{"title":"Featured products","description":"","products":[{"product_id":"blackmagic-design-smartview-4k-g3-uhd-monitor","title":"Blackmagic Design SmartView 4K G3 UHD Monitor","description":"\u003cp\u003e\u003cstrong\u003eSmartView 4K G3\u003c\/strong\u003e features built in optical and copper SMPTE‑2110 IP video connections so you can connect directly to IP based broadcast systems. You also get two 12G-SDI inputs for connecting to a wide range of professional video equipment. Plus both the 12G-SDI and 2110 video inputs can output to a 12G-SDI loop output connection. The design still features a lightweight machined aluminum chassis and a full resolution Ultra HD LCD. The on screen overlays include focus peaking, framing guides, safe area and more. You also get built in 3D LUTs for adding creative looks, converting log film gamma or handling custom HDR profiles.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Perfect Video Monitoring Solution!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eBroadcast - \u003c\/strong\u003eSmartView 4K is ideal for broadcast as it supports both 12G-SDI and 2110 IP up to 2160p60. Switch between SDI and IP at the push of a button! SmartView 4K follows the video input so will switch between all SD, HD or Ultra HD standards automatically!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLive Production -\u003c\/strong\u003e For live production, it's vital to get a solution with features to accurately monitor cameras. Powerful camera features include focus peaking, zoom, aspect ratio markers and tally. Plus the 4K display lets you see incredibly fine camera image detail.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFly Away Kits - \u003c\/strong\u003eFly away kits need to be portable and tough! SmartView 4K is lightweight aluminum so it's light, plus it's only a few inches deep, so allows great rack ventilation via natural convection. Plus it has lots of camera and technical monitoring features!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAnodized Machined Metal Design in Deep Black\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSmartView 4K features an incredibly strong machined aluminum metal design with crisp clean lines. The design is anodized in deep black, so it looks fantastic mounted in equipment racks with other Blackmagic Design equipment! Plus SmartView 4K is only a few inches deep. Because monitors are often installed at the top of equipment racks, this thin design allows a large area behind the monitor to better ventilate the whole rack and keep all the equipment cool. Along the bottom of the SmartView 4K is a range of button controls that are tilted slightly so they're easier to press. On the rear of the monitor are all the video connections, plus there's even a VESA mounting point!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBright High Resolution Display\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe LCD used on SmartView 4K features an extremely high resolution so it will display every pixel in an Ultra HD image. That means you get an incredibly clean image with deep color fidelity. To avoid messy fingerprints on the LCD screen, SmartView 4K has a row of buttons along the bottom of the screen so you can adjust all the monitor controls without touching the screen. SmartView 4K is designed for broadcast so it will instantly lock to a new video source, which is very common when the monitor is connected to a router and the input can change constantly to different timed sources. Unlike TVs, the video is not over scanned so you get all image pixels right to the edge of the LCD.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFront Panel Buttons for Monitor Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe SmartView 4K front panel includes a wide range of monitoring controls! The input button selects between the two 12G-SDI video inputs and the 2110 IP video input. The display button allows you to adjust display brightness. The H\/V display is a traditional broadcast monitor function that lets you look into the image blanking. Blue only is great for checking hue from SD archive content. The zoom button lets you zoom the image in for adjusting camera focus. Peaking highlights sharp image detail and is also perfect for adjusting camera focus. The 3D LUT buttons let you enable and switch between 3D LUTs. The H and V marker buttons let you display and adjust up to 4 on screen markers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes Frame Guides and Focus Peaking!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen you're working with cameras, SmartView 4K has everything you need to assist in framing and focus with its on screen graphic overlays. Overlays include safe area and safe title markers. Plus there are 4 separate frame guides, 2 vertical and 2 horizontal, which can be displayed simultaneously and are perfect for social media and feature film framing. The markers are all individually adjustable so you can create any aspect ratio you like! You also get on screen focus peaking, which can be turned on and off with a dedicated front panel button. Focus peaking is perfect when using SmartView 4K for remote camera monitoring, as you can ensure your remote camera has perfect focus at all times!