software switcher control simultaneously for multi user workflow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFree SDK - \u003c\/strong\u003eCustom develop your own control solutions by using our software developer kit included free with every ATEM switcher!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eATEM Micro Panel - Alternative Portable Panel!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Micro Panel is a low cost solution for adding panel control to ATEM Software control. Featuring the same high end buttons as ATEM Advanced Panels you get a true broadcast quality feel. It also has a familiar layout with buttons for program and preview. You can use the shift buttons to access up to 20 sources. There are 4 upstream and 2 downstream key buttons, plus a macro button. It even has 4 M\/E buttons so you can control a massive 4 M\/E switcher! There’s a fader for smooth manual transition control, which also means it’s low profile and very portable. With connection via USB-C or Bluetooth and a large internal battery, ATEM Micro Panel is perfect when you need a portable panel!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eEthernet - \u003c\/strong\u003e4 x 10\/100\/1000 BASE-T with loop output for additional control panels or computers.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware Updates - \u003c\/strong\u003e1 x USB-C for firmware updates\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eProduct Specifics\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumber of Mix Effects Rows - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDirect Cross Points - \u003c\/strong\u003e20\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShifted Cross Points - \u003c\/strong\u003e40\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosspoint Button Type - \u003c\/strong\u003eTri-Color LED\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCrosspoint Label - \u003c\/strong\u003e6 rows 24 character LCD\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOn-Air indicator - \u003c\/strong\u003e8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Status Indicators - \u003c\/strong\u003eNone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDSK Transition Selectors - \u003c\/strong\u003e4 x Auto, Cut, Tie\/Preview\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreview Transition - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Rate Displays - \u003c\/strong\u003eVia main menu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLCD Menu Displays - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMenu Control - \u003c\/strong\u003e2 x 20 buttons\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDedicated Macro Buttons - \u003c\/strong\u003e2 x 20\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransport Control Buttons - \u003c\/strong\u003e8\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDestination Bus - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource Select Bus - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFader Bar - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3 Axis Joystick - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumeric Keypad - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware Applications - \u003c\/strong\u003eATEM Software Control Panel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMac 13.0 Ventura,\u003c\/li\u003e\n\u003cli\u003eMac 14.0 Sonoma or later.\u003c\/li\u003e\n\u003cli\u003eWindows 10 and 11.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Voltage - \u003c\/strong\u003e2 x Internal 100 - 240V AC.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRedundant Power - \u003c\/strong\u003eYes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Usage - \u003c\/strong\u003e100W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Temperature - \u003c\/strong\u003e0° to 40° C (32° to 104° F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage Temperature - \u003c\/strong\u003e-20° to 60° C (-4° to 140° F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelative Humidity - \u003c\/strong\u003eUp to 95%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eATEM 1 M\/E Advanced Panel 20\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50090260005097,"sku":null,"price":8935.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/SWPANELADV2ME20_a800a788-b651-4dd9-ba1e-bbf75774a98f.jpg?v=1770078847"},{"product_id":"blackmagic-design-micro-studio-camera-4k-g2","title":"Blackmagic Design Micro Studio Camera 4K G2","description":"\u003cp\u003e\u003cstrong\u003eBlackmagic Micro Studio Camera 4K G2\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the perfect solution for placing cameras on set when you don't have space for regular sized cameras! It includes the popular MFT lens mount, very low light 4K image sensor and cinematic color science! So it's small, but has the features of a full sized studio camera! You also get 12G-SDI for HD and Ultra HD operation up to 2160p60. It's also possible to control the built in color corrector and lens using the SDI and HDMI connections. It can even record Blackmagic RAW to USB disks! Plus Blackmagic Micro Studio Camera 4K goes well beyond broadcast quality with log gamma, allowing you to create cinematic color corrected looks, all in camera!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for Live Production\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe small size of the Micro Studio Camera makes it virtually invisible, so you can place it just about anywhere on set. You can have more camera angles than ever before for your live production to create a more interesting program. Its professional broadcast connections make it perfect for any kind of work such as television production, broadcast news, sports, education, conference centers and churches! It's now easy to hide lots of cameras on stage for the most incredible shorts! While Blackmagic Micro Studio Camera is designed for live production, it can also be used with editing software. That’s because it can record Blackmagic RAW to USB disks for later editing and color correction!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRevolutionary Studio Camera Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLarge broadcasters use expensive studio cameras that are extremely large, so they’re not very flexible. The distinctive Blackmagic Micro Studio Camera has all the benefits of a large studio camera in a tiny rugged body you can put virtually anywhere! It features a super tough magnesium alloy core in a body that’s not much larger than the lens mount itself! You can use affordable, high performance MFT lenses or add adapters to work with broadcast lenses. The camera is designed for live production so its HDMI and SDI uses the same camera control protocol as ATEM switchers. Plus the buttons on the front of the camera give you quick access to the settings menu and for triggering recording!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExceptional Low Light Performance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn advanced cameras, ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO the more gain can be added so it’s possible to shoot in natural light, or even at night! The Blackmagic Micro Studio Camera features gain from -12dB (100 ISO) up to +36dB (25,600 ISO) so it's optimized to reduce grain and noise in images, while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera HDMI menu, or remotely from a switcher using the SDI\/HDMI remote camera control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Cinematic Images in Live Production!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras. That means you can now use cinematic images for live production! Plus, when combined with the built in DaVinci Resolve primary color corrector you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160 which is great for both HD and Ultra HD work. Plus, Blackmagic Micro Studio Camera supports from 23.98 fps up to 60 fps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAffordable Photographic Lenses!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the popular MFT lens mount, Blackmagic Micro Studio Camera is compatible with a wide range of affordable photographic lenses from Olympus, Panasonic, Sigma and more! Photographic lenses are incredible quality because they're designed for use in high resolution photography. Plus, the active lens mount lets you adjust the lens remotely! This is ideal as it lets you adjust cameras mounted high up in hard to reach areas without needing to physically access them. Plus, the optional focus and zoom demands let you adjust the lens just like a large studio camera! This means you can set important lens settings such as focus, zoom and iris just like you can with an expensive B4 broadcast lens!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-in Tally for On Air Status\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Micro Studio Camera 4K features a tally light that illuminates red for on air, green for preview and orange for ISO recording. This makes it easy for talent to present with confidence as they know at a glance which camera is on air! You get full support for the SDI and HDMI tally protocol from switchers such as ATEM Television Studio, ATEM Constellation and ATEM Mini. This means that a director can cut between cameras and the tally information will be sent back to the cameras, lighting up the tally light on the camera whenever it's on air. 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Whether you’re using the built in microphones or attaching an external mic, the audio is embedded into the SDI and HDMI video outputs so you get perfect audio and video sync!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB-C for External Disks and Ethernet Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Micro Studio Camera 4K features a high speed USB-C expansion port that lets you record to external disks, control the camera via a network or connect a wide range of accessories! Plug in an external USB disk and the camera can record high quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work and you don't need to waste time copying files. Or add a USB-C to Ethernet adapter to control your camera over a network via easy to use REST APIs. 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Can also be used for Timecode input.\u003c\/li\u003e\n\u003cli\u003eReference Inputs: Program SDI Input on camera or on Blackmagic Studio Converter.\u003c\/li\u003e\n\u003cli\u003eSDI Audio Output: 2 channels of program audio embedded in 3G\/6G\/12G-SDI.\u003c\/li\u003e\n\u003cli\u003eHDMI Audio Outputs: 2 channels 48 kHz and 24‑bit.\u003c\/li\u003e\n\u003cli\u003eRemote Control: Remote camera control over SDI, HDMI or USB Ethernet with suitable adapter.\u003c\/li\u003e\n\u003cli\u003eComputer Interface: 1 x USB Type‑C 3.1 Gen 1 (up to 5Gb\/s) expansion ports for external recording and focus \/ zoom demand connection. 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SmartView includes red, green and blue tally indications, perfect for the largest broadcast systems! With SmartView monitoring you can afford to put SDI monitoring everywhere you need it! \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Everywhere!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGood quality SDI monitoring is expensive and often makes it hard to put monitoring on all the devices in your racks or control rooms because costs add up quickly. SmartView Duo eliminates this problem and includes two large, beautiful 8 inch displays in a compact 3 rack unit size! You get full loop though SDI connections and an ethernet network connection for setup. SmartView Duo includes easy to use software for Mac and Windows, so you can see all the monitors on your network for remote adjustments. That’s perfect when you want to color match all screens in a video wall remotely from your laptop! 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Each monitor includes loop through SDI video, which instantly switches between any SD, HD and 3 Gb\/s SDI source, even 2K video over 3 Gb\/s SDI! SmartView Duo includes no mechanical controls so it won’t suffer from damage or settings drift. When matching multiple screens in master control rooms, SmartView Duo includes loop though Ethernet for remote adjustment, even from a laptop computer! If you need to mount SmartView Duo in the extreme top or bottom of an equipment rack, SmartView Duo’s LCDs can be rotated upside down for the optimum viewing angle! SmartView Duo will automatically sense the rotation and flip both onscreen images! 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The whole new design includes innovations such as brighter screens for HDR work, tally indicator, 4 built in scopes, enhanced focus assist features, 3D LUTs and native Blackmagic RAW recording from supported cameras! With 12G-SDI and HDMI 2.0 on both 5\" and 7\" models, you get support for recording from virtually any device in all formats up to 2160p60. The brighter touch screen ensures a perfect view of your recording for HDR digital film and when shooting outdoors in sunlight. The new design also features upgraded batteries and supports two standard Sony L‑Series batteries. This means Blackmagic Video Assist 12G is incredibly versatile and is the perfect solution for the next generation of digital cinema shoots, live production mastering and, broadcast testing and measurement!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for Digital Cinema, Live Recording and Monitoring!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith its amazing versatility, Blackmagic Video Assist 12G is also great for recording from cameras, or even as a clip player! As the files are compatible with the HyperDeck disk recorders, you can even use Video Assist as a broadcast field recorder, or an ultra portable broadcast scope! Video Assist is a fantastic broadcast solution because you get both HDMI and 12G-SDI inputs plus it has built in scopes and 3D LUTs! 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A 12v universal power supply is included for studio or on location use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUpgrade to Better Recording for Digital Cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Video Assist 12G HDR is an ideal upgrade for cameras, as it's super bright 2500nit display is bigger than the tiny displays found on consumer cameras, plus you're also adding professional focus assist features and better quality file formats. Video Assist is also a great solution for professional cameras because you can use it to upgrade older broadcast cameras to modern file formats used on the latest editing software. No matter what editing software you use, Video Assist lets you support them all, as you can record in Apple ProRes, Avid DNx and Blackmagic RAW. With both HDMI and 12G-SDI inputs you can connect it to any consumer camera, broadcast camera or even DSLR cameras. 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USB‑C flash disks have massive capacity as they don't suffer from any size constraint. Plus, it's possible to record to the same disk you are using or editing, so you don't need to waste time copying files before starting post production. Flash disks are so fast they can record high data rate formats that are too big for some lower cost media cards, such as high frame rate Ultra HD. Imagine adding a Blackmagic MultiDock 10G for easy SSD compatibility with other recorders such as Blackmagic HyperDeck models. You even get on screen menus for managing external disks using the touch screen!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvanced 12G‑SDI and HDMI 2.0 Inputs and Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVideo Assist features a wide range of video and audio connections such as multi‑rate 12G‑SDI for SD, HD, and Ultra HD SDI devices. HDMI is included for HDMI cameras and monitoring to consumer televisions and video projectors. The 7 inch model features Mini XLR inputs which are provided for audio input from microphones and external audio mixers. The USB‑C connection lets you plug in flash disks or disk arrays for recording, allowing extremely long record durations and because you're recording to a media disk, you can edit direct from this disk after the shoot, eliminating extra file copying work. 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Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut so it can handle both Rec. 2020 and Rec. 709 colorspaces. The built in Video Assist LCD color gamut can even handle 100% of the DCI‑P3 format.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt In Scopes Ensure Compliance to Standards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVideo Assist features full internal waveform monitoring so you can ensure compliance to broadcast standards and it also works great as a portable waveform monitoring solution! The waveform display provides a traditional luminance (brightness) levels view of your input or playback signal. The vectorscope display allows you to see the intensity of color at 100% SDI reference levels. You also get an RGB parade display which is ideal for color correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can even be overlaid on live video, or as a small picture in picture view at the top right of the scope!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLatest Multi Rate 12G‑SDI for SD, HD and Ultra HD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou get full support for the most popular video standards. The SDI and HDMI connections are multi‑rate, so handle SD, HD, and Ultra HD. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. 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The whole new design includes innovations such as brighter screens for HDR work, tally indicator, 4 built in scopes, enhanced focus assist features, 3D LUTs and native Blackmagic RAW recording from supported cameras! With 12G-SDI and HDMI 2.0 on both 5\" and 7\" models, you get support for recording from virtually any device in all formats up to 2160p60. The brighter touch screen ensures a perfect view of your recording for HDR digital film and when shooting outdoors in sunlight. The new design also features upgraded batteries and supports two standard Sony L‑Series batteries. This means Blackmagic Video Assist 12G is incredibly versatile and is the perfect solution for the next generation of digital cinema shoots, live production mastering and, broadcast testing and measurement!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect for Digital Cinema, Live Recording and Monitoring!