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGet Color Accurate Monitoring with 3D LUTs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBroadcasters and feature film productions often work with SDI sources that are encoded with log film gamma or an HDR profile. This means the images can look washed out or have incorrect colors. SmartView 4K solves this problem because it includes support for 3D LUTs! This means you can use a 3D LUT to re-map the SDI or 2110 input colorspace to the SmartView 4K screen. Plus you could also use 3D LUTs for exciting creative looks! 3D LUTs are easy to use and are uploaded using the SmartView utility. You can also export DaVinci Resolve color grades as custom 3D LUTs. Because DaVinci Resolve can be downloaded free, it costs absolutely nothing to start creating a library of exciting 3D LUTs!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupports SD, HD and 2K DCI Film\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe high performance 12G-SDI and 10G Ethernet based 2110 IP inputs are multi rate so they support lower resolution SD for archive, plus HD for broadcast and 2K for feature film use. These include 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080i50, 1080i59.94, 1080i60, 2Kp23.98  DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI and 2Kp60 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI and 2KPsF30 DCI. When connected to 3G-SDI sources, both level A and B video standards are supported.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSupports Ultra HD and 4K DCI Film\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSmartView 4K also supports Ultra HD video standards on both its 12G-SDI and the 10G Ethernet based 2110 IP video inputs. Ultra HD video standards include 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94 and 2160p60. Supported 4K film standards include 4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI and 4Kp60 DCI, 4KPsF25 DCI, 4KPsF29.97 DCI and 4KPsF30 DCI. This means SmartView 4K is the ideal monitor because it allows you to migrate to Ultra HD and 4K work now! Plus SmartView 4K can be software updated, so new television standards can be added when they are invented.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnect Directly to SMPTE 2110 IP Networks!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNow you can build modern IP video systems because SmartView 4K fully conforms to the SMPTE‑2110 standard for IP video with both optical fiber and copper 10G Ethernet connections. SMPTE‑2110 specifies the transport, synchronization and description of video, audio and ancillary data over IP networks for broadcast. This includes support for SMPTE‑2110-20 uncompressed video, the Blackmagic IP codec for high frame rate Ultra HD as well as SMPTE‑2110-21 traffic shaping\/timing, SMPTE‑2110-30 audio and SMPTE‑2110-40 support for ancillary data. Plus the selected video input can be sent out via the 10G Ethernet SMPTE‑2110 IP connection with full support for multicast out to multiple destinations.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncludes NMOS Protocol for Virtual Routing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSmartView 4K supports the NMOS interface specifications so all your 2110 IP video devices can operate together as a large virtual router. Plus Videohub Smart Control can route sources to destinations on 2110 IP networks because it can act as an NMOS controller. The NMOS interface specification describes how SMPTE 2110 devices are discovered and controlled on IP networks. SmartView 4K supports IS-04 for discovery and registration of IP video devices and IS-05 for connection management between IP video devices. This means you can make connections between sources and destinations just like a traditional SDI router!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-in Tally Border for On Air Status\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen you’re working with live production, SmartView 4K supports the Blackmagic SDI Tally Protocol and illuminates a colored border around the image, in red for on air or green for preview. This SDI tally standard is used on all ATEM live production switchers so you can simply connect the monitor to the switcher SDI outputs to get the image and the tally with a single BNC cable. This means that a director can cut between cameras and the tally information will be sent back to the SmartView 4K via the SDI video feed. This totally eliminates complex cabling and the Blackmagic SDI Tally Protocol helps you set up for jobs much faster.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote Control Software for Mac and Windows\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen you need to change settings or update the software on your SmartView 4K, then you can simply download and run the SmartView Utility software which is available free of charge on the Blackmagic Design support site. This software is available for both Mac and Windows computers and it connects via the USB connection or Ethernet when you have the SmartView 4K Ethernet connected. You can use the utility to change the monitor custom name for identifying monitors in larger systems. You can also select between 3G-SDI level A and level B formatting. To protect against unauthorized network access, Ethernet is disabled by default, but can be enabled when connecting via USB.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDevelop Custom Remote Control Solutions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eVideohub includes a powerful remote control protocol so you can create custom remote control solutions for integrating SmartView 4K into your broadcast systems. It's extremely easy to learn because it's a simple text based protocol you can even play with using a Telnet client. This means you can create custom control solutions on all computer platforms and from embedded hardware such as Raspberry Pi and Arduino. You get full control of LCD brightness, contrast, saturation, tally, input selection and you can even activate a 3D LUT. The best way to learn the protocol is to log in using a simple Telnet app and then use the documentation in the SmartView 4K manual to try out each command.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlexible and Redundant Power\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe all in one design of SmartView 4K includes a built in power supply so you don’t have to carry around an external power brick! Simply plug it into any AC mains outlet and start live production. The international power supply automatically works from 100 to 240V AC, so you can use it anywhere in the world. Plus, for safety, SmartView 4K includes both AC and 12V DC power connections. The mini converter style 12V DC power connection is perfect for backup power or for running on batteries. Running on batteries means you can use it in extremely remote locations! Plus, if the internal power supply should ever malfunction, then you can connect a DC power supply to keep running!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Inputs - \u003c\/strong\u003e2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Outputs\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e1 loop out.\u003c\/li\u003e\n\u003cli\u003eReclocked video output that automatically switches to input selection.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Rates - \u003c\/strong\u003e270Mb, 1.5G, 3G, 6G, 12G.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOptical Video Input\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSFP Optical Fiber connector cage.\u003c\/li\u003e\n\u003cli\u003eSupports 2110 IP video and optical SDI.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMulti Rate Support - \u003c\/strong\u003eAuto detection of 4K, Ultra HD, 2K, HD or SD inputs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUpdates and Configuration - \u003c\/strong\u003eUSB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEthernet - \u003c\/strong\u003e1 x 10Gb\/s RJ‑45 connector supporting 10\/100\/1000\/10G BASE-T for SMPTE-2110 IP video in, configuration and firmware updates.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTally - \u003c\/strong\u003e9-pin D connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStandards\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSD Format Support - \u003c\/strong\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHD Format Support\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\n\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\n\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\n\u003cli\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2K Format Support\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI, 2Kp60 DCI\u003c\/li\u003e\n\u003cli\u003e2KPsF23.98, 2KPsF24, 2KPsF25, 2KPsF29.97, 2KPsF30\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUltra HD Format Support - \u003c\/strong\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4K Format Support - \u003c\/strong\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Compliance - \u003c\/strong\u003eSMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 424M Level A and B, SMPTE 425M, SMPTE 2082.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Color Space - \u003c\/strong\u003eREC 601, REC 709\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSDI Auto Switching - \u003c\/strong\u003eAutomatically selects between SD, HD, 3G, 6G and 12G-SDI.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVideo Sampling - \u003c\/strong\u003e4:2:2 and 4:4:4\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIP Video Compliance\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-20 (Uncompressed Video) - \u003c\/strong\u003eIGMP v2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-21 (Traffic Shaping)\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eSender: Narrow\u003c\/li\u003e\n\u003cli\u003eReceiver: Narrow, Wide Synchronous, Asynchronous\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-30 (PCM) - \u003c\/strong\u003eAudio Conformance level: Level C\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-40 (Ancillary Data) - \u003c\/strong\u003eFull access to entire SMPTE ancillary data stream. 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Plus each row can control up to 4 M\/Es in larger switchers. Both rows and all input buttons include LCDs for custom labeling. Each row also includes an independent select bus!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eATEM Advanced Panels - Get professional broadcast style workflows!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor the ultimate in professional control you can add an optional ATEM Advanced Panel! Although you can use ATEM Constellation with the software control panel, using an ATEM Advanced Panel is so much faster! Or choose the low cost, portable ATEM Micro Panel. ATEM Advanced Panels open up the power of your ATEM Constellation because they give you more control so you can setup more complex effects. It's also a nicer way to work because you have physical broadcast quality buttons, knobs and a t-bar fader so you can access all features in the switcher, all at the same time. Imagine using the 4 M\/E model to access all M\/Es simultaneously with an input button for every single SDI source!