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith its amazing versatility, Blackmagic Video Assist 12G is also great for recording from cameras, or even as a clip player! As the files are compatible with the HyperDeck disk recorders, you can even use Video Assist as a broadcast field recorder, or an ultra portable broadcast scope! Video Assist is a fantastic broadcast solution because you get both HDMI and 12G-SDI inputs plus it has built in scopes and 3D LUTs! The scopes also help you QA masters to ensure compliance with broadcast standards before streaming and broadcast!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModern Design with 12G‑SDI and Bright HDR Screens!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are two models of Blackmagic Video Assist 12G, with each model including an innovative touch screen user interface with deck controls as well as a large screen to view your recording. The Blackmagic Video Assist 7\" 12G model also includes 2 media slots, while both the 5\" and 7\" models include 12G‑SDI for high frame rate Ultra HD, analog inputs for audio, USB‑C external disk recording, plus a front panel speaker and side mounted headphone jack! You also get 2 rear battery slots for mounting Sony L‑Series batteries, so you have enough power for the brighter HDR screens and higher speed Ultra HD electronics. Plus with 2 battery slots, you can change batteries without interrupting recording! A 12v universal power supply is included for studio or on location use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUpgrade to Better Recording for Digital Cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Video Assist 12G HDR is an ideal upgrade for cameras, as it's super bright 2500nit display is bigger than the tiny displays found on consumer cameras, plus you're also adding professional focus assist features and better quality file formats. Video Assist is also a great solution for professional cameras because you can use it to upgrade older broadcast cameras to modern file formats used on the latest editing software. No matter what editing software you use, Video Assist lets you support them all, as you can record in Apple ProRes, Avid DNx and Blackmagic RAW. With both HDMI and 12G-SDI inputs you can connect it to any consumer camera, broadcast camera or even DSLR cameras. Then, on supported cameras, you can even upgrade to RAW style workflows with Blackmagic RAW!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLarge HDR Monitor with Easy Touch Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe innovative touchscreen LCD user interface provides incredible control. On screen, there are dedicated buttons for play, stop and record, plus a mini timeline for scrolling through your recordings. You can even image swipe to jog! The LCD includes a heads up display of timecode, video standard, media status as well as audio meters. Scopes can be enabled via the touch screen as well as focus and exposure assist. There's also an extensive range of settings all controlled from the large LCD. Plus you can load and save 3D LUTs!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual Media Recorders for Uninterrupted Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVideo Assist uses commonly available SD card media, so you can record to flash memory cards that are easy to obtain. The files are small enough to allow long recordings on standard SD cards or the faster UHS-II cards. The larger Video Assist 12G 7\" model even includes 2 SD card slots so you can swap out any full cards even during recording, allowing infinite length recording. Standard SD cards or the faster UHS-II cards are perfect for broadcast because they are small, high speed and affordable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord Direct to External USB‑C Media Disks\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf recording to other media types is required, then the USB‑C Expansion port lets you plug in an external flash disk for recording. USB‑C flash disks have massive capacity as they don't suffer from any size constraint. Plus, it's possible to record to the same disk you are using or editing, so you don't need to waste time copying files before starting post production. Flash disks are so fast they can record high data rate formats that are too big for some lower cost media cards, such as high frame rate Ultra HD. Imagine adding a Blackmagic MultiDock 10G for easy SSD compatibility with other recorders such as Blackmagic HyperDeck models. You even get on screen menus for managing external disks using the touch screen!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvanced 12G‑SDI and HDMI 2.0 Inputs and Outputs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVideo Assist features a wide range of video and audio connections such as multi‑rate 12G‑SDI for SD, HD, and Ultra HD SDI devices. HDMI is included for HDMI cameras and monitoring to consumer televisions and video projectors. The 7 inch model features Mini XLR inputs which are provided for audio input from microphones and external audio mixers. The USB‑C connection lets you plug in flash disks or disk arrays for recording, allowing extremely long record durations and because you're recording to a media disk, you can edit direct from this disk after the shoot, eliminating extra file copying work. Video Assist even includes a 12V DC power connection with locking power connector.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eAnalog Audio In\u003c\/li\u003e\n\u003cli\u003eSDI In\/Out\u003c\/li\u003e\n\u003cli\u003eHDMI In\/Out\u003c\/li\u003e\n\u003cli\u003eHeadphone Jack\u003c\/li\u003e\n\u003cli\u003e+12V External Power Connection\u003c\/li\u003e\n\u003cli\u003eUSB‑C Expansion Port (on base)\u003c\/li\u003e\n\u003cli\u003eLANC\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cstrong\u003eHDR Support with Bright Wide Gamut LCD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou'll be ready for the latest HDR workflows with support for the latest HDR standards and an extremely bright screen with a wide color gamut. Plus the high brightness screen makes outdoor shooting in bright sunlight possible! The built in scopes even change to HDR scopes when working in HDR formats! Files are tagged with the correct HDR information then SDI and HDMI inputs will also automatically detect HDR video standards. Static metadata PQ and HLG formats are handled according to the ST2084 standard. The bright LCD has a wider color gamut so it can handle both Rec. 2020 and Rec. 709 colorspaces. The built in Video Assist LCD color gamut can even handle 100% of the DCI‑P3 format.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt In Scopes Ensure Compliance to Standards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVideo Assist features full internal waveform monitoring so you can ensure compliance to broadcast standards and it also works great as a portable waveform monitoring solution! The waveform display provides a traditional luminance (brightness) levels view of your input or playback signal. The vectorscope display allows you to see the intensity of color at 100% SDI reference levels. You also get an RGB parade display which is ideal for color correction and checking for illegal levels. Histogram shows the distribution of white to black detail in your images and highlights or shadows clipping. The built in scopes can even be overlaid on live video, or as a small picture in picture view at the top right of the scope!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLatest Multi Rate 12G‑SDI for SD, HD and Ultra HD\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou get full support for the most popular video standards. The SDI and HDMI connections are multi‑rate, so handle SD, HD, and Ultra HD. SD formats include NTSC and PAL. 720p HD standards include 720p50 and 59.94p. 1080i HD interlaced formats include 1080i50 and 59.94. 1080p HD formats include 1080p23.98, 24, 25, 29.97, 30, 50, 59.94 and 60p. You can even do 1080 PsF formats. Ultra HD is supported up to 2160p59.94. You can even record 2K and 4K DCI rates up to 25p for digital film work!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSome cameras can output logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look like when editing. LUTs can be applied temporarily for monitoring only, or they can be burned into files for use in editing when capturing Blackmagic RAW. Video Assist works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePost Production Friendly File Formats!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVideo Assist records using standard open file formats so you don’t have to waste time transcoding media. Files are compatible with all post production software so you can work with the software of your choice, including DaVinci Resolve Studio. Recording works in industry standard 10‑bit Apple ProRes files in all formats and from all HDMI or SDI camera, or 12‑bit Blackmagic RAW when connected to supported cameras. Blackmagic RAW is the fastest growing RAW format and developers can download and use the free Blackmagic RAW SDK to add support to their applications. Best of all, media files work on all operating systems!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe quality of RAW and the speed of video!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from cameras. Video Assist supports Blackmagic RAW recording from popular cameras such as Panasonic EVA1 and Canon C300 MK II. This eliminates the problems with popular camera formats such as H.264, which are highly compressed resulting in noise and processing artifacts. Blackmagic RAW eliminates this problem and gives you stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure, then override them later while editing, all without any loss of quality! Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Multi Channel SDI and Analog Audio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Video Assist 12G includes professional audio for modern cameras or other outboard audio equipment. When working in SDI formats, you can record 2, 4, 8 or 16 channels of audio in real time. For connecting microphones the Video Assist 7\" model has two XLR analog audio inputs with phantom power that support the high definition audio sample rate of 192 kHz at uncompressed 16 and 24 bit per sample. You can monitor using on screen audio meters with user selectable VU or PPM ballistics. 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The control panel features traditional broadcast style controls and adjustments so a single person can monitor and adjust a wide range of technical parameters such as black levels, gain, color balance, shutter speed and more. This leaves your camera operators free to focus on the more creative aspects of live production such as framing and composition. Unlike traditional CCU controllers, which have to be installed into a desk, the ATEM Camera Control Panel has been designed to be portable so it can simply be placed on any desktop or bolted down so it can be mounted in a slide out rack shelf. The controls are arranged in a familiar and logical layout, making it perfect for both experienced and new operators. Plus, it works with all ATEM switcher models!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControl Four Cameras - One person can control 4 cameras!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen working on live multi camera programs, it’s important to make sure all of the cameras are properly balanced and set up correctly so that you get consistent video from every angle. The ATEM Camera Control Panel features 4 camera controllers in one panel. Each camera controller includes a large LCD screen with soft buttons and knobs at the top of the panel, and a full set of professional controls below, on the main body of the panel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eScene and Camera Controls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe top section lets you save and recall scene presets so you can quickly adjust cameras based on changes in the scene such as lighting. This section also includes controls for adjusting master gain, white balancing the camera and changing the camera’s shutter speed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWhite Balance: Quickly set and adjust white balance.\u003c\/li\u003e\n\u003cli\u003eLoad Scenes: Save and recall scene presets.\u003c\/li\u003e\n\u003cli\u003eMaster Gain: Boost sensitivity of sensor in low light or when more depth of field is needed.\u003c\/li\u003e\n\u003cli\u003eShutter Speed: Set the shutter speed of the camera.\u003c\/li\u003e\n\u003cli\u003eBars: Select to output color bars for the selected camera.\u003c\/li\u003e\n\u003cli\u003eGain and Pedestal Controls: The center section features independent RGB controls for gain and pedestal, or white and black. This allows you to adjust the individual red, green and blue levels in your blacks and whites to compensate for unwanted color.\u003c\/li\u003e\n\u003cli\u003eWhite: Independent RGB control for gain\/whites.\u003c\/li\u003e\n\u003cli\u003eBlack: Adjust the RGB values for pedestal\/blacks.\u003c\/li\u003e\n\u003cli\u003eLens and Iris Controls: The bottom section features an LED camera number that indicates preview and on air status, along with a high quality professional joystick that’s used to precisely adjust the iris and master black. It also features a call button for talkback with the operator, along with a panel lock button and indicators for the network, power and cable connection to the camera.\u003c\/li\u003e\n\u003cli\u003eIris Control: Joystick for adjusting iris and master black. Adjust up and down for iris, rotate for master black and push to select camera to monitor.\u003c\/li\u003e\n\u003cli\u003eCoarse Control: Sets the limit of the iris control on the joystick.\u003c\/li\u003e\n\u003cli\u003eIris and Master Black: Locks the iris and master black controls on the joystick to prevent accidental changes.\u003c\/li\u003e\n\u003cli\u003eMaster Black: Controls the degree or level of black\/pedestal without affecting contrast.\u003c\/li\u003e\n\u003cli\u003ePanel Active: Lock out the entire panel to prevent accidental changes.\u003c\/li\u003e\n\u003cli\u003eStatus Lights: Indicate network connectivity, alarms and cable integrity.\u003c\/li\u003e\n\u003cli\u003ePreview: Used for sending the aux feed to the monitor so you don’t have to move the joystick.\u003c\/li\u003e\n\u003cli\u003eCamera Number: LED dot display that indicates camera number and on air\/preview status.\u003c\/li\u003e\n\u003cli\u003eCall Button: Flashes tally light and sends tone to get operator’s attention.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eLive Production Workflow - Works seamlessly with ATEM switchers!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Camera Control Panel connects directly to your ATEM live production switcher or ATEM hardware control panel via Ethernet. In many setups, you may be using multiple ATEM products such as an ATEM 4 M\/E Broadcast Studio 4K switcher with an ATEM 1 M\/E Advanced Panel and the ATEM Camera Control Panel. Ethernet can simply be looped from one ATEM device to another.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFast and Easy Control - With traditional CCU controls, you can work much faster\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Camera Control is incredibly fast to use as it features traditional broadcast CCU controls so you get the benefit of years of broadcast experience. You can use the knob on the LCD to set the camera number, which turns red when a camera is on the air. The main joystick control can be moved vertically to adjust the camera iris while the knob can then be rotated to change the master black level. Pressing down on the knob will let you monitor the camera you’re currently controlling via the aux output of the switcher. 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You get professional 3G-SDI connections for working with all SD and HD formats up to 1080p60. Micro Converters use USB for power, so they can be powered directly from televisions or laptop computers. You can even purchase them without power supplies if they are not needed!\u003c\/p\u003e\n\u003cp\u003eOnly Blackmagic Micro Converters feature custom designed electronics that conform to current global broadcast specifications, and can be updated to new standards in the future.\u003c\/p\u003e\n\u003cp\u003eThis model is perfect for connecting HDMI cameras and computers to professional SDI equipment! You get two 3G-SDI outputs which can be set to level A or level B formats. 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The rugged and miniaturized design makes them small enough to be used anywhere! You get professional 3G-SDI connections for working with all SD and HD formats up to 1080p60. Micro Converters use USB for power, so they can be powered directly from televisions or laptop computers. You can even purchase them without power supplies if they are not needed!\u003c\/p\u003e\n\u003cp\u003eOnly Blackmagic Micro Converters feature custom designed electronics that conform to current global broadcast specifications, and can be updated to new standards in the future.\u003c\/p\u003e\n\u003cp\u003eGet the world’s smallest bidirectional broadcast quality converter! Convert SDI to HDMI and at the same time HDMI to SDI, even in different formats! Plus it supports camera control protocol conversion, so you can use Blackmagic Pocket Cinema Cameras with professional SDI live production switchers!\u003c\/p\u003e\n\u003cp\u003eThe new Blackmagic Micro Converter 3G models are powered via the same USB-C connection that’s used on newer computers and smartphones so you can power the converter from the same television or computer you are converting the video for. You can also purchase Micro Converters with an AC power supply that supports 100 to 240V AC and comes with 4 different AC socket adapters so you can plug them into outlets anywhere in the world. That’s perfect for when you’re doing international work! You can even use smartphone chargers and rechargeable battery packs to power Micro Converters on set. 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Allows equipment that uses four BNC cables to be connected using a single 12G-SDI BNC cable for connecting to the latest routers, switchers, projectors and more! 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IEC Power cable required. 90 - 240V AC Input.\u003c\/li\u003e\n\u003cli\u003ePower Over Ethernet: \u003cspan\u003eCan be powered via 48V DC using PoE+ (power over ethernet).