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeven Great ATEM Advanced Panel Models!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Advanced Panel 10 - \u003c\/strong\u003eThis model features a single M\/E row with 10 input buttons and 1 system control LCD screen with user customizable colors and label LCDs. There's also a joystick for the DVE and T-bar fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Advanced Panel 20 - \u003c\/strong\u003eLarger 1 M\/E hardware panel with 20 input buttons and 2 system control LCDs, plus buttons for control of 4 upstream keyers, 4 downstream keyers and 4 M\/E rows. Includes a joystick and T‑bar fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 1 M\/E Advanced Panel 30 - \u003c\/strong\u003eVery large 1 M\/E hardware panel with 30 input buttons and 3 system control LCDs, plus buttons for control of 4 upstream keyers, 4 downstream keyers and 4 M\/E rows. Includes a joystick and T‑bar fader.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Advanced Panel 20 - \u003c\/strong\u003eThis larger model features 2 M\/E rows with 20 input buttons on each row and 2 independent system control LCDs, one for each row. There's 8 LCDs for custom labels and both rows include a select bus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Advanced Panel 30 - \u003c\/strong\u003eProfessional 2 M\/E hardware panel with 30 input buttons on each row and 2 independent system control LCDs, one for each row. Get 8 LCDs for custom labels and each row includes a separate select bus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 2 M\/E Advanced Panel 40 - \u003c\/strong\u003eProfessional 2 M\/E hardware panel with 40 input buttons on each row and 2 independent system control LCDs, one for each row. Get 8 LCDs for custom labels and each row includes a separate select bus.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eATEM 4 M\/E Advanced Panel 40 - \u003c\/strong\u003eThis model perfectly matches the ATEM Constellation! It features 4 M\/E rows with 40 input buttons per row and 4 system control LCDs. With 32 LCDs, you can custom label every button on every row!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAccelerate Live Production! - Production is easier and fun with an ATEM control panel!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSelect Sources - Switch cameras to air instantly!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eATEM Constellation has been designed to give you the most advanced live switching workflow. Internally, ATEM Constellation has separate program and preview buses that you can use to quickly and accurately switch sources. ATEM Constellation lets you see your preview bus selection by using an aux output or on the multi view. Then all you need to do is make selections on the preview bus of the ATEM Advanced Panel, which will appear on your preview screen, allowing you to see your source before it goes on air. Then you can bring the source online by pressing cut or auto! You can also switch sources on the program bus if you need them to go live immediately!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Control - Select and customize transitions\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eGet total control over your transitions with a dedicated hardware button for each transition type! When selecting transition types, a system control LCD screen will display the options for that transition, so you can change its parameters without navigating through complex menus. It's all instantly available! That gives you multiple ways to switch. Simply select a new source on the preview bus, then press CUT for a cut transition, or AUTO to use the selected transitions such as mix, dip, wipe or DVE! You can even cut directly on the program bus. With ATEM Advanced Panels you get all the controls you need to access all transition types fast.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTransition Styles - Mix, dip, wipe, DVE and more!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eATEM switchers give you a huge range of transition styles! Mix transition will smoothly blend between sources just like an NLE cross dissolve. Standard SMPTE wipes are included and wipes can have edge softening for smooth dreamy transitions that are more exciting than simple cross dissolves. Dip transitions create a dip to color effect, however because you can dip to any video source, you could create really innovative effects! DVE transitions use the DVE to create crazy moves where the whole foreground image moves! Plus you can combine the DVE and a still image from the media pool to create graphic wipes! The t-bar fader even lets you manually position the transition for total control! With the push of a button you can choose mix, dip or wipes and even exciting programmable DVE or animated stinger transitions!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWipe Transitions - Transform wipes into exciting effects!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003ePower up your wipe transitions by accessing parameters to transform them into exciting effects. While you can select the wipe pattern directly on the LCD, you can also add lots of customization to suit your production style. You can adjust parameters such as symmetry and softness, but there are also adjustments for colored borders with variable width and softness, as well as the position of the centre of the wipe. You can even use the dedicated joystick to set precise wipe pattern positioning! Get complete control over wipe, symmetry, softness plus adjustments for colored border control with variable width and softness.