\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003ePower Consumption: \u003cspan\u003e14 Watts\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eOperational Voltage Range: \u003cspan\u003e90 - 240V AC\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOperating Temperature: 0°to 40°C (32° to 104°F)\u003c\/li\u003e\n\u003cli\u003eStorage Temperature: \u003cspan\u003e-20°to 60°C (-4° to 140°F)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eRelative Humidity: \u003cspan\u003e0% to 90% non-condensing\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTeranex Mini - Quad SDI to 12G-SDI\u003c\/li\u003e\n\u003cli\u003eSoftware SD Card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e3 year Limited Manufacturer’s Warranty.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50093223182569,"sku":null,"price":815.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/BMD-CONVNTRM-DA-QDSDI_1.jpg?v=1770153494"},{"product_id":"blackmagic-design-teranex-mini-12g-sdi-to-quad-sdi-converter","title":"Blackmagic Design Teranex Mini 12G-SDI to Quad SDI Converter","description":"\u003cp\u003eConvert 12G-SDI to Quad Link SDI so you can connect the latest 12G-SDI Ultra HD equipment with Quad Link Ultra HD equipment. Also allows Ultra HD SDI to be separated into four HD SDI outputs for using regular HD displays for creating video wall style displays. Includes 12G-SDI loop through and support for both Level A and Level B 3G-SDI equipment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnections:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSDI Video Input: 1 x 12G-SDI SD\/HD\/2K\/4K auto switching.\u003c\/li\u003e\n\u003cli\u003eSDI Video Output: \u003cspan\u003e4 x 3G-SDI outputs\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMulti Rate Support: Automatic switching between SD\/HD\/2K and 4K\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003eUpdates and Configuration: \u003cspan\u003eUSB or Ethernet\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eRe-Clocking: \u003cspan\u003eYes\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStandards:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSD Format Support: 525\/29.97 NTSC, 625\/25 PAL\u003c\/li\u003e\n\u003cli\u003eHD Format Support: \u003cspan\u003e720p50, 720p59.94, 720p60, 1080i50, 1080i59.94, 1080i60, 1080PsF23.98, 1080PsF24, 1080PsF25, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K Format Support: \u003cspan\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080p23.98, 1080p24, 1080p25.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eUltra HD Format Support: \u003cspan\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p60\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e4K Format Support: \u003cspan\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Compliance: \u003cspan\u003eSMPTE 259M, 292M, 296M, 372M, 425M, ST-2081 \u0026amp; ST-2082\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Video Rates: \u003cspan\u003eSDI video connections are switchable between standard definition, high definition level A and level B 3G-SDI, 6G-SDI and 12G-SDI.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Video Sampling: \u003cspan\u003e4:2:2 and 4:4:4\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Audio Sampling: \u003cspan\u003eTelevision standard sample rate of 48 kHz and 24-bit.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Color Space: \u003cspan\u003eYUV \u0026amp; RGB\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSoftware Control: Mac OS X™ and Windows™ software upgrade via USB and Ethernet.\u003c\/li\u003e\n\u003cli\u003eInternal Software Upgrade: \u003cspan\u003eVia included updater application.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSettings Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBasic Settings Control: Mini Switches, USB and Ethernet via free software utility.\u003c\/li\u003e\n\u003cli\u003eOptional Front Panel Control: \u003cspan\u003eFront mounted Smart Panel with LCD, rotary knob and six settings buttons.\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePower Supply: 1 x built-in international AC power supply with IEC C14 inlet. 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In addition to converting all of the audio, video, camera control and talkback into fiber, it also adds professional studio camera controls to the back of your camera. You get control for return feeds, dual intercom controls with the ability to mix in program audio, record, focus and iris controls, headset connectors, audio and more. The camera converter also includes a VLock mount plate on the top for attaching accessories such as a professional Blackmagic Studio Viewfinder. The Blackmagic Camera Fiber Converter has connections for your Ultra HD camera feed, 3 HD return feeds, full remote camera control, PTZ, multiple channels of talkback, tally and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExtend and fully power cameras up to 2 kmaway using an open standard SMPTE fiber cable!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet cameras much closer to the action!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in multi layer fail safe instantlycuts power to eliminate danger\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransform broadcast camerasinto dedicated studio cameras!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuper fast, low latency ethernetlink for video, audio and control!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. Using IP video means the Blackmagic fiber converters are future proof and ready for customization using high speed Ethernet infrastructure in future!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwo dual channel talkbackintercoms with backup!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter provide 2 dual channel digital talkback connections that are compatible with professional 5 pin XLR talkback headsets. The camera converter even has convenient controls for mixing in program return audio with your talkback headset so you can adjust the volume as needed while talking to the rest of the crew. The talkback intercoms can be used for both production and engineering. In addition, there is a backup channel available for troubleshooting in case the fiber link is down. This backup talkback channel automatically switches over and uses the data pair in the SMPTE cable if the fiber is not working. The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDurable metal design,high end componentsand professional connections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24\/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50093344293097,"sku":null,"price":4839.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/BMD-CINEURSANWFRCAM.jpg?v=1770153990"},{"product_id":"blackmagic-design-mini-converter-optical-fiber-12g","title":"Blackmagic Design Mini Converter - Optical Fiber 12G","description":"\u003cp\u003eAnnouncing the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBlackmagic Mini Converter Optical Fiber 12G\u003c\/strong\u003e, a new bi directional SDI to optical fiber converter that lets customers extend SDI connections up to 10 miles away. \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003cstrong\u003eSFP Module NOT Included\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Mini Converter Optical Fiber 12G is a compact converter that extends SDI connections over massive distances by converting SDI to optical fiber and optical fiber to SDI in both directions at the same time. Using the new Blackmagic Mini Converter Optical Fiber 12G is an affordable way to increase camera coverage at live events because it lets broadcasters place cameras up to 10 miles away from their switchers, routers, and decks using low cost optical fiber cable. That makes it perfect for placing cameras around any studio, for use at outdoor sporting events or even concerts and theatrical performances in large venues.\u003c\/p\u003e\n\u003cp\u003eThe converter is also bi directional which means that it can simultaneously send different video formats in different directions at the same time. Depending on the video format being used, signals can be sent up to 10 miles away from the source. Plus, the advanced 12G-SDI connections on Mini Converter Optical Fiber 12G are multi rate. That means they automatically detect the video signal and switch speeds so they are compatible with all SD, HD and Ultra HD formats and equipment up to 2160p60, including Level A and B devices.\u003c\/p\u003e\n\u003cp\u003eMini Converter Optical Fiber 12G features a standard SFP type socket that lets customers add any SMPTE compatible 3G, 6G or 12G-SDI SFP module. It also works with the same of low cost optical fiber cables that are commonly used for computer networks. This type of optical fiber cable can be run much longer distances and is much more affordable than copper SDI cable.\u003c\/p\u003e\n\u003cp\u003eFor power, Mini Converter Optical Fiber 12G includes a universal power supply with 4 international socket adapters so it can be used anywhere in the world. It also features a screw lock connector that prevents the power cord from being accidentally disconnected.\u003c\/p\u003e\n\u003cp\u003e“The new Blackmagic Mini Converter Optical 12G is exciting because it gives customers an incredibly reliable and cost effective way to extend their SDI connections,” said Grant Petty, CEO, Blackmagic Design. “Now it’s possible to connect equipment such as remote cameras to decks and switchers up to 10 miles away plus it’s a true 12G-SDI design so it’s ready for the future. Best of all, it works in both directions so you can convert different SD, HD or Ultra HD video standards in each direction. It’s like getting two converters in one!”\u003c\/p\u003e\n\u003cp\u003eBlackmagic Mini Converters are part of a large family of professional broadcast converters that includes incredibly affordable Micro Converters as well as advanced models with a massively increased range of features. This range includes 3G, 6G and 12G-SDI models that are compatible with SD, HD and Ultra HD all the way up to high frame rate 2160p60. Blackmagic Mini Converters and Teranex Mini converters feature support for a wide range of connections such as balanced analog and AES\/EBU audio, redundant inputs, analog video, optical fiber and more.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50093379911913,"sku":null,"price":249.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/Blackmagic-Optical-Fiber-12G-BMD-CONVMOF12G-Mini-Converter-Side.jpg?v=1770154553"},{"product_id":"blackmagic-design-studio-fiber-converter","title":"Blackmagic Design Studio Fiber Converter","description":"\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBlackmagic Studio Fiber Converter\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis used at the other end of your broadcast camera chain back in the studio or outside broadcast truck. It converts signals from the remote camera back into standard television industry connections that can be used with your live production switchers, audio mixers and talkback interfaces. It features a high capacity power supply to drive the cable so it can provide enough power for your camera and any accessories that you might add. The studio fiber converter includes connections for tally, two dual channel intercoms for industry standard 3rd party talkback systems, and even a backup engineering talkback channel in case the fiber goes down. You get a main Ultra HD camera feed plus 3 independent HD return feeds with full remote camera control, PTZ, tracker talkback and ethernet, all through a single SMPTE fiber cable. Plus, there is a large 5 inch LCD screen right next to the SMPTE fiber connection on the front panel for monitoring signals from the remote camera. This allows for easy patching and verification of the remote camera function!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExtend and fully power cameras up to 2 kmaway using an open standard SMPTE fiber cable!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and Blackmagic Studio Fiber Converter convert standard television industry connections for video, audio, power, talkback, and tally into a single SMPTE fiber optic cable. This allows cameras to be placed up to 2 km away from a studio or outside broadcast truck using a single convenient and incredibly durable cable. The Blackmagic Camera Fiber Converter also adds familiar broadcast studio camera controls to the rear of the camera, plus additional connections so you can use it with the talkback systems and switchers you already have. The Blackmagic fiber converters feature 12G-SDI and are designed to work with all HD and Ultra HD formats up to 2160p60. Now you can transform professional cameras such as URSA Broadcast and URSA Mini into a complete professional studio camera with all of the features you need for high end work!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet cameras much closer to the action!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you’re working in a studio or out at a large sporting venue, you often need to place cameras far apart. While SDI connections are common, the limited range of SDI makes it hard to use it over long distances. Traditionally, you would need to run multiple cables and expensive extenders for power, talkback, tally, video and audio. This makes set up incredibly complex and increases the chances of a technical problem. Now you can solve this problem by converting all essential connections and power into a single convenient SMPTE fiber cable that can run incredibly long distances. That means cameras can be placed anywhere and connected back to broadcast trucks parked outside of a venue or back to a central control room in a studio. Best of all, SMPTE fiber is a global broadcast industry standard so you can use cables and connection points that are commonly available. Blackmagic fiber converters are also affordable, so traditional broadcasters, new web broadcasters, AV producers, houses of worship and educators can all use the same high end broadcast technology!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt in multi layer fail safe instantlycuts power to eliminate danger\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic fiber converters work with standard SMPTE 311M hybrid electrical and fiber optic cables with standard SMPTE 304 connectors on each end. These cables feature a 2 way fiber pair, data pair and power pair, along with a central strength member that gives it the needed durability for continuous use. Once plugged in, the Blackmagic Studio Fiber Converter automatically performs safety checks and then powers up, sending an industry standard 200 volts of power over the SMPTE cable for the camera and accessories. This means you can install cameras in remote locations without having to worry about power drops over long distances. Both the studio and camera converters at each end have dedicated micro controllers that continuously monitor power status. The converters communicate with each other to ensure that both a stable optical signal is present and that the power supply is operating within safe parameters. If a damaged cable or a earth leak is detected, the power is instantly shut down to eliminate any danger to personnel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTransform broadcast camerasinto dedicated studio cameras!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eStudio cameras are typically operated from the rear of the camera, but broadcast cameras usually have controls on the side of the camera. To solve this problem, the Blackmagic Camera Fiber Converter adds support for SMPTE fiber to your camera along with a wide range of controls and features to the rear of the camera, transforming it into a professional studio camera. You get 2 separate broadcast standard 5 pin talkback connections, 3 return video feeds, 2 extra audio inputs, connections for PTZ and trackers, plus additional DC and D-tap outputs for powering accessories. With all these extra controls added to the rear of the camera, you can operate the camera in the same way as traditional studio cameras!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuper fast, low latency ethernetlink for video, audio and control!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter and the Blackmagic Studio Fiber Converter use IP video because the SMPTE fiber connection is an open standard 10G Ethernet link. That means all of your video and return feeds are IP video based using high end, lossless broadcast quality 10-bit video encoding and decoding. All other connections such as talkback, tally, camera control and lens control are also converted to low latency IP so you get incredibly reliable performance and high quality. 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The Blackmagic Camera Fiber Converter also includes a standard 10 pin connection for tracker talkback, which is perfect when both headset connections are in use and you need to feed an additional talkback connection through to your crane operator.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDurable metal design,high end componentsand professional connections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Camera Fiber Converter features an extremely durable all metal design that perfectly matches URSA Broadcast, URSA Mini cameras or any camera that supports a standard battery plate. It’s built to withstand the harsh demands of outdoor field production and 24\/7 operation. The Blackmagic Camera Fiber Converter features full size standard television industry connections with dust caps, along with an integrated VLock mount plate on top for adding a studio viewfinder. The Blackmagic Studio Fiber Converter is designed so that you can fit two of them side by side in a standard equipment rack using the optional rack mount kit. The optical fiber connector on the Blackmagic Studio Fiber Converter is conveniently located on the front panel, right next to the built in 5 inch LCD, so you can plug remote cameras in and instantly see the feed!\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50093393314025,"sku":null,"price":4955.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/BMD-CINEURSANWFRSTUD.jpg?v=1770154905"},{"product_id":"blackmagic-design-2110-ip-converter-4x12g-pwr","title":"Blackmagic Design 2110 IP Converter 4x12G PWR","description":"\u003cp\u003e\u003cstrong\u003eBlackmagic 2110 IP Converter 4x12G PWR\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003elets you add SMPTE-2110 IP video to 12G-SDI broadcast equipment. It features 4 independent bidirectional 12G-SDI to SMPTE-2110 IP video converters using RJ-45 10G Ethernet connections which can also provide power. 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PoE++ is power output only for powering connected PoE devices such as Blackmagic Cameras and Converters.\u003c\/li\u003e\n\u003cli\u003e1x 1Gb\/s RJ‑45 connector supporting 10\/100\/1000 BASE-T for configuration and firmware updates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComputer Interface - \u003c\/strong\u003e1x USB-C 3.0 for configuration and firmware updates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSD Video Standards - \u003c\/strong\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHD Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003cli\u003e1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUltra HD Video Standards - \u003c\/strong\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K Video Standards - \u003c\/strong\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI and 4Kp60 DCI.\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSDI Compliance\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Video Rates - \u003c\/strong\u003eSDI video connections are switchable between standard definition, 720p, 1080i, 1080p, 2K DCI, Ultra HD and 4K DCI.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Color Precision - \u003c\/strong\u003e4:2:2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Color Space - \u003c\/strong\u003eYUV\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Auto Switching - \u003c\/strong\u003eAutomatically detects SD, HD, 2K DCI, Ultra HD and 4K DCI. Level A and B is automatically detected on 3G-SDI input and user selectable on 3G-SDI output.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIP Video Compliance\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-20 (Uncompressed Video) - \u003c\/strong\u003eIGMP v2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-21 (Traffic Shaping)\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSender: Narrow\u003c\/li\u003e\n\u003cli\u003eReceiver: Narrow, Wide Synchronous, Asynchronous\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-30 (PCM) - \u003c\/strong\u003eAudio Conformance level: Level C\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-40 (Ancillary Data) - \u003c\/strong\u003eFull access to entire SMPTE ancillary data stream. 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Its 12G-SDI connection supports SD, HD and Ultra HD standards up to 2160p60 and even handles the SDI program return. Blackmagic 2110 IP Mini BiDirect 12G SFP also has a 5 pin XLR talkback headset connection with talkback volume control and a press to talk button. The SFP socket will accept 10G Ethernet, 3G-SDI, 6G-SDI or 12G-SDI optical modules. 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Level A and B is automatically detected on 3G‑SDI input and user selectable on 3G‑SDI output.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIP Video Compliance\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-20 (Uncompressed Video) - \u003c\/strong\u003eIGMP v2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-21 (Traffic Shaping)\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSender: Narrow\u003c\/li\u003e\n\u003cli\u003eReceiver: Narrow, Wide Synchronous, Asynchronous\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-30 (PCM) - \u003c\/strong\u003eAudio Conformance level: Level C\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-40 (Ancillary Data) - \u003c\/strong\u003eFull access to entire SMPTE ancillary data stream. 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Computers can connect via USB-C for both video and power and there is an HDMI output for projectors that can be switched to the video input or the 2110 IP return feed. For audio, there are XLR microphone inputs and an XLR audio out for PA speakers. The RJ-45 10G Ethernet video connection can power the whole converter, even when charging a USB computer!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePC Video Inputs\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e1 x front USB‑C plus\u003c\/li\u003e\n\u003cli\u003e1 x rear USB‑C with 45W host charging capability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI 2.0 Video Inputs - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI 2.0 Video Outputs - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Video Outputs - \u003c\/strong\u003e1\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAutomatically standards converted to destination\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Rates - \u003c\/strong\u003e270Mb, 1.5G, 3G, 6G, 12G.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE ST-2110 IP Video Inputs - \u003c\/strong\u003e1 x 10G Ethernet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE ST-2110 IP Video Outputs - \u003c\/strong\u003e1 x 10G Ethernet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Audio Inputs - \u003c\/strong\u003e2 x Combination 3-pin XLR \/ TRS 1\/4 inch Jack connectors, switchable between +24dB line and mic level with support for +48V phantom power.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAnalog Audio Outputs\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e2 channels of professional balanced analog audio with 3-pin XLR connectors.\u003c\/li\u003e\n\u003cli\u003e1 x 6.35 mm headphone jack.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Audio Outputs - \u003c\/strong\u003e16 Channels embedded in SD\/HD\/2K\/UHD\/4K.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI Audio Inputs - \u003c\/strong\u003e8 Channels embedded in SD\/HD\/UHD\/4K.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI Audio Outputs - \u003c\/strong\u003e8 Channels embedded in SD\/HD\/UHD\/4K.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUSB - \u003c\/strong\u003e2 x USB‑C 3.1 Gen 1 (up to 5 Gb\/s).\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEthernet - \u003c\/strong\u003e1 x 10Gb\/s RJ‑45 connector supporting 10\/100\/1000\/10G BASE-T for SMPTE-2110 IP video in and out, configuration and firmware updates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSD Video Standards - \u003c\/strong\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHD Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003cli\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2K Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp50 DCI, 2Kp59.94 DCI, 2Kp60 DCI\u003c\/li\u003e\n\u003cli\u003e2KPsF23.98 DCI, 2KPsF24 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI, 2KPsF30 DCI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUltra HD Video Standards - \u003c\/strong\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K Video Standards - \u003c\/strong\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Compliance - \u003c\/strong\u003eSMPTE 259M, SMPTE 274M, SMPTE 296M, SMPTE 424M, SMPTE 425M Level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑10, SMPTE ST2108‑1, SMPTE ST2110‑20, SMPTE ST2110‑21, SMPTE ST2110‑30, SMPTE ST2110‑40.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Metadata Support - \u003c\/strong\u003eRP 188\/SMPTE 12M-2 and closed captioning.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMultiple Rate Support - \u003c\/strong\u003eSDI video connections are switchable between SD\/HD\/2K\/UHD and 4K.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Audio Sampling - \u003c\/strong\u003eTelevision standard sample rate of 48 kHz and 24‑bit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Video Sampling - \u003c\/strong\u003e4:2:2, 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Level A and B is automatically detected on 3G-SDI input and user selectable on 3G‑SDI output.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIP Video Compliance\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-20 (Uncompressed Video) - \u003c\/strong\u003eIGMP v2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-21 (Traffic Shaping)\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSender: Narrow\u003c\/li\u003e\n\u003cli\u003eReceiver: Narrow, Wide Synchronous, Asynchronous\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-30 (PCM) - \u003c\/strong\u003eAudio Conformance level: Level C\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-40 (Ancillary Data) - \u003c\/strong\u003eFull access to entire SMPTE ancillary data stream. 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Its compact design means it can be placed behind displays, while it connects to a standard SFP socket that supports a 10G optical fiber Ethernet module, so you connect it over long distances. Blackmagic 2110 UP Mini IP to HDMI SFP also supports 3G, 6G and 12G optical fiber SDI modules for regular SDI video compatibility. Powers from the included 12V DC power supply.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI Video Outputs\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e1x\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI Audio Outputs\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e8 Ch embedded audio on SDI loop output.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE ST-2110 IP Video Inputs\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e1x 10G Ethernet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE ST-2110 IP Video Outputs\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e16 Ch embedded audio on ST-2110 IP video via 10G Ethernet.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEthernet\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e1x 10Gb\/s RJ‑45 PoE++ connector supporting 10\/100\/1000\/10G BASE-T for SMPTE-2110 IP video in, configuration and firmware updates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComputer Interface\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e1x USB-C 3.0 for configuration and firmware updates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI SD Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI HD Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI Ultra HD Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI 4K Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI and 4Kp60 DCI.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE Compliance\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI Color Precision - \u003c\/strong\u003e4:2:2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI Color Space - \u003c\/strong\u003eYUV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIP Video Compliance\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-20 (Uncompressed Video) - \u003c\/strong\u003eIGMP v2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-21 (Traffic Shaping)\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSender: Narrow\u003c\/li\u003e\n\u003cli\u003eReceiver: Narrow, Wide Synchronous, Asynchronous\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-30 (PCM) - \u003c\/strong\u003eAudio Conformance level: Level C\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-40 (Ancillary Data)\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eFull access to entire SMPTE ancillary data stream. Includes RP 188\/SMPTE 12M-2, closed captioning and HDR static metadata.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCodec - \u003c\/strong\u003eBlackmagic IP10 codec used when converting 12G-SDI rates to 10G 2110 IP video.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrecision Time Protocol\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eIEEE 1588-2008 (PTP v2)\u003c\/li\u003e\n\u003cli\u003eST 2059-1\u003c\/li\u003e\n\u003cli\u003eST 2059-2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNMOS IS-04 Discovery and Registration\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003ev1.3.2\u003c\/li\u003e\n\u003cli\u003ePeer-to-peer via mDNS\/DNS‑SD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNMOS IS-05 Connection Management - \u003c\/strong\u003ev1.1.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNMOS BCP-002-01 - \u003c\/strong\u003eNatural Grouping\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNMOS BCP-004-01 - \u003c\/strong\u003eReceiver capabilities\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplays\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e1x IP Input Lock LED indicator light\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMac 13.0 Ventura,\u003c\/li\u003e\n\u003cli\u003eMac 14.0 Sonoma or later.\u003c\/li\u003e\n\u003cli\u003eWindows 10 and 11.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Supply - \u003c\/strong\u003e1 x +12V DC external universal power supply with locking 5.5mm barrel Jack plus international socket adapters for most countries.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperational Voltage Range - \u003c\/strong\u003e12 - 16 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Usage - \u003c\/strong\u003eTBA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Temperature - \u003c\/strong\u003e5° to 40° C (41° to 104° F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage Temperature - \u003c\/strong\u003e-20° to 45° C (-4° to 113° F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelative Humidity - \u003c\/strong\u003e0% to 90% non‑condensing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic 2110 IP Mini IP to HDMI SFP\u003c\/li\u003e\n\u003cli\u003eWelcome wallet with QR code for software download\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50094727561449,"sku":null,"price":445.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/Blackmagic-2110-IP-Mini-IP-to-HDMI-SFP_1.jpg?v=1770215205"},{"product_id":"blackmagic-design-2110-ip-mini-ip-to-hdmi-converter","title":"Blackmagic Design 2110 IP Mini IP to HDMI Converter","description":"\u003cp\u003e\u003cstrong\u003eBlackmagic 2110 IP Mini IP to HDMI\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003elets you monitor 2110 IP video and audio on any HDMI monitor or TV. Its compact design means it can be placed behind displays, while it connects and powers from 10G Ethernet and supports HD and Ultra HD standards to 2160p60. Also includes DC power supply.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI Video Outputs\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e1x \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI Audio Outputs\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e\u003c\/strong\u003e1x \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE ST-2110 IP Video Inputs\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e1 x 10G Ethernet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE ST 2110 IP Audio Inputs\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e16 Ch embedded audio on ST-2110 IP video via 10G Ethernet.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEthernet\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e1x 10Gb\/s RJ‑45 PoE++ connector supporting 10\/100\/1000\/10G BASE-T for SMPTE-2110 IP video in, configuration and firmware updates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eComputer Interface\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e1x USB-C 3.0 for configuration and firmware updates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI SD Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI HD Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI Ultra HD Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI 4K Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI and 4Kp60 DCI.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE Compliance\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI Color Precision - \u003c\/strong\u003e4:2:2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHDMI Color Space - \u003c\/strong\u003eYUV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIP Video Compliance\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-20 (Uncompressed Video) - \u003c\/strong\u003eIGMP v2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-21 (Traffic Shaping)\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSender: Narrow\u003c\/li\u003e\n\u003cli\u003eReceiver: Narrow, Wide Synchronous, Asynchronous\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-30 (PCM) - \u003c\/strong\u003eAudio Conformance level: Level C\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-40 (Ancillary Data) - \u003c\/strong\u003eFull access to entire SMPTE ancillary data stream. Includes RP 188\/SMPTE 12M-2, closed captioning and HDR static metadata.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCodec - \u003c\/strong\u003eBlackmagic IP10 codec used when converting 12G-SDI rates to 10G 2110 IP video.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePrecision Time Protocol\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eIEEE 1588-2008 (PTP v2)\u003c\/li\u003e\n\u003cli\u003eST 2059-1\u003c\/li\u003e\n\u003cli\u003eST 2059-2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNMOS IS-04 Discovery and Registration\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003ev1.3.2\u003c\/li\u003e\n\u003cli\u003ePeer-to-peer via mDNS\/DNS‑SD\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNMOS IS-05 Connection Management - \u003c\/strong\u003ev1.1.2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNMOS BCP-002-01 - \u003c\/strong\u003eNatural Grouping\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNMOS BCP-004-01 - \u003c\/strong\u003eReceiver capabilities\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDisplays\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e1x IP Input Lock LED indicator light\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eMac 13.0 Ventura,\u003c\/li\u003e\n\u003cli\u003eMac 14.0 Sonoma or later.\u003c\/li\u003e\n\u003cli\u003eWindows 10 and 11.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Supply\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e1x +12V DC external universal power supply with locking 5.5mm barrel Jack plus international socket adapters for most countries.\u003c\/li\u003e\n\u003cli\u003e1x RJ45 Ethernet connector for power from PoE++ power supplies.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperational Voltage Range - \u003c\/strong\u003e12 - 16 V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower Usage - \u003c\/strong\u003e18W\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eOperating Temperature - \u003c\/strong\u003e5° to 40° C (41° to 104° F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStorage Temperature - \u003c\/strong\u003e-20° to 45° C (-4° to 113° F)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelative Humidity - \u003c\/strong\u003e0% to 90% non‑condensing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBlackmagic 2110 IP Mini IP to HDMI\u003c\/li\u003e\n\u003cli\u003eWelcome wallet with QR code for software download\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50094740439273,"sku":null,"price":445.