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDVE Transitions - Amazing digital video effects\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eATEM Advanced Panels are perfect for positioning the DVE for custom picture in picture effects because they include a joystick. The joystick allows the position to be set precisely and rotating the knob will change DVE size. You can also use the soft knobs and menus on the LCD to adjust the DVE position, size and other DVE features such as lighting and drop shadow effects. The DVE can be setup to fly graphics into frame or select any of the pre programmed push and squeeze transitions. The built in joystick lets you position the DVE using up and down movements or you can scale the image size by rotating the joystick!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eKeyer Control - Get perfect green screen keying\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eThe system control knobs are ideal when doing chroma keying because you can finely adjust each parameter for clean key edges and seamless multi layer compositing effects. Unlike software control where you need to look at the user interface, the ATEM Advanced Panels have control knobs that you can hold while adjusting key parameters and looking at the video output live to ensure the key is seamless. Only fine adjustment of key settings live while watching the video, ensures your key is perfect. Precision control knobs can create the perfect chroma key quickly and accurately for perfect multi layer effects.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFader Bar - Manually blend transitions\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eAmazing live performances often require transitions that need to be controlled manually. The ergonomically designed t‑bar control lets you ride transitions perfectly as part of the live performance! Sometimes the emotion of a live event means you need to feel a transition to get it perfectly in sync with the camera operators and talent. Like a conductor, your ATEM Constellation is part of the performance and drives the mood as the production unfolds. The ergonomically designed T bar control lets you set transitions manually allowing you to match the emotions of the performance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAuto Transition - Perfect and predictable transitions!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eJust below the panel fader bar is the auto transition button. Selecting auto will instantly perform the transition type you have set. This ensures you can accurately select your source and transition type before triggering the action, so you always know what is going to happen and there's much less chance of mistakes going to air. Auto transitions can be programmed for durations from 1 to 250 frames and the benefit is each transition is consistent through your program. Automatic transitions can be pre programed for any duration from 1 to 250 frames and are ideal for smooth constant mixing between cameras.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePreview Transition - Simulate new effects while on air\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eUnlike the simpler front panel on ATEM Constellation, the hardware panel includes a very useful preview transition button that lets you simulate a transition or effect before you use it! The PREV TRANS button helps you avoid on air mistakes when preparing live transitions by displaying the result on your preview video output or on the multiview screen on the ATEM Constellation. Preview transition is the only way to accurately set up complicated transitions and multi layered key effects. The 1 M\/E broadcast panel features a dedicated preview transition button so you can preview the next transition before it goes to air.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFade to Black - Finish your program with style!\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eThe built in fade to black button controls the entire output of the switcher! Selecting fade to black (FTB) will smoothly fade your program output to black at a preset transition rate. Because FTB is at the end of all processing, it ensures all video layers fade out together. You can even select to fade out audio when FTB is triggered. That's useful for the start and end of your production or for fading out to commercial breaks. FTB also includes button guards to stop accidental triggering!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eJoystick - Get precise DVE control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMove elements around the screen using the Joystick! With full 3 Axis control you can adjust X, Y and Z positions of wipe patterns and position the ATEM Constellation DVEs. The joystick control with the DVE is ideal to position live video over video. Scale the size, position up down or left and right for the perfect picture in picture effect. You can also use the joystick to move the DVE and enter start and end keyframe screen positions for your own customized animated DVE moves.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Control - Change switcher settings from the menus!