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/Blackmagic-2110-IP-Mini-IP-to-HDMI_1.jpg?v=1770215249"},{"product_id":"blackmagic-design-teranex-mini-hdmi-to-sdi-12g","title":"Blackmagic Design Teranex Mini - HDMI to SDI 12G","description":"\u003cp\u003eIntroducing Teranex Mini, the next generation 12G-SDI converters with award winning Teranex quality and support for all SD, HD and Ultra HD formats up to 2160p60! All Teranex Minis include an internal AC power supply, professional XLR analog and AES\/EBU audio connections and an ethernet connection for remote management and PoE alternate power! Teranex Mini features a user upgradable front panel that includes a color display and user controls so you can quickly monitor video and change settings right from the front of the converter! You get all of the same great features of regular mini converters and so much more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse Anywhere - The world’s most versatile converters!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe all new Teranex Mini converters make building facilities and supporting all different types of video equipment easier than ever before. Teranex Mini is perfect for broadcast installations because they can be rack mounted and the optional front panel lets you see what’s being converted on the screen! They can even be remote managed over ethernet. Their compact size makes them great for portable racks at live events or in broadcast trucks, plus they have professional XLR audio connections for connecting to mixers and other audio gear! You can even use them in editing and color grading suites to drive big screen displays and projectors!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eReinventing the Mini Converter - The first mini converter you don’t have to hide!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTeranex Minis are so small that you can use them like regular mini converters such as hiding them in cable ducts, behind equipment and attached to televisions for monitoring. Teranex Mini’s new flexible design lets you use them on the desktop where you can see them, or rack mount them in larger broadcast systems. Unlike regular mini converters, you get full size professional XLR audio connections built into the converters, plus each converter has an ethernet connection so they can be administered remotely. 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When used in conjunction with the Blackmagic Design ATEM Camera Converter, you can send video signals up to 28 miles between camera and switcher using available optical fiber cables. By comparison sending an HD-SDI signal over traditional copper cable is usually limited to about 300 feet, depending on the quality of the cable.\u003cbr\u003e\u003cbr\u003eA typical set up using the Studio Converter 2 is to connect it between the switcher and up to four ATEM Camera Converter units. This set up allows the Converter 2 to receive the signals from the fiber cable, convert the signals to SDI using 10-bit processing, and send the signals to the switcher. The Converter 2 supports SD\/HD signals, and when using the available ATEM Camera Converter you can use any camera with an SDI\/HDMI output.\u003cbr\u003e\u003cbr\u003eThe converter 2 can also be used as 4 independent simultaneous bi-directional SD\/HD-SDI to optical converters. 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The larger model has space for two SSD slots but still includes the two SD card slots of the smaller models. This means you can instantly move media cards between different models of HyperDeck Studio. You get the nice transport control buttons as well as a machined metal search dial with electronic clutch for limiting rotation when in shuttle mode. There are also dedicated buttons for jog, shuttle and scroll search dial modes. 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Records SD and HD in H.264 and Ultra HD in H.265.\u003c\/p\u003e\n\u003cp\u003eThe incredibly powerful 4K Pro model records H.264, H.265, ProRes or DNx in SD, HD and Ultra HD in standards up to 2160p60.\u003c\/p\u003e\n\u003cp\u003eHyperDeck Studio features traditional deck style transport controls, including a search dial for jog, shuttle and scroll. The LCD includes monitoring for video, plus audio level meters, selectable between technically accurate VU or PPM ballistics. The combination of familiar VTR style controls with the built in LCD screen makes HyperDeck Studio incredibly fast to use and very easy to learn.\u003c\/p\u003e\n\u003cp\u003eAll HyperDeck Studio models support recording to common SD cards and UHS-II cards so customers don't need expensive custom media. However the Pro models also add two SSD slots so customers can use two different types of media. Plus, customers can even record to external USB disks. With H.265, customers can record up to 58 hours in 2160p60 Ultra HD or up to 157 hours of H.264 recording in 1080p59.94 on a 1 TB card. That's over 6 days of recording in HD using a single 1 TB card.\u003c\/p\u003e\n\u003cp\u003eAll HyperDeck Studio models feature dual media slots for non stop recording. When the recording card becomes full, recording automatically continues onto the next card. That’s perfect when recording long live events because customers can \"hot swap\" a full card for an empty card while recording continues in the other slot.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSDI Video Inputs: 1\u003c\/li\u003e\n\u003cli\u003eSDI Video Outputs: 2\u003c\/li\u003e\n\u003cli\u003eSDI Monitor Outputs: 1\u003c\/li\u003e\n\u003cli\u003eSDI Rates: 270Mb, 1.5G, 3G, 6G, 12G.\u003c\/li\u003e\n\u003cli\u003eHDMI 2.0 Video Inputs: 1\u003c\/li\u003e\n\u003cli\u003eHDMI 2.0 Video Outputs: 1\u003c\/li\u003e\n\u003cli\u003eBuilt in Speaker: Mono\u003c\/li\u003e\n\u003cli\u003eAudio Output: 1 x 6.35 mm headphone jack.\u003c\/li\u003e\n\u003cli\u003eScreen: 2.2 inch LCD.\u003c\/li\u003e\n\u003cli\u003eTimecode Connections: 1 x XLR In, 1 x XLR Out.\u003c\/li\u003e\n\u003cli\u003eReference Connections: 1 x BNC In, 1 x BNC Out. Tri-Sync or Black Burst.\u003c\/li\u003e\n\u003cli\u003eSDI Audio Inputs: 16 channels embedded audio.\u003c\/li\u003e\n\u003cli\u003eSDI Audio Outputs: 16 channels embedded audio.\u003c\/li\u003e\n\u003cli\u003eHDMI Audio Inputs: 8 channels embedded audio.\u003c\/li\u003e\n\u003cli\u003eHDMI Audio Outputs: 8 channels embedded audio.\u003c\/li\u003e\n\u003cli\u003eRemote Control: 1 x RS-422 In, 1 x RS-422 Out.\u003c\/li\u003e\n\u003cli\u003eRecorder Configuration: Via user interface or Blackmagic HyperDeck Ethernet Protocol.\u003c\/li\u003e\n\u003cli\u003eEthernet: 10Gb\/s\u003c\/li\u003e\n\u003cli\u003eComputer Interface: 1 x USB Type-C 3.1 Gen 2 (up to 10Gb\/s) for external drive recording, webcam out, software configuration and updates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStandards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSD Video Standards\n\u003cul\u003e\n\u003cli\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eHD Video Standards\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003cli\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K DCI Video Standards\n\u003cul\u003e\n\u003cli\u003e2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI,\u003c\/li\u003e\n\u003cli\u003e2Kp29.97 DCI, 2Kp30 DCI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUltra HD Video Standards\n\u003cul\u003e\n\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e4K DCI Video Standards\n\u003cul\u003e\n\u003cli\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Compliance\n\u003cul\u003e\n\u003cli\u003eSMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2081‑1, SMPTE 2081‑10, SMPTE 2082‑1, SMPTE 2082‑10, SMPTE 2084 and SMPTE 2108‑1.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Metadata Support\n\u003cul\u003e\n\u003cli\u003eHD RP188 and closed captioning CEA‑708. HDR Metadata supported on SDI.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupported HDMI Formats\n\u003cul\u003e\n\u003cli\u003e525i59.94 NTSC, 625i50 PAL,\u003c\/li\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60,\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60,\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60,\u003c\/li\u003e\n\u003cli\u003e2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI,\u003c\/li\u003e\n\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60,\u003c\/li\u003e\n\u003cli\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Sampling\n\u003cul\u003e\n\u003cli\u003eTelevision standard 24‑bit, 48 kHz sample rate.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eVideo Sampling\n\u003cul\u003e\n\u003cli\u003e4:2:2 YUV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor Precision\n\u003cul\u003e\n\u003cli\u003e10‑bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor Space\n\u003cul\u003e\n\u003cli\u003eREC 601, REC 709, REC 2020. 33 point 3D LUTS can be applied to SDI monitor out.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eHDR Support\n\u003cul\u003e\n\u003cli\u003eHybrid Log‑Gamma, ST2084 300, ST2084 500, ST2084 800, ST2084 1000, ST2084 2000, ST2084 4000, ST2084.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMulti Rate Support\n\u003cul\u003e\n\u003cli\u003eAuto detection of SD, HD, 6G‑SDI and 12G‑SDI.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCopy Protection\n\u003cul\u003e\n\u003cli\u003eHDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMedia: 2 x 2.5 inch disc slots 2 x SD card slots 1 x USB‑C 3.1 Gen 2 expansion port for external recording of SD, HD, 2K DCI, Ultra HD and 4K DCI.\u003c\/li\u003e\n\u003cli\u003eMedia Type: SATA-II or SATA-III 2.5 inch solid state media. UHS-I and UHS-II SD cards.\u003c\/li\u003e\n\u003cli\u003eMedia Format: Can format media to ExFAT (Windows\/Mac) or HFS+ (Mac) file systems.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSupported Codecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProRes HQ QuickTime, ProRes 422 QuickTime, ProRes LT QuickTime, ProRes Proxy QuickTime for all formats up to 2160p60. Playback only of ProRes 4444 QuickTime up to 1080p60 with auto routing of fill and key over SDI A and B outputs. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60fps.DNxHR HQX, DNxHR HQX MXF, DNxHR SQ, DNxHR SQ MXF, DNxHR LB, DNxHR LB MXF for 2K DCI and 2160p formats up to 60fps.H.265 SDI 4:2:2 10‑bit, H.265 High 4:2:0 10‑bit, H.265 Medium 4:2:0 10‑bit, H.265 Low 4:2:0 10‑bit for all 2160p formats up to 60 fps. H.264 SDI 4:2:2 10‑bit, H.264 High 4:2:0 8‑bit, H.264 Medium 4:2:0 8‑bit, H.264 Low 4:2:0 8‑bit for all progressive formats up to 1080p60.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt in Control Panel: 16 buttons for transport and device control with search dial featuring electronic clutch and 2.2 inch color display.\u003c\/li\u003e\n\u003cli\u003eExternal Control: RS-422 deck control, SDI start\/stop, timecode run. Includes Blackmagic HyperDeck Ethernet Protocol. Supports remote FTP file upload.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50094833172713,"sku":null,"price":2379.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/HyperDeckStudio4KPro.jpg?v=1770220140"},{"product_id":"blackmagic-design-hyperdeck-studio-hd-mini","title":"Blackmagic Design HyperDeck Studio HD Mini","description":"\u003cp\u003eThe most compact model of HyperDeck Studio is based on the Teranex Mini form factor. This modular design means that you can use a Teranex Mini Rack Shelf to rack mount 3 \u003cstrong\u003eHyperDeck Studio HD Mini\u003c\/strong\u003es in a single rack unit, or you can combine them with other products such as switchers, converters or streaming processors. It might be small, but you still get powerful features, such as 3G-SDI in and out, HDMI output, dual SD card media slots, built in sync and timecode generators, front panel controls and both AC and DC power inputs. You can even connect the USB to a computer as HyperDeck Studio HD Mini works like a webcam so you can use any video software!\u003c\/p\u003e\n\u003cp\u003eThe miniaturized design of HyperDeck Studio Mini includes a built in power supply so you don’t have to carry around an external power brick! Simply plug it into an AC mains outlet and start recording and playing back video. With an auto switching international power supply that works with 100-240V AC, you can use it anywhere in the world! All models of HyperDeck Studio include both AC and DC power connections. The HyperDeck Studio HD Mini model has a 12V DC power input with locking connector and all other models have a broadcast style 4 pin XLR 12V DC power connection. The HyperDeck Studio 4K Pro has two separate AC power supplies for total redundancy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSDI Video Inputs: 1\u003c\/li\u003e\n\u003cli\u003eSDI Video Outputs: 1\u003c\/li\u003e\n\u003cli\u003eSDI Rates: 270Mb, 1.5G, 3G.\u003c\/li\u003e\n\u003cli\u003eHDMI Video Outputs: 1\u003c\/li\u003e\n\u003cli\u003eScreen: 2.2 inch LCD\u003c\/li\u003e\n\u003cli\u003eTimecode Connections: 1 x BNC In, 1 x BNC Out.\u003c\/li\u003e\n\u003cli\u003eReference Connections: 1 x BNC In, 1 x BNC Out, Tri-Sync or Black Burst.\u003c\/li\u003e\n\u003cli\u003eSDI Audio Inputs: 16 channels embedded audio.\u003c\/li\u003e\n\u003cli\u003eSDI Audio Outputs: 16 channels embedded audio.\u003c\/li\u003e\n\u003cli\u003eHDMI Audio Outputs: 8 channels embedded audio.\u003c\/li\u003e\n\u003cli\u003eRemote Control: 1 x RS-422 In.\u003c\/li\u003e\n\u003cli\u003eRecorder Configuration: Via user interface or Blackmagic HyperDeck Ethernet Protocol.\u003c\/li\u003e\n\u003cli\u003eEthernet: 1Gb\/s\u003c\/li\u003e\n\u003cli\u003eComputer Interface: 1 x USB Type-C 3.0 (up to 5Gb\/s) for external drive recording, webcam out, software configuration and updates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStandards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSD Video Standards\n\u003cul\u003e\n\u003cli\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eHD Video Standards\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003cli\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K DCI Video Standards\n\u003cul\u003e\n\u003cli\u003e2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI,\u003c\/li\u003e\n\u003cli\u003e2Kp29.97 DCI, 2Kp30 DCI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Compliance\n\u003cul\u003e\n\u003cli\u003eSMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2084 and SMPTE 2108‑1.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Metadata Support\n\u003cul\u003e\n\u003cli\u003eHD RP188 and closed captioning CEA‑708. HDR Metadata supported on SDI.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupported HDMI Formats\n\u003cul\u003e\n\u003cli\u003e525i59.94 NTSC, 625i50 PAL,\u003c\/li\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60,\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60,\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60,\u003c\/li\u003e\n\u003cli\u003e2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI\u003c\/li\u003e\n\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30,\u003c\/li\u003e\n\u003cli\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Sampling\n\u003cul\u003e\n\u003cli\u003eTelevision standard 24‑bit, 48 kHz sample rate.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eVideo Sampling\n\u003cul\u003e\n\u003cli\u003e4:2:2 YUV\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor Precision\n\u003cul\u003e\n\u003cli\u003e10‑bit\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor Space\n\u003cul\u003e\n\u003cli\u003eREC 601, REC 709, REC 2020.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eHDR Support\n\u003cul\u003e\n\u003cli\u003eHybrid Log‑Gamma, ST2084 300, ST2084 500, ST2084 800, ST2084 1000, ST2084 2000, ST2084 4000, ST2084\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eMulti Rate Support\n\u003cul\u003e\n\u003cli\u003eAuto detection of SD and HD.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCopy Protection\n\u003cul\u003e\n\u003cli\u003eHDMI input is unable to capture from copy protected HDMI sources. Always confirm copyright ownership before capture or distribution of content.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMedia: 2 x SD card slots 1 x USB-C 3.0 expansion port for external recording of SD, HD and 2K DCI.\u003c\/li\u003e\n\u003cli\u003eMedia Type: UHS-I and UHS-II SD cards.\u003c\/li\u003e\n\u003cli\u003eMedia Format: Can format media to ExFAT (Windows\/Mac) or HFS+ (Mac) file systems.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSupported Codecs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProRes HQ QuickTime, ProRes 422 QuickTime, ProRes LT QuickTime, ProRes Proxy QuickTime for all formats up to 1080p60. DNxHD 220x, DNxHD 220x MXF, DNxHD 145, DNxHD 145 MXF, DNxHD 45, DNxHD 45 MXF for 720p and 1080p HD formats up to 60fps. H.264 SDI 4:2:2 10‑bit, H.264 High 4:2:0 8‑bit, H.264 Medium 4:2:0 8‑bit, H.264 Low 4:2:0 8‑bit for all progressive formats up to 1080p60.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt in Control Panel: 8 buttons for transport and device control with search dial and 2.2 inch color display.\u003c\/li\u003e\n\u003cli\u003eExternal Control: RS-422 deck control, SDI start\/stop, timecode run. Includes Blackmagic HyperDeck Ethernet Protocol. 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Media Express, Blackmagic Desktop Video Utility and Blackmagic driver on Linux.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternal Software Upgrade -  \u003c\/strong\u003eFirmware built into software driver. Loaded at system start or via updater software.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhysical Installation -  \u003c\/strong\u003ePCI Express 4 lane generation 2, compatible with 4 and 8 lane PCI Express slots on Mac OS, Windows and Linux. Mac OS systems require a Mac Pro computer with PCI Express slots. Please check the Support pages to see the full system requirements.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSoftware Applications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDaVinci Resolve\u003c\/li\u003e\n\u003cli\u003eFusion\u003c\/li\u003e\n\u003cli\u003eFinal Cut Pro\u003c\/li\u003e\n\u003cli\u003eAdobe Premiere Pro\u003c\/li\u003e\n\u003cli\u003eAvid Media Composer\u003c\/li\u003e\n\u003cli\u003eAdobe After Effects\u003c\/li\u003e\n\u003cli\u003eAvid Pro Tools\u003c\/li\u003e\n\u003cli\u003eSteinberg Cubase\u003c\/li\u003e\n\u003cli\u003eSteinberg Nuendo\u003c\/li\u003e\n\u003cli\u003eAdobe Photoshop\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eOther supported applications include:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Foundry Nuke, Grass Valley Edius, Sony Catalyst Production Suite, Tools On Air Just: Play \u0026amp; Live \u0026amp; In, Softron MovieRecorder \u0026amp; MReplay, Adobe Flash Media Live Encoder, Telestream Wirecast, Livestream Producer, Resolume Arena, Magix Vegas Pro \u0026amp; Movie Edit Pro Premium, Corel VideoStudio Pro, CyberLink PowerDirector, Vidblaster X \u0026amp; Studio \u0026amp; Broadcast, Uniplay One \u0026amp; CG, CasparCG Server, Magicsoft CG, Xsplit Broadcaster, Imagine Communications Velocity \u0026amp; InfoCaster, DevTek Easy Media Suite, Metus Ingest, Boinx Software MimoLive, Cinegy Capture Pro, vMix Live, Renewed Vision ProPresenter, Ventuz Director, Class X Liveboard \u0026amp; Coral CG, Glookast Capturer, Open Broadcaster Software Studio, Nautilus NEMO3D, Burst Video WebClip2Go \u0026amp; [REC]Marker, Autodesk Flame, Zoom.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThese are third party applications and support may vary, check with your software vendor.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Standards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSD Video Standards -  \u003c\/strong\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHD Video Standards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003cli\u003e1080PsF23.98*, 1080PsF24*, 1080PsF25*, 1080PsF29.97*, 1080PsF30*\n\u003cul\u003e\n\u003cli\u003e* PsF SDI ONLY\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAudio Sampling -  \u003c\/strong\u003eTelevision standard sample rate of 48 kHz and 24 bit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColor Precision -  \u003c\/strong\u003e8, 10, 12-bit RGB 4:4:4 in all modes up to 1080p30 and 8, 10-bit YUV 4:2:2 in all modes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eColor Space -  \u003c\/strong\u003eREC 601, REC 709, REC 2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eIP Video Compliance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-20 (Uncompressed Video) -  \u003c\/strong\u003eIGMP v2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-21 (Traffic Shaping)\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSender: Narrow\u003c\/li\u003e\n\u003cli\u003eReceiver: Narrow, Wide Synchronous, Asynchronous\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-30 (PCM) -  \u003c\/strong\u003eAudio Conformance level: Level C\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-40 (Ancillary Data) -  \u003c\/strong\u003eFull access to entire SMPTE ancillary data stream. 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It also features 2 100G Ethernet QSFP ports, providing full redundancy.\u003c\/p\u003e\n\u003cp\u003eDeckLink IP cards are the easiest way to capture and play back video directly into 2110 IP based broadcast systems! They have the same DeckLink features so all your existing software will just work! DeckLink IP cards support multiple video channels plus each channel can capture and play back at the same time. This means you can build racks of servers generating broadcast graphics, virtual sets or GPU based AI image processing, all directly integrated into 2110 IP broadcast infrastructure. You can even use DaVinci Resolve for 2110 IP based broadcast editing workstations! 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The 80 12G-SDI inputs feature LEDs on each BNC that indicate an SDI signal, plus there are 80 12G-SDI outputs, redundant power and reference connections in a stylish four rack unit design. The large full HD LCD lets you see video before routing and clearly displays routing labels and video standards. Routing can be performed by direct button selection and using the large spin knob control that has an electronic clutch. It also features SDI re-clocking, external Ethernet control and supports all SDI video standards up to 2160p60.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic Videohub 12G\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new Blackmagic Videohub 12G-SDI video routers let you connect all your equipment without creating a complex cable mess! Blackmagic Videohub routers support 12G-SDI so they allow you to connect and route any combination of SD, HD and Ultra HD on the same router at the same time. Plus they have zero latency so are perfect for live production and broadcast! The design features an elegant front panel with LCD for labels and even live video, shortcut buttons and a machined metal spin knob with soft rubber coating that lets you browse video sources. Ethernet is also included so you can remotely control the router using a range of external hardware or software control panels.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEliminates Complex Cable Mess\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Videohub 12G eliminates cable mess because you can plug all your SDI equipment into the router, then do connections electronically! You don't need complex system diagrams for your studio because you can connect any video input to any video output, or even a single video input to multiple video outputs. This means monitors can view any source in the studio! You get total flexibility to handle constant change or even emergencies. It lets you use multiple HyperDeck recorders for redundant mastering. Or you can route video to multiple streaming processors for all broadcast platforms. Blackmagic Videohub 12G is also great for adding extra inputs to an ATEM switcher!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFive Great Models\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Videohub 10x10 12G -\u003c\/strong\u003e Advanced 12G-SDI 10x10 zero latency video router supports any combination of SD, HD and Ultra HD on the router at the same time. Features control panel, SDI re-clocking and external Ethernet control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Videohub 20x20 12G -\u003c\/strong\u003e Medium 20x20 model zero latency 12G-SDI video router supports any combination of SD, HD and Ultra HD on the router at the same time. 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You also get a built in control panel and external control via Ethernet.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eElegantly Designed Front Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe built in front control panel lets you route video, so you get the perfect solution for live production racks that don't have the space for extra hardware panels. The front panel is similar to a Videohub Master Control Pro and it features a spin knob for browsing, direct entry buttons for speed and an LCD for displaying labels. However because the panel is built into the router, you can also see live video on the LCD! The LCD also has menus so it lets you change router settings.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eShortcut Buttons - \u003c\/strong\u003eThe shortcut buttons allow direct entry of sources and destinations. They can also be used with the numeric keys. Plus if a button uses a dedicated input label, then they will act like a cut bus!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIn Button - \u003c\/strong\u003eThe in button switches the panel over so the spin knob and shortcut buttons will be selecting from the list of input video sources. By rolling the spin knob, you can see all your inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClear Button -\u003c\/strong\u003e The clear button is similar to undo and it lets you clear a new routing selection. It's the alternative to the take button, and it will clear the route to retain the current routing without change.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLCD for Labels and Video -\u003c\/strong\u003e The LCD has large and easy to read labels that show the connection between inputs and outputs. Plus the LCD features live video so you can scroll sources based on viewing the content of the input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumeric Keypad - \u003c\/strong\u003eThe numerical keypad has a range of numbers marked 0 through to 9. It allows multiple labels, such as Mon 1, Mon 2, Mon 3 etc. You would select one of the shortcut buttons first and then the number.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOut Button - \u003c\/strong\u003eThe out button switches the panel to selecting the output. Normally you do this first, so you know what output you are going to change. You will then see the current input, before changing it.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTake Button -\u003c\/strong\u003e The take button is the final confirmation that you want to accept the new input selection. This eliminates mistakes! You can also disable the take function for specific outputs for live routing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpin Knob - \u003c\/strong\u003eThe spin knob has a machined metal design, soft rubber coating and an electronic clutch. You can scroll labels in alphabetical order and then the clutch will stop the knob at the end of the list.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eChange Router Crosspoints Visually!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a built in LCD, Blackmagic Videohub 12G can show you live video of all your router inputs! This means you can see all router inputs as live video before you change a route. There are also labels displayed below the live video to make it easy to identify the input you are viewing. What this means is you can scroll up and down the router sources in alphabetical order and see each input as live video, even if the inputs are different video standards. Imagine scrolling through your connections while viewing them as live video on the LCD! Plus in portable equipment racks where space is limited, the visual routing means you can see video inputs without adding an external SDI monitor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvanced 12G-SDI for SD, HD and Ultra HD Routing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll models of Blackmagic Videohub 12G feature advanced 12G-SDI connections which are multi rate so they support any SD, HD and Ultra HD video format up to 2160p60 and will connect to any SD, HD-SDI, 3G-SDI, 6G-SDI and 12G-SDI equipment. Plus Blackmagic Videohub 12G also supports routing any video standard on the same router at the same time. That means on the 120x120 model you could route up to 120 different video signals to 120 outputs at the same time! 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment! With 12G-SDI you get a future proof technology that connects to the equipment you have now and in the future!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures Full SDI Re‑Clocking\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVideohub includes built in SDI re-clocking on every 12G-SDI input. SDI re-clocking regenerates the video signal for maximum video quality. This is extremely important because longer video cables degrade the signal. Expensive premium \"digital\" cables can help a little, but still cannot eliminate signal integrity loss due to cable lengths getting longer. With SDI re-clocking all of the SDI devices in your studio receive a regenerated signal with improved jitter performance. That means longer cable lengths, and no drop outs in your video.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdd External Hardware Control Panels\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll Blackmagic Videohub routers can be remotely controlled, which is vital in large broadcast studios where the equipment connected to the router is located in different areas of the building. There are 2 different types of hardware panel available. The Videohub Master Control Pro is similar to the front panel and has a spin knob, LCD and shortcut buttons. While the Videohub Smart Control Pro model features all buttons and is generally programmed so the panel controls a single router output with each button programmed to a router input. Then you can just cut along the panel buttons to change the router output instantly. It works best when you install a smart panel below each video monitor!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Router Control on Mac, Windows and iPad\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you need external router control that's affordable, then Videohub Software Control is perfect because it can be downloaded free! Videohub Software Control is available for both Mac and Windows, so you can run it on the computers you're already using for creative work. The software features large buttons that are easy to press. Each button can be customized to a router input, a router output, and has an icon assigned to help you identify it visually. The big buttons are great for use on a touchscreen PC, where the software becomes a large screen XY control panel! You can even download a version of the software for the Apple iPad!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Videohub Setup Utility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen you first purchase Blackmagic Videohub 12G, all the video inputs and outputs will have simple default labels, however you can customize them to match the equipment you have connected! That’s why the Blackmagic Videohub 12G installer includes Videohub Setup software, which lets you customize the router input and output labels. You can even enable the take button to be used when changing sources, plus the take button can be enabled for each specific video output. The Videohub Setup also lets you program the buttons on the front panel, update the router software, or configure external hardware panels. The software supports Mac and Windows and can be connected via Ethernet or USB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustomize Router Control with the Developer SDK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVideohub includes a free software development kit so developers and system integrators can easily add protocol support for integration into broadcast automation systems. Plus all Videohub routers use a simple text based protocol that's easy to learn. This makes it very simple to create custom control solutions from all computer platforms and even embedded hardware such as Raspberry Pi and Arduino. The protocol can even be used with a Telnet app so you can experiment with controlling the router before you start coding! Plus the protocol is the same one used for the Videohub Software Control so it's well tested and includes all the features needed for complex control apps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Videohub 12G supports multiple languages so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian. Simply go into the setup menu to set the language, or you can change at any time in the future. Once a language is selected, the menus and the display on the LCD will change to the selected language. However, independent of the language you set, the input and output labels are always unicode so you can customize the labels to a mix of multiple languages! Multiple languages means you can work anywhere in the world and with any local crew!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVideohub Features Better Image Quality\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupports Multiple Formats -\u003c\/strong\u003e When you need to work on global events then you need to stay updated with the latest technology and television standards. Videohub gives you support for all 525SD and 625SD, 720HD and 1080HD, and the Ultra HD video standards. Plus you can connect multiple video standards simultaneously!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEmbedded Audio for Audio and Video -\u003c\/strong\u003e The SDI standard includes up to 32 channels of embedded audio included with the SDI video signal. The advantage to embedded audio is that it all connects with a single BNC cable and all audio remains perfectly synchronized to the video. Plus all modern SDI equipment supports embedded SDI audio!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDeeper Bit Depth and Color Precision - \u003c\/strong\u003eVideohub is designed to support the highest quality video. 10-bit is the most commonly used standard as colors can be represented more accurately than 8-bit video. You can route 4:2:2 8-bit or 10-bit video in any standard, and it even works with 4:4:4 12-bit SDI up to 2160p30 for feature film!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSDI Video Inputs: 80\u003c\/li\u003e\n\u003cli\u003eSDI Video Outputs: 80\u003c\/li\u003e\n\u003cli\u003eSDI Rates: DVB-ASI, 270Mb, 1.5G, 3G, 6G, 12G.\u003c\/li\u003e\n\u003cli\u003eVideo Input Re-Sync: None\u003c\/li\u003e\n\u003cli\u003eSDI Reclocking: On all SDI outputs.\u003c\/li\u003e\n\u003cli\u003eReference Inputs: Tri-Sync or Black Burst.\u003c\/li\u003e\n\u003cli\u003eReference Outputs: Reference terminating loop output.\u003c\/li\u003e\n\u003cli\u003eEthernet: Supports 10\/100\/1000 BASE‑T.\u003c\/li\u003e\n\u003cli\u003eComputer Interface: USB-C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSD Video Standards\n\u003cul\u003e\n\u003cli\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eHD Video Standards\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003cli\u003e1080PsF23,98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K Video Standards\n\u003cul\u003e\n\u003cli\u003e2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI, 2Kp60 DCI\u003c\/li\u003e\n\u003cli\u003e2KPsF23.98 DCI, 2KPsF24 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI, 2KPsF30 DCI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUltra HD Video Standards\n\u003cul\u003e\n\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e4K Video Standards\n\u003cul\u003e\n\u003cli\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Compliance\n\u003cul\u003e\n\u003cli\u003eSMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 424M, SMPTE 425M level A and B\u003c\/li\u003e\n\u003cli\u003eSMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-10, ITU‑R BT.656 and ITU‑R BT.601\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Audio Sampling: Television standard sample rate of 48kHz and 24-bit.\u003c\/li\u003e\n\u003cli\u003eSDI Video Sampling: YUV 4:2:2 and RGB 4:4:4\u003c\/li\u003e\n\u003cli\u003eSDI Color Precision: 10, 12‑bit RGB 4:4:4 in all HD and 2K modes, Ultra HD modes up to 2160p30 and 4K modes up to 4Kp30 DCI. 10-bit YUV 4:2:2 in all modes.\u003c\/li\u003e\n\u003cli\u003eSDI Color Space: REC 601, REC 709, REC 2020\u003c\/li\u003e\n\u003cli\u003eSDI Auto Switching: Automatically selects between 270Mb SD‑SDI, 1.5G HD‑SDI, 3G level A and level B HD‑SDI, 6G HD‑SDI, 12G‑SDI and DVB‑ASI on each input so that each input can be running a different television standard.\u003c\/li\u003e\n\u003cli\u003eSDI Metadata Support: Video payload identification ancillary data as per SMPTE 352M.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControl\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt in Control Panel: 24 buttons for local control of Videohub with 3 buttons and search dial for menu control. 5 inch color display.