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou get full control right from the panel using the system control LCDs. Each system control LCD has a direct access keypad with a button for each function, and LCD and soft knobs and buttons. Simply push a keypad button to see the parameters displayed in the large LCD so you can use the soft buttons and knobs to change each setting. It’s incredibly easy and very fast! There are hundreds of switcher parameters available for keyers, transition selection, DVE, color generators as well as switcher video standard, multiview setup and even input button remapping! You can even save and recall 10 individual panel setups and store them in the panel! Plus the 2 M\/E model as 2 totally independent system control menus, while the 4 M\/E model has a massive 4 independent system control LCDs!\u003c\/p\u003e\n\u003cp\u003eConveniently located in the select bus, you can quickly set the auxiliary output and then live switch sources at the push of a button.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eChange video outputs with a single button press - \u003c\/strong\u003eAs well as the input buttons, each M\/E row has a dedicated \"select bus\" for routing video into processing and selecting sources to the aux outputs. With so many aux outputs, you can select any source into any output, just like an SDI router. Conveniently located above the ME row buttons, the select bus lets change sources with a single button press so it's very fast to use. There are even labels to show you what source is on each button. The select bus also lets you directly select inputs for other internal processing such as the keyers and DVE. Only the select bus lets you route signals internally and via the aux outputs instantly!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMedia Players - Manage built in graphics and titles - \u003c\/strong\u003eYou can select stills from the media pool in the panel LCD menus and simply pressing the media button lets you access the media player and change which image in the media pool is sent to the media player as a video source. You can select any loaded still by scrolling through the list of media pool images, which are listed showing the original file name of each image. This means you can quickly change stills and titles right from the same panel you are working on, eliminating the need to change control panels just to change a title.\n\u003cul\u003e\n\u003cli\u003eSet stills from the panel, change between stills and clips plus play and loop the clips directly from your ATEM broadcast control panel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePowerful Custom Macros - Trigger macrosat the touch of a button! - \u003c\/strong\u003eAnother benefit of the ATEM Advanced Panel is the built in macros, where you can very easily record your own custom macros and trigger them to playback with the push of a button. This means that you don’t need to use a computer to work with macros because you can trigger them from the same hardware panel you are switching from. If you edit or modify a macro the change will appear on all the connected hardware or software control panels because the macros are stored inside the ATEM Constellation itself. You can set up different macros to trigger under each macro button and the thin strip LCD under the buttons will show you which button as which macro you have assigned.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCustomizable Control Options - Control your ATEM switcher from anywhere in the world!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBecause ATEM Constellation includes a standard Ethernet connection, you can use this connection to control it remotely from long distances away. The ATEM Advanced Panel, the ATEM Camera Control panel and the ATEM Software Control for Mac and Windows all use an Ethernet connection to the ATEM Constellation, so you can setup any combination of panels you need, for the freedom to decide your ideal control setup. What this means is you can have multiple control panels all working together in parallel and at the same time. Then all these panels can be located anywhere so you could control your ATEM Constellation from the other side of the world!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoftware - \u003c\/strong\u003eSoftware control lets you control your ATEM locally or using the internet for control from anywhere in the world!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eInternet - \u003c\/strong\u003eConnect any combination of hardware and software switcher control simultaneously for multi user workflow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFree SDK - \u003c\/strong\u003eCustom develop your own control solutions by using our software developer kit included free with every ATEM switcher!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eATEM Micro Panel - Alternative Portable Panel!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe ATEM Micro Panel is a low cost solution for adding panel control to ATEM Software control. Featuring the same high end buttons as ATEM Advanced Panels you get a true broadcast quality feel. It also has a familiar layout with buttons for program and preview. You can use the shift buttons to access up to 20 sources. There are 4 upstream and 2 downstream key buttons, plus a macro button. It even has 4 M\/E buttons so you can control a massive 4 M\/E switcher! There’s a fader for smooth manual transition control, which also means it’s low profile and very portable. 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