\u003c\/li\u003e\n\u003cli\u003eExternal Control Panel: Includes Blackmagic Videohub software control panel for Mac and Windows. Supports Videohub Smart Control Pro and Videohub Master Control Pro hardware panels. Includes Blackmagic Videohub SDK and Ethernet Videohub Control Protocol.\u003c\/li\u003e\n\u003cli\u003eControl Panel Connection: Ethernet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50095109865705,"sku":null,"price":14895.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/VHUBSMAS12G8080.jpg?v=1770224830"},{"product_id":"blackmagic-design-videohub-20x20-12g-sdi-router","title":"Blackmagic Design Videohub 20x20 12G SDI Router","description":"\u003cp\u003e\u003cstrong\u003eBlackmagic Videohub 20x20 12G\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis an advanced zero latency video router that supports any combination of SD, HD and Ultra HD on the router at the same time. It has 20 12G-SDI inputs and 20 12G-SDI outputs plus reference connections in a one rack unit size. The front panel LCD lets you see video before routing and clearly displays routing labels and video standards. Routing can be performed by direct button selection and using the large spin knob control that has an electronic clutch. It also features SDI re-clocking, external Ethernet control and supports all SDI video standards up to 2160p60.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic Videohub 12G\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe new Blackmagic Videohub 12G-SDI video routers let you connect all your equipment without creating a complex cable mess! Blackmagic Videohub routers support 12G-SDI so they allow you to connect and route any combination of SD, HD and Ultra HD on the same router at the same time. Plus they have zero latency so are perfect for live production and broadcast! The design features an elegant front panel with LCD for labels and even live video, shortcut buttons and a machined metal spin knob with soft rubber coating that lets you browse video sources. Ethernet is also included so you can remotely control the router using a range of external hardware or software control panels.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEliminates Complex Cable Mess\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Videohub 12G eliminates cable mess because you can plug all your SDI equipment into the router, then do connections electronically! You don't need complex system diagrams for your studio because you can connect any video input to any video output, or even a single video input to multiple video outputs. This means monitors can view any source in the studio! You get total flexibility to handle constant change or even emergencies. It lets you use multiple HyperDeck recorders for redundant mastering. Or you can route video to multiple streaming processors for all broadcast platforms. Blackmagic Videohub 12G is also great for adding extra inputs to an ATEM switcher!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFive Great Models\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Videohub 10x10 12G -\u003c\/strong\u003e Advanced 12G-SDI 10x10 zero latency video router supports any combination of SD, HD and Ultra HD on the router at the same time. Features control panel, SDI re-clocking and external Ethernet control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Videohub 20x20 12G -\u003c\/strong\u003e Medium 20x20 model zero latency 12G-SDI video router supports any combination of SD, HD and Ultra HD on the router at the same time. Features control panel, re-clocking and external Ethernet control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Videohub 40x40 12G - \u003c\/strong\u003eLarge 40x40 model zero latency 12G-SDI video router supports any combination of SD, HD and Ultra HD on the router at the same time. Features control panel, re-clocking and external Ethernet control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Videohub 80x80 12G - \u003c\/strong\u003eMassive 80x80 model zero latency 12G-SDI video router supports any combination of SD, HD and Ultra HD on the router at the same time. Features control panel, re-clocking and external Ethernet control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBlackmagic Videohub 120x120 12G -\u003c\/strong\u003e The largest 120x120 model features zero latency, 12G-SDI, full SDI re-clocking, plus any combination of SD, HD and Ultra HD. You also get a built in control panel and external control via Ethernet.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eElegantly Designed Front Panel\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe built in front control panel lets you route video, so you get the perfect solution for live production racks that don't have the space for extra hardware panels. The front panel is similar to a Videohub Master Control Pro and it features a spin knob for browsing, direct entry buttons for speed and an LCD for displaying labels. However because the panel is built into the router, you can also see live video on the LCD! The LCD also has menus so it lets you change router settings.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eShortcut Buttons - \u003c\/strong\u003eThe shortcut buttons allow direct entry of sources and destinations. They can also be used with the numeric keys. Plus if a button uses a dedicated input label, then they will act like a cut bus!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIn Button - \u003c\/strong\u003eThe in button switches the panel over so the spin knob and shortcut buttons will be selecting from the list of input video sources. By rolling the spin knob, you can see all your inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eClear Button -\u003c\/strong\u003e The clear button is similar to undo and it lets you clear a new routing selection. It's the alternative to the take button, and it will clear the route to retain the current routing without change.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLCD for Labels and Video -\u003c\/strong\u003e The LCD has large and easy to read labels that show the connection between inputs and outputs. Plus the LCD features live video so you can scroll sources based on viewing the content of the input.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eNumeric Keypad - \u003c\/strong\u003eThe numerical keypad has a range of numbers marked 0 through to 9. It allows multiple labels, such as Mon 1, Mon 2, Mon 3 etc. You would select one of the shortcut buttons first and then the number.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOut Button - \u003c\/strong\u003eThe out button switches the panel to selecting the output. Normally you do this first, so you know what output you are going to change. You will then see the current input, before changing it.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTake Button -\u003c\/strong\u003e The take button is the final confirmation that you want to accept the new input selection. This eliminates mistakes! You can also disable the take function for specific outputs for live routing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpin Knob - \u003c\/strong\u003eThe spin knob has a machined metal design, soft rubber coating and an electronic clutch. You can scroll labels in alphabetical order and then the clutch will stop the knob at the end of the list.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eChange Router Crosspoints Visually!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a built in LCD, Blackmagic Videohub 12G can show you live video of all your router inputs! This means you can see all router inputs as live video before you change a route. There are also labels displayed below the live video to make it easy to identify the input you are viewing. What this means is you can scroll up and down the router sources in alphabetical order and see each input as live video, even if the inputs are different video standards. Imagine scrolling through your connections while viewing them as live video on the LCD! Plus in portable equipment racks where space is limited, the visual routing means you can see video inputs without adding an external SDI monitor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdvanced 12G-SDI for SD, HD and Ultra HD Routing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll models of Blackmagic Videohub 12G feature advanced 12G-SDI connections which are multi rate so they support any SD, HD and Ultra HD video format up to 2160p60 and will connect to any SD, HD-SDI, 3G-SDI, 6G-SDI and 12G-SDI equipment. Plus Blackmagic Videohub 12G also supports routing any video standard on the same router at the same time. That means on the 120x120 model you could route up to 120 different video signals to 120 outputs at the same time! 12G-SDI gives you high frame rate Ultra HD via a single BNC connection that also plugs into all of your regular HD equipment! With 12G-SDI you get a future proof technology that connects to the equipment you have now and in the future!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures Full SDI Re‑Clocking\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVideohub includes built in SDI re-clocking on every 12G-SDI input. SDI re-clocking regenerates the video signal for maximum video quality. This is extremely important because longer video cables degrade the signal. Expensive premium \"digital\" cables can help a little, but still cannot eliminate signal integrity loss due to cable lengths getting longer. With SDI re-clocking all of the SDI devices in your studio receive a regenerated signal with improved jitter performance. That means longer cable lengths, and no drop outs in your video.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAdd External Hardware Control Panels\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll Blackmagic Videohub routers can be remotely controlled, which is vital in large broadcast studios where the equipment connected to the router is located in different areas of the building. There are 2 different types of hardware panel available. The Videohub Master Control Pro is similar to the front panel and has a spin knob, LCD and shortcut buttons. While the Videohub Smart Control Pro model features all buttons and is generally programmed so the panel controls a single router output with each button programmed to a router input. Then you can just cut along the panel buttons to change the router output instantly. It works best when you install a smart panel below each video monitor!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Router Control on Mac, Windows and iPad\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you need external router control that's affordable, then Videohub Software Control is perfect because it can be downloaded free! Videohub Software Control is available for both Mac and Windows, so you can run it on the computers you're already using for creative work. The software features large buttons that are easy to press. Each button can be customized to a router input, a router output, and has an icon assigned to help you identify it visually. The big buttons are great for use on a touchscreen PC, where the software becomes a large screen XY control panel! You can even download a version of the software for the Apple iPad!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Videohub Setup Utility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen you first purchase Blackmagic Videohub 12G, all the video inputs and outputs will have simple default labels, however you can customize them to match the equipment you have connected! That’s why the Blackmagic Videohub 12G installer includes Videohub Setup software, which lets you customize the router input and output labels. You can even enable the take button to be used when changing sources, plus the take button can be enabled for each specific video output. The Videohub Setup also lets you program the buttons on the front panel, update the router software, or configure external hardware panels. The software supports Mac and Windows and can be connected via Ethernet or USB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCustomize Router Control with the Developer SDK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVideohub includes a free software development kit so developers and system integrators can easily add protocol support for integration into broadcast automation systems. Plus all Videohub routers use a simple text based protocol that's easy to learn. This makes it very simple to create custom control solutions from all computer platforms and even embedded hardware such as Raspberry Pi and Arduino. The protocol can even be used with a Telnet app so you can experiment with controlling the router before you start coding! Plus the protocol is the same one used for the Videohub Software Control so it's well tested and includes all the features needed for complex control apps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLocalized for 13 Popular Languages\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBlackmagic Videohub 12G supports multiple languages so you can customize it to the language you prefer. You get support for English, Chinese, Japanese, Korean, Spanish, German, French, Russian, Italian, Portuguese, Turkish, Polish and Ukrainian. Simply go into the setup menu to set the language, or you can change at any time in the future. Once a language is selected, the menus and the display on the LCD will change to the selected language. However, independent of the language you set, the input and output labels are always unicode so you can customize the labels to a mix of multiple languages! Multiple languages means you can work anywhere in the world and with any local crew!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVideohub Features Better Image Quality\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSupports Multiple Formats -\u003c\/strong\u003e When you need to work on global events then you need to stay updated with the latest technology and television standards. Videohub gives you support for all 525SD and 625SD, 720HD and 1080HD, and the Ultra HD video standards. Plus you can connect multiple video standards simultaneously!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEmbedded Audio for Audio and Video -\u003c\/strong\u003e The SDI standard includes up to 32 channels of embedded audio included with the SDI video signal. The advantage to embedded audio is that it all connects with a single BNC cable and all audio remains perfectly synchronized to the video. Plus all modern SDI equipment supports embedded SDI audio!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDeeper Bit Depth and Color Precision - \u003c\/strong\u003eVideohub is designed to support the highest quality video. 10-bit is the most commonly used standard as colors can be represented more accurately than 8-bit video. You can route 4:2:2 8-bit or 10-bit video in any standard, and it even works with 4:4:4 12-bit SDI up to 2160p30 for feature film!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSDI Video Inputs: 20\u003c\/li\u003e\n\u003cli\u003eSDI Video Outputs: 20\u003c\/li\u003e\n\u003cli\u003eSDI Rates: DVB-ASI, 270Mb, 1.5G, 3G, 6G, 12G.\u003c\/li\u003e\n\u003cli\u003eVideo Input Re-Sync: None\u003c\/li\u003e\n\u003cli\u003eSDI Reclocking: On all SDI outputs.\u003c\/li\u003e\n\u003cli\u003eReference Inputs: Tri-Sync or Black Burst.\u003c\/li\u003e\n\u003cli\u003eReference Outputs: Reference terminating loop output.\u003c\/li\u003e\n\u003cli\u003eEthernet: Supports 10\/100\/1000 BASE‑T.\u003c\/li\u003e\n\u003cli\u003eComputer Interface: USB‑C\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSD Video Standards: 525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\n\u003cli\u003eHD Video Standards\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003cli\u003e1080PsF23,98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2K Video Standards\n\u003cul\u003e\n\u003cli\u003e2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI, 2Kp60 DCI\u003c\/li\u003e\n\u003cli\u003e2KPsF23.98 DCI, 2KPsF24 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI, 2KPsF30 DCI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUltra HD Video Standards\n\u003cul\u003e\n\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e4K Video Standards\n\u003cul\u003e\n\u003cli\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Compliance\n\u003cul\u003e\n\u003cli\u003eSMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 424M, SMPTE 425M level A and B\u003c\/li\u003e\n\u003cli\u003eSMPTE 2081-1, SMPTE 2081-10, SMPTE 2082-10, ITU‑R BT.656 and ITU‑R BT.601\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Audio Sampling: Television standard sample rate of 48kHz and 24-bit.\u003c\/li\u003e\n\u003cli\u003eSDI Video Sampling: YUV 4:2:2 and RGB 4:4:4\u003c\/li\u003e\n\u003cli\u003eSDI Color Precision: 10, 12‑bit RGB 4:4:4 in all HD and 2K modes, Ultra HD modes up to 2160p30 and 4K modes up to 4Kp30 DCI. 10-bit YUV 4:2:2 in all modes.\u003c\/li\u003e\n\u003cli\u003eSDI Color Space: REC 601, REC 709, REC 2020\u003c\/li\u003e\n\u003cli\u003eSDI Auto Switching: Automatically selects between 270Mb SD‑SDI, 1.5G HD‑SDI, 3G level A and level B HD-SDI, 6G HD‑SDI, 12G‑SDI and DVB‑ASI on each input so that each input can be running a different television standard.\u003c\/li\u003e\n\u003cli\u003eSDI Metadata Support: Video payload identification ancillary data as per SMPTE 352M.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControl\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt in Control Panel: 24 buttons for local control of Videohub with 3 buttons and search dial for menu control. 2.2 inch color display.\u003c\/li\u003e\n\u003cli\u003eExternal Control Panel: Includes Blackmagic Videohub software control panel for Mac and Windows. Supports Videohub Smart Control Pro and Videohub Master Control Pro hardware panels. Includes Blackmagic Videohub SDK and Ethernet Videohub Control Protocol.\u003c\/li\u003e\n\u003cli\u003eControl Panel Connection: Ethernet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50095132967145,"sku":null,"price":3569.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/VHUBSMAS12G2020_2_8f58513b-a615-4e22-808d-1034614cb11a.jpg?v=1770225223"},{"product_id":"blackmagic-design-streaming-encoder-web-presenter-4k","title":"Blackmagic Design Streaming Encoder (Web Presenter) 4K","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003ePower Cable Not Included\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic Streaming Encoder 4K (previously Web Presenter 4K)\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a complete streaming solution that includes a professional hardware streaming engine for direct streaming via Ethernet to YouTube, Facebook, Twitter and more. It’s just like a modern broadcast television transmitter for a new global streaming audience. Plus the built in USB connections work like a webcam, so customers can connect a computer and use any streaming software, or even Skype or Zoom. For redundancy, customers can stream to the internet via Ethernet or connect a 5G or 4G phone to use mobile data. Streaming Encoder 4K also includes a technical monitoring output that includes video, audio meters, trend graphs and even SDI technical data.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Streaming Encoder 4K supports the most popular streaming platforms. Plus the built in hardware streaming engine has been designed for live streaming at professional broadcast quality. That means customers get a self contained solution for live streaming that works without dropped frames. Customers only need to connect it to the internet. Setup is easy, as the Streaming Encoder 4K Utility software lets customers select the streaming platform and update the streaming key.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Streaming Encoder 4K is a self contained solution that includes a powerful hardware encoder, software for connecting to streaming platforms, and network connections. That means customers don’t need to buy an expensive computer or use complicated streaming software. Simply connect an SDI video source such as a live production switcher or a camera, then connect to the internet using the built in Ethernet connection. Or plug in a mobile phone to use mobile data. With settings built in for popular streaming platforms, customers simply need to enter a streaming key and press on air. Plus customers can simultaneously use the USB webcam output to connect to a computer, allowing other video software to be used.\u003c\/p\u003e\n\u003cp\u003eIf users are streaming from a remote location, or customers need a backup for the main Ethernet connection, customers can plug in an Apple or Android phone to connect to the internet via mobile data. For convenience, there are USB connections on both the front and rear panel that can be used for tethering phones. Plus it works with the latest high speed 5G phones, as well as 4G phones. Blackmagic Streaming Encoder 4K will auto detect when a phone is connected and switch its internet connection to use it. Customers can select Ethernet or phone priority, which makes phone internet backup fully automatic.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Streaming Encoder 4K features two USB connections that operate as a simple webcam source. That means customers can plug into any computer and work with any video software. The software is tricked into thinking the Streaming Encoder 4K is a common webcam, but it's really a broadcast quality SDI video source. That guarantees compatibility with any video software in full resolution 1080 HD or even 2160p Ultra HD quality, depending on the model. Streaming Encoder 4K works with any video software including Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster and more.\u003c\/p\u003e\n\u003cp\u003eTraditional broadcast transmitters are critical equipment in a television station, however now the streaming server is just as critical because millions of viewers can be watching globally. To help, Blackmagic Streaming Encoder 4K includes a feature rich technical monitoring output. The graphics based monitoring output includes a video view, audio meters with accurate ballistics, trend graphs for codec data rates and cache fill, plus a summary of the streaming settings and detailed SDI technical information. Plus the technical monitoring output works in full 1080 HD and outputs to both SDI and HDMI. That means customers can use an SDI router for monitoring multiple units, or connect a simple HDMI TV.\u003c\/p\u003e\n\u003cp\u003eThe Blackmagic Streaming Encoder 4K Utility software provides a single place to manage multiple encoders and to update the settings and software. Simply plug directly into the front of the streaming encoder's USB connection, or connect using Ethernet so customers can configure remotely, which is important when users are managing multiple remote sites. The familiar menus and controls make it very easy to set up a live event, so customers can get started fast. Plus the front panel LCD menus have the same settings and controls. The Blackmagic Streaming Encoder 4K Utility software is included free and runs on both Mac and Windows platforms.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Streaming Encoder 4K includes a 12G-SDI input with support for all HD and Ultra HD formats up to 2160p60. A 12G-SDI loop output is included enabling customers to loop video through more than one encoder, so customers can stream to multiple services. Blackmagic Streaming Encoder 4K features Teranex conversion technology on the SDI input for incredibly clean looking video. Blackmagic Streaming Encoder 4K takes the incoming HD or Ultra HD input signal and automatically converts it to high quality, low data rate 1080p HD or high resolution 2160p60 Ultra HD depending on the model, which is then sent to the hardware H.264 encoder for streaming.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Streaming Encoder 4K includes redundant features to help ensure customers stay online. Customers get dual internet connections, so customers can connect to the internet using the built in Ethernet or a tethered phone for 5G or 4G mobile data. Plus the internet automatically switches in case of an outage. Or customers can use 2 separate units to stream to both the primary and secondary YouTube servers. With both AC and DC inputs, customers can use a broadcast battery pack for redundant power.\u003c\/p\u003e\n\u003cp\u003eWhile Blackmagic Streaming Encoder 4K can send video to a wide range of streaming services, it can also be used as a private broadcast SDI video link between studios. The ATEM Streaming Bridge is a video converter that lets customers receive the H.264 stream from Blackmagic Streaming Encoder 4K and then convert it back to SDI video. This means customers can send video between remote locations across their local Ethernet network, or via the internet globally. That's all possible due to the built in H.264 hardware codec that decodes the Streaming Encoder 4K stream.\u003c\/p\u003e\n\u003cp\u003eBlackmagic Streaming Encoder 4K is based on the modular Teranex Mini design allowing desktop or rack use. The extremely portable design is only 5.5 inches wide, which means customers can mount 3 in a single rack unit, perfect when customers need to stream to multiple independent services all at the same time. Plus customers can combine Blackmagic Streaming Encoder 4K with other products such as the ATEM Television Studio HD switcher for a live production and streaming solution in a single rack unit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlackmagic Streaming Encoder 4K Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eComplete streaming solution for YouTube, Facebook, Twitter and more.\u003c\/li\u003e\n\u003cli\u003eSupports streaming via Ethernet or tethered phones via USB.\u003c\/li\u003e\n\u003cli\u003eBuilt in broadcast quality hardware H.264 encoder.\u003c\/li\u003e\n\u003cli\u003eTethers to 5G or 4G phones for mobile remote streaming.\u003c\/li\u003e\n\u003cli\u003eUSB looks like a webcam allowing support for all video software.\u003c\/li\u003e\n\u003cli\u003eMonitoring output includes meters, trend graphs and SDI technical data.\u003c\/li\u003e\n\u003cli\u003eIncludes Streaming Encoder 4K Utility software for Mac and Windows.\u003c\/li\u003e\n\u003cli\u003e12G-SDI input with down conversion for any HD or Ultra HD source.\u003c\/li\u003e\n\u003cli\u003eBoth AC and DC connections allow redundant power.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSDI Video Inputs: 1\u003c\/li\u003e\n\u003cli\u003eSDI Video Outputs: 1 x loop out, 1 x monitor out.\u003c\/li\u003e\n\u003cli\u003eSDI Rates: 1.5G, 3G, 6G, 12G\u003c\/li\u003e\n\u003cli\u003eHDMI Video Outputs: 1 x monitor out\u003c\/li\u003e\n\u003cli\u003eWebcam Output: 1 x Type USB-C\u003c\/li\u003e\n\u003cli\u003eEthernet: Ethernet supports 10\/100\/1000 BaseT for live streaming, software control and software updates.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStandards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHD Video Input Standards\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003cli\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eUltra HD Video Input Standards\n\u003cul\u003e\n\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eVideo Input Color Space\n\u003cul\u003e\n\u003cli\u003eRec.601, Rec.709, Rec.2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e3G SDI\n\u003cul\u003e\n\u003cli\u003eAuto detects SMPTE level A or B on SDI input.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI and HDMI Monitor Out Video Standards\n\u003cul\u003e\n\u003cli\u003e1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eVideo Streaming Standards\n\u003cul\u003e\n\u003cli\u003e720p25, 720p30, 720p50, 720p60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eStreaming\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirect Streaming: Blackmagic Streaming Encoder 4K supports direct live streaming over ethernet using Real Time Messaging Protocol (RTMP).\u003c\/li\u003e\n\u003cli\u003eClosed Captions: Streaming Encoder 4K supports embedding CEA-608 and CEA-708 closed captions in your live RTMP stream.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eControl Panel: Built in control panel with 2.2 inch color display for video preview, audio meters and status.\u003c\/li\u003e\n\u003cli\u003eDevice Control: Front panel, USB‑C or ethernet.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCompatible Services and Software\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eYouTube Live, Facebook Live, Twitter, Twitch, Skype, Microsoft Teams, Open Broadcaster and Wowza Streaming Engine.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50096009543913,"sku":null,"price":1009.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/Blackmagic-Streaming-Encoder-4K_2.jpg?v=1770239828"},{"product_id":"blackmagic-design-blackmagic-streaming-decoder-4k","title":"Blackmagic Design Blackmagic Streaming Decoder 4K","description":"\u003cp\u003eBlackmagic Streaming Decoder is a streaming processor that lets customers build internet broadcast links with the Blackmagic Streaming Encoder. The Blackmagic Streaming Decoder 4K receives the H.264 or H.265 stream from the Blackmagic Streaming Encoder and converts it to SDI and HDMI video. Plus most Blackmagic Design cameras have built in streaming such as Blackmagic Studio Camera Pro, PYXIS, URSA Cine and URSA Broadcast G2, so customers can stream directly from these cameras without additional hardware. This means customers can send video point-to-point between remote locations. The Blackmagic Streaming Decoder also has a 12G-SDI \"reference\" input that lets customers connect SDI tally, camera control plus talkback and send it back up to the encoder end. Everyone is remote, but still working together.\u003c\/p\u003e\n\u003cp\u003eCustomers can connect to the internet using their phone's mobile data for maximum flexibility when streaming from a remote location or as a backup for their primary Ethernet connection. For convenience, both the front and rear panels feature USB-C connections that can be used for phone tethering. Plus it works with the latest high speed 5G phones, as well as 4G phones. If the internet fails, Blackmagic Streaming Decoder will automatically switch its internet connection to use a connected phone. Customers can also choose to prioritize either the Ethernet connection or the phone connection.\u003c\/p\u003e\n\u003cp\u003eMost Blackmagic Design cameras support camera control, talkback and tally from an ATEM switcher via an SDI control protocol. Control is for all cameras and is embedded into the ATEM SDI outputs, and then customers select the specific camera number on the camera. This also works for cameras with built-in streaming. To do this, customers connect the Blackmagic Streaming Decoder’s REF input to the ATEM switcher's SDI output. Customers can also use the Blackmagic Streaming Encoder for cameras without streaming. Control is embedded into the SDI monitoring output of the Streaming Encoder, to connect to the Blackmagic camera’s SDI input.\u003c\/p\u003e\n\u003cp\u003eBoth the Blackmagic Streaming Encoder and Blackmagic Streaming Decoder use the modular Teranex Mini design allowing rack mounting. The ultra-portable design is only 5.5 inches wide, allowing customers to mount three in a single rack unit for simultaneous streaming to multiple independent services.\u003c\/p\u003e\n\u003cp\u003e“The current Blackmagic Web Presenters are great streaming products, but we found the name was causing some confusion. That’s why we’ve simplified both the Web Presenter and ATEM Streaming Bridge into the one Blackmagic Streaming Processors family,” said Grant Petty, Blackmagic Design CEO, “We’ve also been able to add powerful new features like camera control and tally so remote cameras know when they’re on the air. We think these new features and the convenient rack mount format will make it even easier for our customers to build broadcast quality video links across the world!”\u003c\/p\u003e\n\u003cp\u003eBlackmagic Streaming Decoder Features\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDecodes H.264 and H.265 streams to SDI and HDMI\u003c\/li\u003e\n\u003cli\u003eSupports streaming via Ethernet or tethered phones via USB\u003c\/li\u003e\n\u003cli\u003eSupports remote camera control, talkback and tally\u003c\/li\u003e\n\u003cli\u003eTethers to 5G or 4G phones for mobile remote streaming\u003c\/li\u003e\n\u003cli\u003eUSB looks like a webcam allowing support for all video software\u003c\/li\u003e\n\u003cli\u003eIncludes Blackmagic Streaming Utility software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003e1\/3rd rack width design allows 3 streams in a single rack unit\u003c\/li\u003e\n\u003cli\u003eBoth AC and DC connections allow redundant power\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50096057417961,"sku":null,"price":1009.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/Blackmagic-Streaming-Decoder-4K_2.jpg?v=1770241405"},{"product_id":"blackmagic-design-decklink-duo-2-pcie-capture-playback-card-1","title":"Blackmagic Design DeckLink Duo 2 PCIe Capture\/Playback Card","description":"\u003cp\u003eFeaturing 4 independent 3G-SDI connections, The\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eBlackmagic Design DeckLink Duo 2\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis a PCIe capture and playback card that supports SDI formats in SD and HD up to 1080p60. You get the flexibility of 4 separate capture or playback cards in one! Plus, it’s completely customizable so it’s perfect for media play-out systems, multi screen digital signage servers, real time multi channel capture systems and more!\u003c\/p\u003e\n\u003cp\u003eThis new model of DeckLink Duo 2 features 4 independent 3G-SDI connections so it can now work in high HD frame rates and it supports SDI formats in SD and HD up to 1080p60. Each SDI connection is completely independent, meaning that each of the 4 connections can input or output entirely different video standards and content streams, all at the same time. DeckLink Duo 2 can also capture and playback at the same time, and also includes a reference connection for black burst\/tri-sync. Developers can use the SDK to configure the four SDI connections to be any combination of inputs and outputs.\u003c\/p\u003e\n\u003cp\u003eFeaturing high performance 4 lane Generation 2 PCI Express, DeckLink Duo 2 takes up only one single PCI slot in the computer, which makes it the perfect solution for system integrators and developers that need completely customizable, flexible I\/O configurations on a single card. DeckLink Duo 2 appears as 4 independent SDI cards to the host computer, even though it only uses a single PCI Express slot and is ideal for use in servers that need to handle multiple video streams for both simultaneous capture and playback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSDI Video Inputs: 4 x bidirectional 12-bit SD\/HD independently configurable as either Input or Output.\u003c\/li\u003e\n\u003cli\u003eSDI Video Outputs: 4 x bidirectional 12-bit SD\/HD independently configurable as either Input or Output.\u003c\/li\u003e\n\u003cli\u003eSDI Audio Inputs: 16 channels embedded in SD and HD.\u003c\/li\u003e\n\u003cli\u003eSDI Audio Outputs: 16 channels embedded in SD and HD.\u003c\/li\u003e\n\u003cli\u003eSync Input: Tri-Sync or Black Burst.\u003c\/li\u003e\n\u003cli\u003eComputer Interface: PCI Express 4 lane generation 2, compatible with 4, 8 and 16 lane PCI Express slots.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eVideo Standards\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSD Video Standards\n\u003cul\u003e\n\u003cli\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eHD Video Standards\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003cli\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Compliance\n\u003cul\u003e\n\u003cli\u003eSMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 425M, ITU-R BT.656 and ITU-R BT.601.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Metadata Support\n\u003cul\u003e\n\u003cli\u003eRP 188\/SMPTE 12M-2 and closed captioning.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Sampling\n\u003cul\u003e\n\u003cli\u003eTelevision standard sample rate of 48 kHz and 24 bit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Color Precision\n\u003cul\u003e\n\u003cli\u003e8, 10, 12-bit RGB 4:4:4 in all modes up to 1080p30 and 8, 10-bit YUV 4:2:2 in all modes. 12-bit RGB 4:4:4 only supported in playback.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSDI Video Sampling\n\u003cul\u003e\n\u003cli\u003e8, 10, 12-bit RGB 4:4:4 in all modes up to 1080p30 and 8, 10-bit YUV 4:2:2 in all modes. 12-bit RGB 4:4:4 only supported in playback.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eColor Space\n\u003cul\u003e\n\u003cli\u003eREC 601, REC 709\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":50105548538089,"sku":null,"price":739.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/files\/DeckLink_Duo2_55808353-e3bc-4931-a99b-9b2ea23a93d6.jpg?v=1770500176"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0792\/1323\/2361\/collections\/BMD-Logo-A-CMYK.jpg?v=1770166302","url":"https:\/\/shop.broadcastshop.ca\/collections\/blackmagic-design.oembed","provider":"Broadcast Shop","version":"1.0","type":"link"}